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co-lab.us

MK12 | CO-LAB

http://co-lab.us/mk12

We play to our strengths, but at the same time, we share the role of Creative Director. Timmy Fisher. Timmy Fisher, Partner. Kansas City, MO. What makes the MK12 community and process different? How does your studio facilitate/inspire collaboration? The biggest nod toward collaboration within the studio is that we have no walls between our workstations. It’s an open studio, with groupings of three multi-hexagonal desk surfaces that sit in honeycomb formations. All in all, the space is around 6000 ft.

co-lab.us

BALTIMORE PRINT STUDIOS | CO-LAB

http://co-lab.us/baltimore-print-studios

The need for interdisciplinary designers is certainly growing, but often it’s a jack of all trades, master of none situation. There’s something to be said for bringing in the experts on something you’re not as good at, and working with them to make something better than you could do alone. Kyle Van Horn. Kyle Van Horn Kim Bentley, Co-Founders. How do your individual backgrounds compliment one another? What is your collaborative process? How do you co-manage your print studio? We also did a.

co-lab.us

TYPEJOCKEYS | CO-LAB

http://co-lab.us/type-jockeys

Eight would be the maximum; we want to keep it private and warm. Anna Fahrmaier. Anna Fahrmaier Thomas Gabriel Michael Hochleitner Stephan Kirsch, Co-Founders. What is the collaborative type design and graphic design processes at Typejockeys? Does everyone work on an aspect of a typeface/design, or do you work on different projects simultaneously? How do your design personalities and skills work well together? Do you change roles depending on the project and who is involved? Is it easier to collaborate o...

co-lab.us

SILENT BARN | CO-LAB

http://co-lab.us/silent-barn

Buy the cheapest space you can find and split that cost with your friends. Then do whatever the fuck you want. Devin Lilly. Devin Lilly Lani Combier-Kapel, Chefs. New York, NY. Can you briefly describe the genesis/development of the Silent Barn? Before Silent Barn’s current formation and address, it was an underground music and arts venue for about seven years. The venue is now a collective model, run solely by 60 volunteers, aka chefs. Collaboratively speaking, how is the Silent Barn made possible?

co-lab.us

THE NEW SCHOOL | CO-LAB

http://co-lab.us/453

co-lab.us

CON ARTIST COLLECTIVE | CO-LAB

http://co-lab.us/con-artist-collective

Forcing people to face into the room, not allowing people to work privately, and requiring members to walk past each other, all force moments of active and passive interaction. Brian Shevlin. Brian Shevlin, Owner. New York, NY. How is Con Artist a sandbox for collaborative creativity? What is the impact of environment or space on collaboration? Our architecture firm,. How does a collective function differently than a collaborative? Architect: O to 1. Courtesy of Brian Shevlin. Architect: O to 1.

co-lab.us

CHRISTIAN BUCKLEY | CO-LAB

http://co-lab.us/christian-buckley

I was talking about this idea of having to go to a separate location to do your collaboration versus collaborating where you are working: the more you force people to step outside of what is natural for them, the less likely that they are to do that. Christian Buckley. Product and Technology Strategist. Why did you chose the social collaboration arena of tech? So what made you decide to write about social? How much are the tools still under development? But the seminal problem, that when you look at Yamm...

co-lab.us

SHOP | CO-LAB

http://co-lab.us/shop

co-lab.us

TYPE TOGETHER | CO-LAB

http://co-lab.us/type-together

The increase in the publication of new quality fonts over the past few years, did make it harder to be a one-man/woman foundry if you expect to make a living out of selling your typefaces. We think it is more viable to join forces and create a kind of type cooperative. Veronica Burain. Veronika Burian José Scaglione, Type Designers. Interview with Veronica Burain:. Do you each have studios in Spain and Argentina? The company is registered in Prague, but we do not have a representative studio there. Most ...

co-lab.us

MANDEL + ZAKARI | CO-LAB

http://co-lab.us/mandel-zakari

It is very fluid. We go to the beach, and while our daughter is running off into the ocean, we might be talking about the work. It is integrated into our lives. There is no separation between work and leisure. Chantal Zakari. Mike Mandel Chantal Zakari, Graphic Arts Photography Faculty, SMFA. What is your collaborative process? Can you elaborate on the role of collaboration in activist work? One activist artwork that we collaborated on was. Walmart withdrew their application after our billboard was up fo...