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richard garrison

Trees 2012 - 2013. Garrison's strong colors, veering toward the primary, and tactile surfaces could stand alone as compelling examples of nonobjective art. But, by introducing recognizable imagery, he escalates the spatial and conceptual tension that binds the disparate elements in a precarious equilibrium. That his simply constructed figures convey a sense of individuality and mood is an unexpected bonus. CeCe Bullard - Richmond-Times Dispatch.

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richard garrison | richardgarrisonart.com Reviews
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Trees 2012 - 2013. Garrison's strong colors, veering toward the primary, and tactile surfaces could stand alone as compelling examples of nonobjective art. But, by introducing recognizable imagery, he escalates the spatial and conceptual tension that binds the disparate elements in a precarious equilibrium. That his simply constructed figures convey a sense of individuality and mood is an unexpected bonus. CeCe Bullard - Richmond-Times Dispatch.
<META>
KEYWORDS
1 richard garrison
2 work
3 still life
4 selected archives
5 wakemed commission
6 cd design
7 painted guitar
8 news/reviews
9 links
10 resume
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richard garrison,work,still life,selected archives,wakemed commission,cd design,painted guitar,news/reviews,links,resume,website by otherpeoplespixels
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richard garrison | richardgarrisonart.com Reviews

https://richardgarrisonart.com

Trees 2012 - 2013. Garrison's strong colors, veering toward the primary, and tactile surfaces could stand alone as compelling examples of nonobjective art. But, by introducing recognizable imagery, he escalates the spatial and conceptual tension that binds the disparate elements in a precarious equilibrium. That his simply constructed figures convey a sense of individuality and mood is an unexpected bonus. CeCe Bullard - Richmond-Times Dispatch.

INTERNAL PAGES

richardgarrisonart.com richardgarrisonart.com
1

richard garrison

http://richardgarrisonart.com/section/397939-Selected-Archives.html

Trees 2012 - 2013. Acrylic, paper, sheet metal, charcoal, oil on panel. 9/11 darkness at noon. Oil, concrete, charcoal, sheet metal, paper, photo collage on panel. Seated figure with cup and flower. Woman with green cross. Acrylic, paper, sheet metal, charcoal, oil on panel. Performer (figure reading music). Acrylic, paper, sheet metal, charcoal, oil on panel. Acrylic, paper, sheet metal, charcoal, oil on panel. Please check back later.

2

richard garrison

http://richardgarrisonart.com/section/113629-BIO.html

Trees 2012 - 2013. Trees and the listening sky". Trees and the listening sky" show. In the studio - 2009. Working on the painting "Halo" - 2010. Working on "Halo" with "Connection" next to it - 2010.

3

richard garrison

http://richardgarrisonart.com/section/104204-Still-life.html

Trees 2012 - 2013. Two white cups on blue/gray. Oil and mixed media on panel. Oil and mixed media on panel. Coffee and the paper. Oil and mixed media on paper. Two yellow cups with fork. Oil and mixed media on panel. Industrial strength cup #1. Acrylic and mixed media on panel. Two cups with "497". Oil and mixed media on panel. Oil and mixed media on panel. Industrial strength cup #2. Acrylic and mixed media on panel.

4

richard garrison

http://richardgarrisonart.com/news.html

Trees 2012 - 2013. Garrison's strong colors, veering toward the primary, and tactile surfaces could stand alone as compelling examples of nonobjective art. But, by introducing recognizable imagery, he escalates the spatial and conceptual tension that binds the disparate elements in a precarious equilibrium. That his simply constructed figures convey a sense of individuality and mood is an unexpected bonus.". The News and Observer. The News and Observer. RECENT AND UPCOMING EXHIBITIONS:.

5

richard garrison

http://richardgarrisonart.com/section/104173-2008-2009.html

Trees 2012 - 2013. This group of paintings is largely the result of my recent study of ancient and Pythagorean geometry, sometimes referred to as Sacred Geometry because it goes beyond a description of spatial order to an analysis of the basic structure of the universe, and the metaphysical laws that govern it. I have been interested in humanity’s place within that universal structure, and humanity’s relationship with the metaphysical, the spiritual, the sacred. Oil and mixed media on panel.

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LINKS TO THIS WEBSITE

artat.blogspot.com artat.blogspot.com

REAL ART: The viewing ((II)

http://artat.blogspot.com/2015/05/the-viewing-ii.html

The blog of British artist Sheila Vaughan showing current paintings and activities. Sunday, May 17, 2015. The viewing ( II). Oil on canvas 30" x 30". Posted by Sheila Vaughan. Most paintings are for sale. Please. Clickable link)if you are interested in a purchase. View my complete profile. A world of her own. The past is a foreign country. Head of a child. Girl with the long hair. Head of a young girl. Girls with a cat. New work with oil pastel. The viewing ( II). Blogs and websites of favourite painters.

artat.blogspot.com artat.blogspot.com

REAL ART: I remember, I remember

http://artat.blogspot.com/2015/01/i-remember-i-remember.html

The blog of British artist Sheila Vaughan showing current paintings and activities. Saturday, January 31, 2015. I remember, I remember. Oil on hardboard 16" x 14". My mother always tied back my hair with a tartan ribbon. She had a penchant for all things Scottish. The hard lines came back but this one might get the "I'm all yours" treatment when she is dry. Not sure yet.. Posted by Sheila Vaughan. Splendid, I love the feeling of a drawing in this. Did you start with a drawing? Makes me think of Holbein.

artat.blogspot.com artat.blogspot.com

REAL ART: The Masterpiece

http://artat.blogspot.com/2015/05/the-masterpiece.html

The blog of British artist Sheila Vaughan showing current paintings and activities. Wednesday, May 06, 2015. Oil on canvas 24" x 24". Posted by Sheila Vaughan. Most paintings are for sale. Please. Clickable link)if you are interested in a purchase. View my complete profile. A world of her own. The past is a foreign country. Head of a child. Girl with the long hair. Head of a young girl. Girls with a cat. New work with oil pastel. The viewing ( II). Blogs and websites of favourite painters.

artat.blogspot.com artat.blogspot.com

REAL ART: Self portrait as my mother

http://artat.blogspot.com/2015/02/self-portrait-as-my-mother.html

The blog of British artist Sheila Vaughan showing current paintings and activities. Monday, February 16, 2015. Self portrait as my mother. Acrylic on canvas panel 16" x 12". Posted by Sheila Vaughan. I have a suggestion: take a copy of this post, as well. It also paints a loving picture of your mum. Thanks Sam, a good idea. I cant seem to comment on the newest post but the new piece is stunning as is so much of your work. Packed with such emotion! Subscribe to: Post Comments (Atom). I see (re-work 2).

artat.blogspot.com artat.blogspot.com

REAL ART: My turn

http://artat.blogspot.com/2015/02/my-turn.html

The blog of British artist Sheila Vaughan showing current paintings and activities. Tuesday, February 10, 2015. Acrylic on canvas board 9.5" x 7". Posted by Sheila Vaughan. Sheila these self portraits are amazing! So strong. So honest. Riveting! Its amazing to be looking at such serious, beautifully executed works of art, and chuckling over the name. Your titles are wonderful. And this is great. Subscribe to: Post Comments (Atom). Most paintings are for sale. Please. View my complete profile.

artat.blogspot.com artat.blogspot.com

REAL ART: I ask

http://artat.blogspot.com/2015/02/i-ask.html

The blog of British artist Sheila Vaughan showing current paintings and activities. Saturday, February 07, 2015. Acrylic on hardboard 9.5" x 7". Posted by Sheila Vaughan. I love this. Asking your face to tell you who you are. I sometimes wonder what people did before mirrors. That reflection as you are telling us with these paintings, is so vital to our being. I know - its odd isnt it. I dont look in a mirror much unless Im painting and then I find I want to look beyond what I see. I see (re-work 2).

artat.blogspot.com artat.blogspot.com

REAL ART: Inconsequential

http://artat.blogspot.com/2015/02/inconsequential.html

The blog of British artist Sheila Vaughan showing current paintings and activities. Wednesday, February 11, 2015. Acrylic on canvas board 9.5" x 7". Posted by Sheila Vaughan. Love the neutral background against the strongly painted portrait, the nuances of colour in the skin tones keeps it lively. Thank you Sally. I see new things each time. I thought these portraits would be getting samey but they havent so far. Subscribe to: Post Comments (Atom). Most paintings are for sale. Please. I see (re-work 2).

artat.blogspot.com artat.blogspot.com

REAL ART: I remember, I remember (re-work)

http://artat.blogspot.com/2015/01/i-remember-i-remember-re-work.html

The blog of British artist Sheila Vaughan showing current paintings and activities. Saturday, January 31, 2015. I remember, I remember (re-work). Oil on hardboard 16" x 14". Posted by Sheila Vaughan. Im amazed and fascinated by what you do with line and tone. Thanks Marcia, this one was much more intuitive as I think you can see! I agree with Marcia. Love this little girl. Subscribe to: Post Comments (Atom). Most paintings are for sale. Please. Clickable link)if you are interested in a purchase.

artat.blogspot.com artat.blogspot.com

REAL ART: I know (re-work)

http://artat.blogspot.com/2015/02/i-know.html

The blog of British artist Sheila Vaughan showing current paintings and activities. Monday, February 02, 2015. Acrylic on canvas board 9.5" x 7". Spent today re-working these two portraits. I added more texture to the surface by using a knife and also acrylic modelling paste by W&N Galleria. I like the idea of building up an image as well as seeking it through previous layers of paint. . Posted by Sheila Vaughan. So much in this face. Super. Diane, thank you. Your cats - oh my! View my complete profile.

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Trees 2012 - 2013. Garrison's strong colors, veering toward the primary, and tactile surfaces could stand alone as compelling examples of nonobjective art. But, by introducing recognizable imagery, he escalates the spatial and conceptual tension that binds the disparate elements in a precarious equilibrium. That his simply constructed figures convey a sense of individuality and mood is an unexpected bonus. CeCe Bullard - Richmond-Times Dispatch.

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