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The Triplofonic Takeover: May 2010

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Thursday, May 20, 2010. For the sake of this ethnography, I was lucky to have a very direct performance role in the community with which I have been involved. The musical community at Northpointe is ostensibly focused around the musicians in the Worship Band, however, the congregation always can participate by singing along to the lyrics (projected on the screen of the movie theater). Subscribe to: Posts (Atom). Kiri Miller's "Guitar Hero, a Research Blog". Transitions Art Gallery @ the Skatepark of Tampa.

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The Triplofonic Takeover: Final "Performance Ethnography"

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Thursday, May 20, 2010. For the sake of this ethnography, I was lucky to have a very direct performance role in the community with which I have been involved. The musical community at Northpointe is ostensibly focused around the musicians in the Worship Band, however, the congregation always can participate by singing along to the lyrics (projected on the screen of the movie theater). Subscribe to: Post Comments (Atom). Kiri Miller's "Guitar Hero, a Research Blog". View my complete profile.

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The Triplofonic Takeover: December 2007

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Friday, December 14, 2007. Hotwax Residue: Vinyl Finds a Place in the Hearts of the Young. First off, I feel that it is useful to understand how records are made achieve an analog, non-digital sound. This distinction will be helpful to relate to how some of my interviewees describe listening to records. Here is a clip from Discovery Channel’s “How It’s Made” which surfaced on Youtube.com and details the process of making a record:. Home to The Shins, Iron and Wine, and The Postal Service), Matador. Make ...

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The Triplofonic Takeover: October 2007

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Monday, October 15, 2007. Although I'm new in Providence, I'd like to think I've scoped out most of the places in town to buy vinyl records. so far I've visited two very different spots with a keen eye out for what the places were selling and who was buying. What do these hipsters want with this vinyl? It's terribly inconvenient and not very useful compared to CDs? Can they really discern any difference in sound? Do these kids even know how to cue up a record? Do they even own turntables? I've found that...

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The Triplofonic Takeover: February 2010

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Wednesday, February 24, 2010. Critical Review #2: Berger 2008; Miller 2007. Berger's proposition of a phenomenological ethnomusicology is clearly a convoluted one, if not one of platitude. Perhaps the joke (the platitude) is on me because I'm far off from beginning to understand the idea of "phenomenology"- I did a touch of google-research/reinforcement. Did we read Kiri's piece because her case study is representative of a phenomenological tact? Thursday, February 18, 2010. The Shak-Shak in the Lesser A...

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The Triplofonic Takeover: Critical Review #7 Waxer 1994

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Monday, April 5, 2010. Critical Review #7 Waxer 1994. Subscribe to: Post Comments (Atom). Kiri Miller's "Guitar Hero, a Research Blog". Transitions Art Gallery @ the Skatepark of Tampa. Critical Review #10 Novak 2010. Critical Review #9 Feld 2000. Critical Review #8 Feld and Meintjes 1990. Critical Review #7 Waxer 1994. Research Notes Part 4 (Interview Documentation). Research Notes Part 3. View my complete profile.

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The Triplofonic Takeover: Critical Review #9 Feld 2000

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Monday, April 26, 2010. Critical Review #9 Feld 2000. Maybe less so than how they incorrectly cited it as a Central African folk lullaby. Subscribe to: Post Comments (Atom). Kiri Miller's "Guitar Hero, a Research Blog". Transitions Art Gallery @ the Skatepark of Tampa. Critical Review #10 Novak 2010. Critical Review #9 Feld 2000. Critical Review #8 Feld and Meintjes 1990. Critical Review #7 Waxer 1994. Research Notes Part 4 (Interview Documentation). Research Notes Part 3. View my complete profile.

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The Triplofonic Takeover: Challenge Question Cycle

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Tuesday, April 6, 2010. What do you think constitutes an appropriate motivation to undertake ethnography and what should its ultimate goal be? April 30, 2010 at 10:18 AM. May 4, 2010 at 7:26 AM. Subscribe to: Post Comments (Atom). Kiri Miller's "Guitar Hero, a Research Blog". Transitions Art Gallery @ the Skatepark of Tampa. Critical Review #10 Novak 2010. Critical Review #9 Feld 2000. Critical Review #8 Feld and Meintjes 1990. Critical Review #7 Waxer 1994. Research Notes Part 4 (Interview Documentation).

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The Triplofonic Takeover: September 2007

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Monday, September 24, 2007. Why at this point in time are so many artists interested in sustaining a format which is vastly more difficult to use and maintain than the digital music of today and is generally more expensive than releasing a CD or mp3s? Who are the people who buy vinyl? Why are the young people who are interested in these artists biting at this out-of-date format? Do kids even know how to cue up records anymore? Subscribe to: Posts (Atom). Kiri Miller's "Guitar Hero, a Research Blog".