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Painting Dionysos | An Artist's Journey with Chris BeelsJanuary 1, 2011 This blog follows my experience of working on a large (60
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January 1, 2011 This blog follows my experience of working on a large (60
http://paintingdionysos.wordpress.com/
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Painting Dionysos | An Artist's Journey with Chris Beels | paintingdionysos.wordpress.com Reviews
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January 1, 2011 This blog follows my experience of working on a large (60
paintingdionysos.wordpress.com
Moving to Canvas | Painting Dionysos
https://paintingdionysos.wordpress.com//2011/05/11/moving-to-canvas
An Artist's Journey with Chris Beels. A Pause →. May 11, 2011. The first step moving from paper to canvas was to lay out the perspective grid again and re-draw the figures from slide projections, including all the changes. [16] The large areas of dark were patched in with brown paper and the figures shaded with a raw umber grisaille. Now it was time to think again about the center. With Rainbow’s help, we provided the back-looking prone hailing figure with a front-looking supine companion. [18]. March 10...
A Pause | Painting Dionysos
https://paintingdionysos.wordpress.com//2012/01/01/a-pause
An Artist's Journey with Chris Beels. Getting ready for plein air painting →. January 1, 2012. The vegetation needs to be more enveloping, with more and darker cast shadows as on the figures in the lower right. The idea of the wild vs. cultivated grapes is there. Should there be a cluster of grapes upper right? I am a painter with a web site (Christianbeels.com) hoping to create some extra interest. View all posts by ccbeels →. This entry was posted in Dionysos. Getting ready for plein air painting →.
Getting Started | Painting Dionysos
https://paintingdionysos.wordpress.com//2011/03/05/getting-starte
An Artist's Journey with Chris Beels. Two Kinds of Painting, Field and Studio. March 5, 2011. First, drawing on gray pastel paper, I just imagined Maenads filling the space. [5] Then I imagined the dance coming out of a field into a clearing, with the exhausted reclining dancers in the foreground.[6]. The head of the dancer on the left needed to turn into the painting [13], and a new figure was needed to connect the foreground to the Dionysos. It should be a hailing, greeting figure, not the dark one...
A Pause | Painting Dionysos
https://paintingdionysos.wordpress.com/2012/01/01/a-pause
An Artist's Journey with Chris Beels. Getting ready for plein air painting →. January 1, 2012. The vegetation needs to be more enveloping, with more and darker cast shadows as on the figures in the lower right. The idea of the wild vs. cultivated grapes is there. Should there be a cluster of grapes upper right? I am a painter with a web site (Christianbeels.com) hoping to create some extra interest. View all posts by ccbeels →. This entry was posted in Dionysos. Getting ready for plein air painting →.
Dionysos | Painting Dionysos
https://paintingdionysos.wordpress.com/2011/01/15/dionysos
An Artist's Journey with Chris Beels. Examples from the Masters →. January 15, 2011. My first encounter with the story was the version of. Reading Kerenyi, I remember that one of the books I read in the fifth grade was a picture book of Minoan Crete, where boys and girls jumped naked onto the backs of bulls ( taking the bull by the horns ), and bare-breasted priestesses raised their arms in praise of the Mother Goddess. Maybe that’s where the project really started, when I was ten. Enter your comment here.
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Christian Beels, Painter: Dionysos Prints
http://www.christianbeels.com/Chris%20Beels-Pages/dionysos.html
Currently Available: Dionysos Prints. Click on images to enlarge. For the journey of finishing this painting over the last two years. What to do with a 60 X40 painting? I am looking for a good institutional home for it perhaps a wine-tasting room or a bar in a restaurant.
Christian Beels - Collection - Audrey Munson Monuments
http://www.christianbeels.com/Chris%20Beels-Pages/munson.html
Archives: Audrey Munson Monuments. Click on images to enlarge. More - - -. Go to Available Works. Return To Home Page. For more about the amazing and tragic career of Audrey Munson, the model for all these monuments,. The Firemen's Memorial Day (south end). The Firemen's Memorial Night (north end). The Isidore and Ida Straus. Titanic Monument in Straus Park. Pomona, top of the fountain. In front of the Plaza. Victory, the top of the. Maine Monument, Columbus Circle.
Paintings
http://www.christianbeels.com/Chris%20Beels-Pages/available-works.html
Click on images to enlarge. Alexis in White Kimono. Oil on Panel,. Nude on Piano Bench. Oil on Linen,. Oil on Canvas,. Riverside Drive at 92 Street. Oil on canvas, 24 X 16. Broadway at 102 Street. Oil on canvas, 17 X 24. The Firemen's Memorial Night (north end). Watercolor, 15" X 22". Pomona, top of the fountain. In front of the Plaza. Watercolor, 20" X 14". Victory, the top of the Maine Monument, Columbus Circle. Watercolor, 15" X 19".
Christian Beels, Painter: Paintings
http://www.christianbeels.com/Chris%20Beels-Pages/Page1.html
Click on images to enlarge. More - - -. Go to Available Works. Return To Home Page. Apples, cloth and bottle. Mt Ebo before the factories. The Last of the Wine.
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Painting Digitally - Digital painting tools and tutorials
Digital Painting Tools and Tutorials. Welcome to my Digital Watercolor and Mixed-Media Workshop. You have come to the right place if you are interested in painting digitally! What this site is about. Digital v. Traditional. From my own experience I would say that each benefits from the other. If you mainly want to paint digitally then I would still recommend that you play around with paint and paper because this will inform and enrich your digital painting; and, as I have already mentioned, painting ...
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Is a South Florida based company. We are licensed and insured. Painting Dimensions is a residential, commercial, interior and exterior painting company. Prior to establishing Painting Dimensions the founder and owner worked in this field for over fifteen years, and is also a qualified Residential Home Inspector. Browse our Web site for more information about Painting Dimensions. If you have any questions or would like to speak with a Painting Dimensions representative regarding our Paints or Services...
paintingdionysos.wordpress.com
Painting Dionysos | An Artist's Journey with Chris Beels
An Artist's Journey with Chris Beels. January 1, 2011. So, this last year, inspiration returned with the idea of painting a figure, (or figures! Century masters painted was for the most part borrowed from the studio. What would happen if, with the aid of photography and my. Training as a student of Francis Cunningham. I tried to bring figures into the observed outdoor world of sun-and-shade? The narratives follow in order below:. Examples from the Masters. Two Kinds of Painting, Field and Studio.
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Learn A-Z About Choosing A Dedicated Server
Learn A-Z About Choosing A Dedicated Server. Monday, 26 December 2016. Important Facts That You Must Know About Choosing Dedicated Server In USA. Before you decide on the company or the package for your requirements, it is important to consider multiple parameters in order to make the best purchase decision. Perhaps the most important thing to figure out in the first stages itself is about what your unique and specific requirements are. Do you really know why exactly you need a dedicated server?
Painting Disorders
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Painting Distractions | Things that keep me from my WSS project
Things that keep me from my WSS project. I’m looking forward to Sam Mustafa’s Aurelian rules later this year. I have some legionaries in process that I hope to show here soon, painted by my good friend Joe. This is a general stand I’ll use. It’s from the Marcus Aurelius set by Aventine miniatures. It’s anachornistic for the Aurelian era so I may get around to replacing it with an in-period general at some point, but for now, this is it. And one sized for a link on the Steve Dean forum. August 10, 2015.
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Bringing Creativity to Life. Rt has always been in my life, Starting at the coffee table with my grandmother spending many hours coloring. I have fond memories of her beautiful hands holding mine and guiding me to be creative. Now the paintbrush allows me to bring my creativity to life.
