lynnecampbellpainting.blogspot.com
Lynne Campbell Painting
http://lynnecampbellpainting.blogspot.com/2012/12/spring-acrylic-on-wood-7-x-7-in.html
Monday, December 17, 2012. Spring, acrylic on wood, 7 x 7 in. Labels: Lynne Campbell painting. Subscribe to: Post Comments (Atom). My book, "Hours and Birds". View from the Studio. Poems for a New Century. Interview with Lynne Campbell. Rock doves, acrylic on wood, 5 x 5 in.. 160;October, acrylic on wood, 7 x 7 in.. 160;Spring, acrylic on wood, 7 x 7 in. 160;untitled, acrylic on wood, 7 x 7 in. 160;History, acrylic on wood, 7 x 7 in.. Solstice, acrylic on wood, 7 x 7 in. View my complete profile.
lynnecampbellpainting.blogspot.com
Lynne Campbell Painting: November 2010
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Thursday, November 4, 2010. Storm, acrylic on wood, 7 x 7 in. Subscribe to: Posts (Atom). My book, "Hours and Birds". View from the Studio. Poems for a New Century. Interview with Lynne Campbell. Storm, acrylic on wood, 7 x 7 in. View my complete profile.
viewfromthestudio.blogspot.com
View from the Studio: The Naked and the Nude
http://viewfromthestudio.blogspot.com/2014/02/the-naked-and-nude.html
View from the Studio. Saturday, February 8, 2014. The Naked and the Nude. 8220;No man in my country has seen a woman naked and painted her as if he knew anything except that she was naked. No woman in my country is naked except at night.”. 8211; William Carlos Williams, in the essay A Matisse. 8220;In the french sun, on the french grass in a room on. A french girl lies and smiles at the sun without seeing us.” So concludes Williams after looking at a Matisse on. Calls her a nude. Where did humanism get i...
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View from the Studio: September 2009
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View from the Studio. Saturday, September 19, 2009. At Rosenfeld Gallery this month a show of Leslie Fenton’s works of paper, literally torn, wrinkled and opened and dyed and painted and soaked and handled and assembled into beautiful abstract paintings, shows what can be achieved in the inspiration of the imagination working with almost impossible tools. A large work that deserves a longer life of exhibition, as might be found in the Philadelphia Museum of Art. The Blue Hour is a term for the interval b...
viewfromthestudio.blogspot.com
View from the Studio: February 2014
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View from the Studio. Tuesday, February 11, 2014. Man and Meaning: Dick Ranck, Painter and Sculptor. There is a painting in this show that Dick began by looking at a photograph of the cave paintings in. The work of Gauguin has to come up in looking at these, and you realize that Gauguin was intuiting abstraction in his own way. Dick Ranck paints with less distraction by an exotic region across the Pacific. His wilderness is the woods of. His abstraction the sky and what the mind plays out of it, or on it.
viewfromthestudio.blogspot.com
View from the Studio: The Lense of Vision
http://viewfromthestudio.blogspot.com/2013/12/the-lense-of-vision.html
View from the Studio. Friday, December 20, 2013. The Lense of Vision. Moon photographed in 2012 with a 6-inch Newtonian reflector telescope I built. Oddly, Copley has some of that optical effect in his airless colonial portraits, and Vermeer practically sits us down in a camera obscura. Who will reawaken in us this first light of an object’s existence in our consciousness? Who can re-create the poetry of the brand new experience? Must we now have a story to include it in? Links to blogs I like.
lynnecampbellpainting.blogspot.com
Lynne Campbell Painting: December 2012
http://lynnecampbellpainting.blogspot.com/2012_12_01_archive.html
Monday, December 17, 2012. Rock doves, acrylic on wood, 5 x 5 in. October, acrylic on wood, 7 x 7 in. Spring, acrylic on wood, 7 x 7 in. Labels: Lynne Campbell painting. Untitled, acrylic on wood, 7 x 7 in. History, acrylic on wood, 7 x 7 in. Solstice, acrylic on wood, 7 x 7 in. Subscribe to: Posts (Atom). My book, "Hours and Birds". View from the Studio. Poems for a New Century. Interview with Lynne Campbell. Rock doves, acrylic on wood, 5 x 5 in.. 160;October, acrylic on wood, 7 x 7 in..
lynnecampbellpainting.blogspot.com
Lynne Campbell Painting: October 2010
http://lynnecampbellpainting.blogspot.com/2010_10_01_archive.html
Saturday, October 16, 2010. Tree Swallow, acrylic on wood, 7 x 7. Mid-Summer, acrylic on wood, 7 x 7. Thursday, October 7, 2010. Black cat (in the field of Venus and Karma). Subscribe to: Posts (Atom). My book, "Hours and Birds". View from the Studio. Poems for a New Century. Interview with Lynne Campbell. Tree Swallow, acrylic on wood, 7 x 7 Mid-Sum. Black cat (in the field of Venus and Karma). View my complete profile.
viewfromthestudio.blogspot.com
View from the Studio: April 2015
http://viewfromthestudio.blogspot.com/2015_04_01_archive.html
View from the Studio. Wednesday, April 22, 2015. Leigh Werrell, Bettina Nelson and Mary Putman at Gross McCleaf Gallery. Beware the Bear, by Leigh Werrell. Leigh Werrell's paintings and Bettina Nelson's collages share the show's title of "A Likely Story," one of those clever word plays that has an ironic as well as earnest reading. Likely stories abound, and the seeking is a large part of the fun. It is why I write these occasional blog reviews. Leigh Werrell's paintings authentically and originally trac...
viewfromthestudio.blogspot.com
View from the Studio: December 2010
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View from the Studio. Sunday, December 5, 2010. Lynne Campbell, Celia Reisman, and Christine Lafuente. Lynne Campbell and a series of her paintings. An interesting thing about this show is its frequent reference to nature, and how the artists relate to that subject in the way they paint. To see like this, and for these reasons, we require artists as guides in the visual adventure of life on earth, and the life of our spirit. Hopewell, New Jersey. Links to this post. Labels: art of nature.