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R-U-IN?S UNBOXING MODE | r-u-ins.org Reviews
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catch and release,darsa comfort,zurich,the live hub,r u in,catalogue,via kernel,athens,issue 8 abrak48dabra,by kari altmann,sonyhd,visual aids,productlaneevol,centralunit,visual aids org,and blackmoth org,swan song,for r u in,via dis magazine,from r u in
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R-U-IN?S UNBOXING MODE | r-u-ins.org Reviews

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1

R-U-IN?S PRODUCT MODE

http://www.r-u-ins.org/releases/encrypted_connection/secure_site_001

ENCRYPTED CONNECTIONS: SECURE SITE #001 - R-U-IN? S via Kari Altmann and Sam Hancocks. ENCRYPTED CONNECTIONS: SECURE SITE #001 - R-U-IN? S via Kari Altmann and Sam Hancocks. Created on request for SUPER SUPER, London. In Real Time Gchat/Photoshop collaborative conversation. Featuring objects from the following sites/non-sites. S is an ongoing networked project facilitated and sometimes directed by Kari Altmann. With an evolving cast/crew/network of contributers, users, and supporters.

2

R-U-IN?S RAW E-PAPER SLAB FOR ART LIES MAGAZINE

http://www.r-u-ins.org/artlies/eslab

Draggable by top left corners! Right and left click at once to play. Right and left click at once to play. Sam Hancocks / Visual-Aids. Sam Hancocks / Visual-Aids. Sam Hancocks to me. 7:30 AM (6 hours ago). But what is simultaneously the movement of a surface and the tracing of a limit, if not, precisely, a fold? Right and left click at once to play. Hydrothermalemerald, via Flickr. ECSTACY PAPER from MICAH SCHIPPA. Corrugated Concrete by Brian Khek. Fllexibility and strength as national traits.

3

R-U-IN?S PRODUCT MODE

http://www.r-u-ins.org/releases/texts/supersuper

QUESTIONS FROM SUPERSUPER MAGAZINE - R-U-IN? S via Kari Altmann. 1) What do you think about the hypercommunicative nature of visual art today, with art becoming rapidly widespread and instantly accessible via media outlets like Tumblr? Has it influenced you, as an artist/s? 2) What is your typical process when putting together your work? What influences you to use the kind of images that you do? 3) What aim, if any do you intend to have on the viewer with your art?

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R-U-IN?S RAW E-PAPER SLAB FOR ART LIES MAGAZINE

http://www.r-u-ins.org/artlies/eslab/index.html

Draggable by top left corners! Right and left click at once to play. Right and left click at once to play. Sam Hancocks / Visual-Aids. Sam Hancocks / Visual-Aids. Sam Hancocks to me. 7:30 AM (6 hours ago). But what is simultaneously the movement of a surface and the tracing of a limit, if not, precisely, a fold? Right and left click at once to play. Hydrothermalemerald, via Flickr. ECSTACY PAPER from MICAH SCHIPPA. Corrugated Concrete by Brian Khek. Fllexibility and strength as national traits.

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collectivec.blogspot.com collectivec.blogspot.com

Collective Curiosity: November 2010

http://collectivec.blogspot.com/2010_11_01_archive.html

Monday, 8 November 2010. Is a new non-commercial art space in Limehouse East London. Partly built and created by former Brighton sculpture students, Paul Gwilliam and Jazmine Miles-Long, their first show opens Wednesday of this week and everyone that can make it to London should be in attendance. COPENHAGEN PLACE PRESENTS. CATALINA NICULESCU and RACHAEL CHAMPION. For the show at Copenhagen Place, Niculescu takes her cues from the folkloric traditions of modernist architecture. The movement’s as...Her vid...

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http://mat3i.tumblr.com/post/125338960011

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KARI ALTMANN

http://www.karialtmann.com/releases/index.html

Commissioned spread for ART PAPERS. FLEXIA XLE (III) for XOMIA at Ellis King Gallery. FLEXIA II for Serpentine Gallery's Extinction Marathon. TTOSHIBAA: 10,000 Impressions (2008-still going) for Idle Screenings. Soft Mobility Abstracts for FIRST LOOK. By the New Museum. IDPURE MAGAZINE ISSUES #32 and #33. GSX REMIXES and SOFT BRAND ABSTRACTS. COMMUNICATING THE ARCHIVE: PHYSICAL MIGRATION. Published by the Regional State Archives in Gothenburg, a division of the Swedish National Archives. S S O N I A Shirt.

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http://mat3i.tumblr.com/post/126328069336

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Collective Curiosity: What's good on the internets!

http://collectivec.blogspot.com/2010/11/whats-good-on-internets.html

Monday, 8 November 2010. What's good on the internets! This post is long overdue; after the talk i gave about a month ago i said i'd create a directory of sorts for reference based on what i'd spoken about, so here it is. The Company of People. Basic article about the nature of surf clubs by Paddy Johnson. Surfing Clubs: organized notes and comments. Net Art News Stuff Sorta:. Post Production - Bouriarrd. Websites Are The Art Of Our Times" - Miltos Manetas. Dispersion - Seth Price. River of the Net.

thehumanpyramid.blogspot.com thehumanpyramid.blogspot.com

HUMAN PYRAMIDS: May 2010

http://thehumanpyramid.blogspot.com/2010_05_01_archive.html

Friday, May 14, 2010. KARI ALTMANN: Zoomed-in View From The Trenches. S highlights the intersection between permanence, obsolescence, and the alluring constructions of the unreal. R-U-IN? S is a testament to its own double meaning as much as it is a challenge; all comers are invited to participate in the catalogue, to submit or remix. Plans are currently underway for a R-U-IN? S kiosk at Shanghai's World Expo. Here, Altmann responds to a question that's been on her mind for some time. Importing what I ca...

r-u-ins.tumblr.com r-u-ins.tumblr.com

R-U-IN?S

http://r-u-ins.tumblr.com/post/124463376233/musicforyourplants-a-fossilized-megalodon-tooth

Catalogue #002 (2010) : UNBOXING. A fossilized megalodon tooth.

r-u-ins.tumblr.com r-u-ins.tumblr.com

R-U-IN?S

http://r-u-ins.tumblr.com/post/125483360678/h-i-t-a-s-h-y-a-hitashya-pic-taken-by-kari

Catalogue #002 (2010) : UNBOXING. Hitashya pic taken by Kari Altmann in Dubai 2015.

r-u-ins.tumblr.com r-u-ins.tumblr.com

R-U-IN?S

http://r-u-ins.tumblr.com/post/125482707323/cargoclub-clarissa-tossin

Catalogue #002 (2010) : UNBOXING.

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R-U-IN?S UNBOXING MODE

Provisions long gone,. The cast seeks subsistence, meaning, value and identity. EDITORIALS, PRESENTATIONS, SHOWS, AND OTHER REBLOGS. Presented by Lorenzo Bernet, Till Forrer,. Yannic Joray, Fredi Fischli, Carmen Tobler. DAILY ARCHIVE-THE BACK END. Currently in Underground Economies Rare Earths Strata Mode. March 2009 - present. S FILE TRADE SHOW KIOSK. Proposal for World Expo Shanghai. FOR INDEX OF POTENTIAL (FULL OPERATIONAL TOOLBOX). S FLEXIBLE DISPLAY (E-PAPER SLAB FOR ART LIES). S on the assist.

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R-U-IN?S

Catalogue #002 (2010) : UNBOXING. Taken by Kari Altmann in Dubai 2015. Hitashya pic taken by Kari Altmann in Dubai 2015. Ldquo;Mrk2000” (Disappointment as a form of satisfaction). XOMIA (RETURN HOME, REAL FLOW, ALL TERRAIN) by Kari Altmann. A Production of Supercargo. 1 Cargo is not a manifestation of certain ideas, it is the other way round. The idea rises from the process of materials. 2 Cargo is neither subjective nor expressive. It has nothing to do with new ideas. Ideas are found on the web. 14 Mean...

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