glasfrynproject.org.uk
HAY POETRY JAMBOREE 2011 – Glasfryn Project
http://glasfrynproject.org.uk/w/361/hay-poetry-jamboree-2011
Skip Navigation (go to main content). HAY POETRY JAMBOREE 2011. The Hay Poetry Jamboree. FRIENDS OF THE JAMBOREE. AND SUPPORT US BY BECOMING A FRIEND (you’ll find info on the Friends page). 630 – 7.30 pm. 730 – 9.15 pm. Ralph Hawkins and Allen Fisher. 11 – 12 am. Colin Still on the making of his award winning 1996 documentary How Terrible Orange Is/& Life: A Film on Frank O’Hara. 200 – 4.00 pm. Helen Lopez, John Freeman, Angela Gardner, Rhys Trimble, Paul Green. 500 – 6.00 pm. 730 – 9.15 pm. Was publishe...
beesinthewoods.blogspot.com
A Wood Of One's Own: July 2014
http://beesinthewoods.blogspot.com/2014_07_01_archive.html
Tuesday, 22 July 2014. Jim Causley’s Cyprus Well at Bodmin Moor Poetry Festival. The album is a selection of Charles Causley poems set to music by Jim Causley, a distant relative of the poet. Jim Causley’s musical settings bring a fresh insight to a poet who is both well-known and under-appreciated. Jim Causley’s lower register has a depth and richness worthy of our surrounding moorland. He and his musical partner, Lukas Drinkwater, bantered and engaged with the audience. Try and catch Jim and Lukas.
beesinthewoods.blogspot.com
A Wood Of One's Own: Nerve Damage
http://beesinthewoods.blogspot.com/2016/04/nerve-damage.html
Sunday, 24 April 2016. I have a poem in the recently published anthology Nerve Damage. An collection of poetic responses to Joel-Peter Witkin's image The Poet. Edited by Rupert Loydell. I'm delighted to feature alongside poets such as Carrie Etter, David Grubb, Martin Stannard and Robert Sheppard as well as everyone else. A really interesting spoon-eyed mix of people. Subscribe to: Post Comments (Atom). Robert Sheppard: Petrarch 3: first review by Alan Baker. J Karl Bogartte, Black Market.
johnwelch.blogspot.com
John Welch: June 2013
http://johnwelch.blogspot.com/2013_06_01_archive.html
Friday, 14 June 2013. ABDULKAREEM KASID AT THE BRITISH LIBRARY. To the BL last week, to record, alongside his reading in Arabic, some of the English versions of the London-based Iraqi poet's poems that I've been making with him over the last two or three years. He's on my right. The Punjabi poet Amarjit Chandan, who conducted the interview with Kareem accompanying the reading, is on my left. The photo was taken by curator Stephen Cleary. Something for the heritage industry? In the same palace then veggon...
johnwelch.blogspot.com
John Welch: February 2011
http://johnwelch.blogspot.com/2011_02_01_archive.html
Friday, 4 February 2011. I was walking down Portland Place the other day and there it was, a big handsome brass plate: ‘Anaesthesia Heritage Centre’ Opening hours were given but with this caveat: ‘An appointment is recommended.’ Well you would need one wouldn’t you? The website recommends ‘Blue Plaques and Buildings: a history of anaesthesia walk around London’. I suppose this raises the question whether there is perhaps a ‘crisis of productivity’ in poetic output? Subscribe to: Posts (Atom). Born in Lon...
johnwelch.blogspot.com
John Welch: July 2009
http://johnwelch.blogspot.com/2009_07_01_archive.html
Tuesday, 7 July 2009. Martha Kapos wrote of Amanda Welch’s previous cycle of work, the ‘Devon Paintings’: ‘What if you wanted a kind of painting truer to the painter’s walking eye, a painting closer to the experience of landscape as we actually enter it and circulate within it? What if you wanted all of these images and shapes together within the same surface, within the same pictorial whole? Subscribe to: Posts (Atom). View my complete profile. Simple template. Template images by gaffera.
johnwelch.blogspot.com
John Welch: June 2009
http://johnwelch.blogspot.com/2009_06_01_archive.html
Tuesday, 2 June 2009. In particular why music all the way through the reading the Llanbyri poem rendering the words only semi-audible? I’m not sure how successful her later work always is, but one thing is certain. It is a serious and determined move into territory occupied by certain other poets at that time as well, and it deserves a lot better than to be ‘edited out’ like this. Subscribe to: Posts (Atom). View my complete profile. Simple template. Template images by gaffera.
johnwelch.blogspot.com
John Welch: January 2013
http://johnwelch.blogspot.com/2013_01_01_archive.html
Friday, 18 January 2013. BEING IN THE STUDIO WITH HACKNEY DOWNS'. This is Amanda Welch's account of her Hackney Downs project, which she has been working on for the last three years or so. The book is out now, and she writes:. Have tried to tell the story of this journey in my book. The book could be said to be its concluding work. More information on Amanda Welch's website: www.amandajanewelch.com. 62 pages 25cm x 20cm with 90 full-colour illustrations. 163;12.50 £2.35 p&p. Available from The Many Press.
johnwelch.blogspot.com
John Welch: ANAESTHESIA'S HERITAGE
http://johnwelch.blogspot.com/2011/02/anaesthesias-heritage.html
Friday, 4 February 2011. I was walking down Portland Place the other day and there it was, a big handsome brass plate: ‘Anaesthesia Heritage Centre’ Opening hours were given but with this caveat: ‘An appointment is recommended.’ Well you would need one wouldn’t you? The website recommends ‘Blue Plaques and Buildings: a history of anaesthesia walk around London’. I suppose this raises the question whether there is perhaps a ‘crisis of productivity’ in poetic output? 19 November 2011 at 00:30. Born in Lond...
johnwelch.blogspot.com
John Welch: ABDULKAREEM KASID AT THE BRITISH LIBRARY
http://johnwelch.blogspot.com/2013/06/abdulkareem-kasid-at-british-library.html
Friday, 14 June 2013. ABDULKAREEM KASID AT THE BRITISH LIBRARY. To the BL last week, to record, alongside his reading in Arabic, some of the English versions of the London-based Iraqi poet's poems that I've been making with him over the last two or three years. He's on my right. The Punjabi poet Amarjit Chandan, who conducted the interview with Kareem accompanying the reading, is on my left. The photo was taken by curator Stephen Cleary. Subscribe to: Post Comments (Atom). Born in London in 1942, I have ...
SOCIAL ENGAGEMENT