stephanieelaineblack.com
About | Stephanie Elaine Black
https://stephanieelaineblack.com/about
Tweet about SE.Black. View @steph e black’s profile on Twitter. Stephanie Elaine Black makes socially engaged and political live art. Her own body as a means of engaging, more generally,. With the political and social. Context of the female body. She explores female struggles with freewill in relation. To her own autobiography, and encourages audiences to ‘actively’ read and. Black uses a range of mediums and styles such as: fine art, sound,. Dialogue with the audience. Her work often. You are commenting...
timjeeves.com
Tim Jeeves - Links
http://www.timjeeves.com/Links.html
Writer, producer and academic. Thomson’s Bank of Communicable Desire. The entire dark dream outside. Stoke Newington International Airport. Used to be a sweatshop, now an independent arts club. Performer, writer and producer. The world's best network for new work. Performer and set designer. The Institute for the Art and Practice of Dissent at Home. Run out of a council house in Everton, Liverpool. Grunts for the Arts. Pioneers of perfection within the sporting arts. The Free University of Liverpool.
autumnbling.blogspot.com
not knowing, listening, quietness: June 2015
http://autumnbling.blogspot.com/2015_06_01_archive.html
Not knowing, listening, quietness. Monday, 8 June 2015. Not a tight community, but a community. A few days ago I was lucky enough to be on a panel. With the wonderful artist Rosemary Lee. Who has inspired me for many years. She said something that struck me. She said,. What I’m looking for is a community. Not a tight community, but a wider community. Subscribe to: Posts (Atom). Not a tight community, but a community. Real) places I really like. Aurora Retreat, Swedish Lapland. Rubyfruit, Blue Mountains.
autumnbling.blogspot.com
not knowing, listening, quietness: October 2015
http://autumnbling.blogspot.com/2015_10_01_archive.html
Not knowing, listening, quietness. Thursday, 22 October 2015. 1 On not having opinions. When I was young I used to ask myself frequently, “what will it be like when I am old enough to have opinions? Will I have any? How will I know what they are, what they should be? Niceness being used to disguise:]. Reproducing structures of oppression. Reproducing structures of listening (who is heard, what is heard). What is seen as] BEING TOO NICE = [labelled as] Of Lesser Value. Why else would we do it? About this ...
autumnbling.blogspot.com
not knowing, listening, quietness: December 2014
http://autumnbling.blogspot.com/2014_12_01_archive.html
Not knowing, listening, quietness. Thursday, 11 December 2014. Black British Feminisms: where and how does the work begin? Just got back from this event. At the Centre for Feminist Research. White hegemonic knowledge stands between the people who really need to have the conversation." - Camel Gupta. And there was an impromptu song. And this reminded me of being at ROOTS. I found myself thinking this: "where and how does the work begin? And I found myself answering like this:. How = by acknowledging each ...
autumnbling.blogspot.com
not knowing, listening, quietness: A new normal
http://autumnbling.blogspot.com/2016/02/a-new-normal.html
Not knowing, listening, quietness. Tuesday, 23 February 2016. Some wandering thoughts on ‘here’ and ‘there’ following a move from London to Sydney (having moved to Sydney in June 2015, and then spent four and a half months back in London October-February)…. The moment right before I grow any roots or find any bearings or create any categories. The moment in which I am aware of my own assumptions. The moment in which I know that what I am calling ‘normal’ is just one version of things. Of course, it is ne...
autumnbling.blogspot.com
not knowing, listening, quietness: April 2015
http://autumnbling.blogspot.com/2015_04_01_archive.html
Not knowing, listening, quietness. Thursday, 23 April 2015. The Eradication of Schizophrenia in Western Lapland. Some notes on The Eradication of Schizophrenia in Western Lapland. Which I've seen twice, and continue to find difficult to describe - and that's a great thing. These notes were written freeform and fast, about a year after I first saw the show. They haven't been edited.They're a bit clumsy. 20/02/15 2.30-2.50pm. Thursday, 16 April 2015. How We Are Seen or The Bananas Incident. I tried to leav...
spilloverspill.blogspot.com
Spill: Overspill: Pieces of America 2 - by Rajni Shah and Mary Kate Connolly
http://spilloverspill.blogspot.com/2009/05/pieces-of-america-2-by-rajni-shah-and.html
Critical writing in response to the Spill Festival: the UK’s newest festival of performance, live art and experimental theatre. Pieces of America 2 - by Rajni Shah and Mary Kate Connolly. Pieces of America 2. A very sideways look at the experience of performing and attending Rajni Shah’s. In real and conceptual space. Co-authored by Rajni Shah and Mary Kate Connolly. What do they look like? Are they smiling or frowning or talking? Do they think they are making eye contact with me? Have they sat down?
performancemarks.blogspot.com
performance ~ marks: August 2009
http://performancemarks.blogspot.com/2009_08_01_archive.html
To perform from the Old French 'parfourmir' meaning 'to provide thru., to provide for every.' how might we make performance that provides exceptional experiences for the people we seek to connect with? Tuesday, 4 August 2009. White man's burden' at edinburgh, 19th august. Our show will be at edinburgh for one performance only as part of the Critical Incident Edinburgh day of events. 1700-1800, wednesday 19th august. At The Melting Pot, 5 Rose Street, Edinburgh. For full programme information and booking:.
performancemarks.blogspot.com
performance ~ marks: eonnagata
http://performancemarks.blogspot.com/2009/06/eonnagata.html
To perform from the Old French 'parfourmir' meaning 'to provide thru., to provide for every.' how might we make performance that provides exceptional experiences for the people we seek to connect with? Friday, 26 June 2009. Conceived and performed by. Sylvie Guillem, Robert Lepage,. Sadlers Wells in association with Ex Machina and Sylvie Guillem. Lighting Designer Michael Hulls. Costume Designer Alexander McQueen. Sound Designer - Jean-Sebastien Cote. Sylvie Guillem, world-renowned theatre-maker. Draw no...
SOCIAL ENGAGEMENT