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Gertrude Stein & Pablo Picasso

Matisse, Picasso, and the Parisian Avant-Garde. I edited this series of clips for the 2011 SFMOMA exhibition The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde. The curator interviews that form the basis for the clips were audio-only, which created visual challenges, because video tends devour images quickly. I dealt with these challenges by re-using footage in different ways, turning some images into ‘archival looking’ footage, and making extensive use of detail shots.

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Gertrude Stein & Pablo Picasso | richard-robertson.com Reviews
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Matisse, Picasso, and the Parisian Avant-Garde. I edited this series of clips for the 2011 SFMOMA exhibition The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde. The curator interviews that form the basis for the clips were audio-only, which created visual challenges, because video tends devour images quickly. I dealt with these challenges by re-using footage in different ways, turning some images into ‘archival looking’ footage, and making extensive use of detail shots.
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Gertrude Stein & Pablo Picasso | richard-robertson.com Reviews

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Matisse, Picasso, and the Parisian Avant-Garde. I edited this series of clips for the 2011 SFMOMA exhibition The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde. The curator interviews that form the basis for the clips were audio-only, which created visual challenges, because video tends devour images quickly. I dealt with these challenges by re-using footage in different ways, turning some images into ‘archival looking’ footage, and making extensive use of detail shots.

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Gertrude Stein & Pablo Picasso

Matisse, Picasso, and the Parisian Avant-Garde. I edited this series of clips for the 2011 SFMOMA exhibition The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde. The curator interviews that form the basis for the clips were audio-only, which created visual challenges, because video tends devour images quickly. I dealt with these challenges by re-using footage in different ways, turning some images into ‘archival looking’ footage, and making extensive use of detail shots.

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