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dc2e3.wordpress.com dc2e3.wordpress.com

— ANEXO P01 DCIII — | DC.II.III 1213

https://dc2e3.wordpress.com/2013/04/19/anexo-p01-dciii

2º ANO.DC.FBAUL.2012.2013. Abril 19, 2013. Fase 01 EDIÇÃO IMPRESSÃO OU DIGITAL. Objecto, suporte, formato, forma, estrutura, escala, sequência, assunto e sentido, layout, tipografia e imagens, linguagem, identidade e expressão. 01 OBJECTO (FORMA E CONTEÚDO). Conteúdos a incluir (dependendo da sua especificidade). Considerar o conteúdo (texto, imagens) e o formato dos conteúdos a incluir. Inserir elementos dinâmicos (como animações ou vídeos). 02 ESTRUTURA GOBAL E NAVEGAÇÃO. 04 LINGUAGEM E IDENTIDADE.

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— PROJ 01 DCIII — | DC.II.III 1213

https://dc2e3.wordpress.com/2013/03/20/proj-01-dciii

2º ANO.DC.FBAUL.2012.2013. Março 20, 2013. Propõe-se uma pesquisa, reflexão e elaboração de uma edição em torno de um designer de referência no do percurso de consolidação do modernismo em direcção ao pós-modernismo. Lida-se com um conjunto de 12 autores (organizados pela sua nacionalidade) tendo em conta que o espaço geográfico e conjuntura local se configuram como factores diferenciadores da natureza do seu trabalho. Contextos (movimentos e autores). Suiça wolfgang weingart e karl gerstner. Numa primei...

dc2e3.wordpress.com dc2e3.wordpress.com

— EX 00 REFS —  | DC.II.III 1213

https://dc2e3.wordpress.com/2013/02/22/ex-00-refs

2º ANO.DC.FBAUL.2012.2013. Fevereiro 22, 2013. You have to remember the design climate back in the 1970s. In British popular graphics, music and fashion there was a spirit of revivalism, recycling and retro-chic – dressing up in 1950s clothes, having your hair cut short, buying Bakelite radios. But the look of Punk didn’t offer much hope for a fresh graphic language – this is where Malcolm [Garrettl was to be invaluable. I found a parallel in it for the New Wave that was evolving out of Punk. A capa apre...

dc2e3.wordpress.com dc2e3.wordpress.com

— PROGRAMA DCIII — | DC.II.III 1213

https://dc2e3.wordpress.com/2013/02/20/programa-dciii

2º ANO.DC.FBAUL.2012.2013. Fevereiro 20, 2013. Versão resumida versão completa em pdf. We must by necessity retrieve from the past to re-invent the future. Malcolm Garret, 1990. 8220;Design is different from art; Design is content independent; Design isn’t necessarily a pro-social profession; Graphic design has its roots in language; The visual power of design derives from the idea of contrast; Nothing happens out of context; The goal of design education is resourcefulness”. Chris Pullman, 1998. As raíze...

dc2e3.wordpress.com dc2e3.wordpress.com

— EX 04 — | DC.II.III 1213

https://dc2e3.wordpress.com/2012/11/01/ex-04

2º ANO.DC.FBAUL.2012.2013. Novembro 1, 2012. A GRELHA COMO SISTEMA. Regulador de gerstner sistema de brockmann. Para Gerstner, a grelha é essencial ao programa de design. O programa enquanto grelha é um regulador proporcional para a composição de texto, imagens, etc. é um programa formal que pode acomodar N itens. A dificuldade reside em encontrar o equilíbrio, a conformidade máxima a uma regra com o máximo de liberdade: ou o máximo de constantes com a maior variabilidade possível.”. Next post →. Create ...

dc2e3.wordpress.com dc2e3.wordpress.com

— EX 02 DCIII — | DC.II.III 1213

https://dc2e3.wordpress.com/2013/03/15/ex-02-dciii

2º ANO.DC.FBAUL.2012.2013. Março 15, 2013. Things change on and beyond print. Texto / imagem espaço / composição tempo / dinâmica. Neste exercício assume-se uma noção de design gráfico enquanto construção de um discurso, evocando aspectos da sua evolução e condição. Na prática, explora-se esta construção discursiva através de articulações entre texto e imagem enquanto elementos semânticos que definem uma retórica verbal-visual; que veiculam sentido numa articulação expressiva mais do que persuasiva.

dc2e3.wordpress.com dc2e3.wordpress.com

— TXT EX 04 — | DC.II.III 1213

https://dc2e3.wordpress.com/2012/11/01/txt-ex-04

2º ANO.DC.FBAUL.2012.2013. Novembro 1, 2012. Protegido: TXT EX 04. Este conteúdo está protegido com uma palavra-passe. Para o visualizar, por favor, insira em baixo a sua palavra-passe:. Next post →. Protegido: TXT EX 02 DCIII. Protegido: TXT EX 01 DCIII. Protegido: TXT EX 04. Protegido: TXT EX 03. Protegido: EPÍLOGO EX 02. Protegido: TXT EX 02. Ana Rita Santa Rita. Ana Vanessa da Costa. Beatriz de Lima Granado. Create a free website or blog at WordPress.com.

dc2e3.wordpress.com dc2e3.wordpress.com

— LER + — | DC.II.III 1213

https://dc2e3.wordpress.com/2013/03/08/ler-2

2º ANO.DC.FBAUL.2012.2013. Março 8, 2013. Este conteúdo está protegido com uma palavra-passe. Para o visualizar, por favor, insira em baixo a sua palavra-passe:. Next post →. Protegido: TXT EX 02 DCIII. Protegido: TXT EX 01 DCIII. Protegido: TXT EX 04. Protegido: TXT EX 03. Protegido: EPÍLOGO EX 02. Protegido: TXT EX 02. Ana Rita Santa Rita. Ana Vanessa da Costa. Beatriz de Lima Granado. Este artigo está protegido por palavra-passe. Insira a palavra-passe para ver quaisquer comentários.

dc2e3.wordpress.com dc2e3.wordpress.com

— TXT EX 01 DCIII — | DC.II.III 1213

https://dc2e3.wordpress.com/2013/02/22/txt-ex-01-dciii

2º ANO.DC.FBAUL.2012.2013. Fevereiro 22, 2013. Protegido: TXT EX 01 DCIII. Este conteúdo está protegido com uma palavra-passe. Para o visualizar, por favor, insira em baixo a sua palavra-passe:. Next post →. Protegido: TXT EX 02 DCIII. Protegido: TXT EX 01 DCIII. Protegido: TXT EX 04. Protegido: TXT EX 03. Protegido: EPÍLOGO EX 02. Protegido: TXT EX 02. Ana Rita Santa Rita. Ana Vanessa da Costa. Beatriz de Lima Granado. Create a free website or blog at WordPress.com.

dc2e3.wordpress.com dc2e3.wordpress.com

— DISTRIBUIÇÃO P01 — | DC.II.III 1213

https://dc2e3.wordpress.com/2013/03/20/distribuicao-p01

2º ANO.DC.FBAUL.2012.2013. Março 20, 2013. DISTRIBUIÇÃO DOS DESIGNERS PELOS ALUNOS pdf. Next post →. Protegido: TXT EX 02 DCIII. Protegido: TXT EX 01 DCIII. Protegido: TXT EX 04. Protegido: TXT EX 03. Protegido: EPÍLOGO EX 02. Protegido: TXT EX 02. Ana Rita Santa Rita. Ana Vanessa da Costa. Beatriz de Lima Granado. Os comentários estão fechados. Blogue na WordPress.com.

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Your Digital Publishing Cheat Sheet

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