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Reviewing the Harlem Renaissance | American Studies, University of East Anglia.

American Studies, University of East Anglia.

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Reviewing the Harlem Renaissance | American Studies, University of East Anglia. | reviewingtheharlemrenaissance.wordpress.com Reviews
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Reviewing the Harlem Renaissance | American Studies, University of East Anglia. | reviewingtheharlemrenaissance.wordpress.com Reviews

https://reviewingtheharlemrenaissance.wordpress.com

American Studies, University of East Anglia.

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1

Zora Neale Hurston’s ‘How It Feels to Be Colored Me’ – by Jenny Whitaker | Reviewing the Harlem Renaissance

https://reviewingtheharlemrenaissance.wordpress.com/2014/04/07/zora-neale-hurstons-how-it-feels-to-be-colored-me-by-jenny-whitaker

Reviewing the Harlem Renaissance. American Studies, University of East Anglia. Zora Neale Hurston’s ‘How It Feels to Be Colored Me’ – by Jenny Whitaker. Zora Neale Hurston’s 1928 autobiographical essay. How It Feels to Be Colored Me. Offers a complex expression of racial identity in the United States. Samira Kawash described Hurston’s challenge to ‘the fixity and boundedness of such categories as race and nation’. [1]. Throughout the latter half of the essay Hurston presents a tension between her ‘color’...

2

Nella Larsen’s ‘Quicksand’ and ‘Passing’ – By Hannah Winter | Reviewing the Harlem Renaissance

https://reviewingtheharlemrenaissance.wordpress.com/2014/04/16/nella-larsens-quicksand-and-passing

Reviewing the Harlem Renaissance. American Studies, University of East Anglia. Nella Larsen’s ‘Quicksand’ and ‘Passing’ – By Hannah Winter. Larsen questions racial outlines via the problematic notion of the ‘colour line’ in both. Which also entertains the idea of European travel, thus likening Larsen’s fiction to those texts within the sphere of influential contemporary African American writing. 1] Larson, Charles R. Introduction to. The Complete Fiction of Nella Larsen: Passing, Quicksand and the stories.

3

Nella Larsen’s ‘Passing’ by Katie Ward | Reviewing the Harlem Renaissance

https://reviewingtheharlemrenaissance.wordpress.com/2015/04/23/nella-larsens-passing-by-katie-ward

Reviewing the Harlem Renaissance. American Studies, University of East Anglia. Nella Larsen’s ‘Passing’ by Katie Ward. Anonymous. Beyond the Colour Line. In Passing, Nella Larsen, edited by Carla Kaplan, 85-87. New York: Norton, 2007. Blackmer, Corinne E. The veils of the law: race and sexuality in Nella Larsen’s passing. College Literature 3 (1995): 50. Literature Resource Centre, EBSCOhost (accessed February 14, 2015). Larsen, Nella. Quicksand and Passing. London: Serpent’s Tale, 2001. Pelak, Cynthia F...

4

Bessie Smith’s ‘’aint Nobody’s Bizness if I do’ By Emily Smith | Reviewing the Harlem Renaissance

https://reviewingtheharlemrenaissance.wordpress.com/2015/05/11/bessie-smiths-taint-nobodys-bizness-if-i-do-by-emily-smith

Reviewing the Harlem Renaissance. American Studies, University of East Anglia. Bessie Smith’s ‘’aint Nobody’s Bizness if I do’ By Emily Smith. Alberston, C (2008). Bessie . New Haven: Yale University Press. Carby, H. (1992). Policing the Black Woman’s Body in an Urban Context. Critical Inquiry. 18 (4), 738-755. DuBois, W.E.B. (2004). XIV. In: Gates JR, H. and McKay, N. The Norton Anthology of African American Literature. New York: Norton. 758-765. Last accessed 4th March 2015. Last accessed 4th March 2015.

5

Langston Hughes’s ‘Cross’ – By Sharon Abraham | Reviewing the Harlem Renaissance

https://reviewingtheharlemrenaissance.wordpress.com/2014/04/03/langston-hughess-cross-by-sharon-abraham

Reviewing the Harlem Renaissance. American Studies, University of East Anglia. Langston Hughes’s ‘Cross’ – By Sharon Abraham. Langston Hughes was one of the leading figures of the Harlem Renaissance movement and was considered the most prolific and the most successful [1]. Hughes was known primarily for his poetry as his poetry truly evoked the sprit of Black America [2]. This notion of Black America is an idea that is explored problematically in Hughes’ poem. Is the prevalent theme of the ‘tragic mulatt...

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Containing Multitudes - American Studies UEA: May 2014

http://american-studies-uea.blogspot.com/2014_05_01_archive.html

Friday, 16 May 2014. American Studies Annual Symposium - 10th June 2014. On the 10th June in UEA Arts 3.03 postgraduates and staff will be presenting their research at the 5th Annual American Studies Symposium. There is a definite interdisciplinary feel to this years symposium, with panels addressing themes including the body, race and representation, nature, poetry and aesthetics. Full programme after the jump. Tuesday, 13 May 2014. AMS Students Review the Harlem Renaissance. Subscribe to: Posts (Atom).

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About | Fragments of Union

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The Cultural Making and Breaking of Britain. This is the blog to accompany a new undergraduate course at Swansea University’s English Department: ‘Fragments of Union: The Cultural Making and Breaking of Britain’. If all identities are in a sense ‘imagined’, why have certain kinds of identities been significant in particular periods? How does a ‘four nations’ approach, well-established in historical studies, function in literary studies? The model used is that adopted by the ‘Reviewing the Harlem Renaissa...

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Reviewing the Harlem Renaissance | American Studies, University of East Anglia.

Reviewing the Harlem Renaissance. American Studies, University of East Anglia. Langston Hughes’s ‘The Negro Artist and the Racial Mountain’ by Griffin Shiel. It is the duty of the younger Negro artist, if he accepts any duties at all from outsiders, to change through the force of his art that old whispering “I want to be white,” hidden in the aspirations of his people, to “Why should I want to be white? I am a Negro–and beautiful”? Bessie Smith’s ‘’aint Nobody’s Bizness if I do’ By Emily Smith. DuBois, W...

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