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Composing the Humanities in a Digital Age | About the Seminar

Composing the Humanities in a Digital Age. Year-long, non-credit Mellon graduate seminar. At the University of Virginia, beginning in late August 2014. Advanced grad students will meet monthly through May 2015, to explore new digital tools and frameworks for composition and to "plot a more capacious history and imagine possible futures for the humanities." The course (including $500 travel/research stipends for participants) is generously funded by the Andrew W. Mellon Foundation. In the digital age,.

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Composing the Humanities in a Digital Age | About the Seminar | seminar.scholarslab.org Reviews

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Composing the Humanities in a Digital Age. Year-long, non-credit Mellon graduate seminar. At the University of Virginia, beginning in late August 2014. Advanced grad students will meet monthly through May 2015, to explore new digital tools and frameworks for composition and to plot a more capacious history and imagine possible futures for the humanities. The course (including $500 travel/research stipends for participants) is generously funded by the Andrew W. Mellon Foundation. In the digital age,.

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4 prism

5 omeka

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7 about the seminar

8 chad wellmon

9 and bethany nowviskie

10 will teach a

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Composing the Humanities in a Digital Age | About the Seminar | seminar.scholarslab.org Reviews

https://seminar.scholarslab.org

Composing the Humanities in a Digital Age. Year-long, non-credit Mellon graduate seminar. At the University of Virginia, beginning in late August 2014. Advanced grad students will meet monthly through May 2015, to explore new digital tools and frameworks for composition and to "plot a more capacious history and imagine possible futures for the humanities." The course (including $500 travel/research stipends for participants) is generously funded by the Andrew W. Mellon Foundation. In the digital age,.

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seminar.scholarslab.org

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Composing the Humanities in a Digital Age | Apply

http://seminar.scholarslab.org/apply

Composing the Humanities in a Digital Age. Mellon Graduate Teaching Seminar for Excellence in the Humanities. UVa g raduate student participants. Ill gain enhanced cross-disciplinary pedagogical preparation in humanities and humanistic. Methods for teaching writing to underg. Raduates across the curriculum. Ill expand their abilities to connect. Approaches across the humanities and to. Ill enhance their competitiveness on the academic job market with their demonstrated proficiency in these key areas.

2

Composing the Humanities in a Digital Age | About the Seminar

http://seminar.scholarslab.org/about

Composing the Humanities in a Digital Age. Year-long, non-credit Mellon graduate seminar. At the University of Virginia, beginning in late August 2014. Advanced grad students will meet monthly through May 2015, to explore new digital tools and frameworks for composition and to "plot a more capacious history and imagine possible futures for the humanities." The course (including $500 travel/research stipends for participants) is generously funded by the Andrew W. Mellon Foundation. In the digital age,.

3

Composing the Humanities in a Digital Age | Sessions

http://seminar.scholarslab.org/sessions

Composing the Humanities in a Digital Age. Readings and experiments to come, largely determined by participant interests. Students will also learn to use this Omeka. Installation, together with Neatline. And other tools, to create, annotate, and share their own small collections. An extended session, for orientation to the tools and themes of the seminar (September 2, 10am, Scholar's Lab). Adam Kirsch, " Technology is Taking Over English Departments: The False Promise of the Digital Humanities. Humanitie...

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andrew-garland.com

Andrew Garland

http://www.andrew-garland.com/random/2015/03/30/dh-and-validation.html

This year I’m in a Mellon Seminar. Hosted by UVA’s Scholar’s Lab and taught by Bethany Nowviskie. We read Stephen Ramsay’s In Praise of Pattern. In which he describes a software tool he created to analyze scenes in Shakespeare and discovered that this relatively simple tool could pretty accurately classify the type of play based solely on the number and kinds of scenes. But maybe this isn’t the right way to think about it. Perhaps what we see in Ramsay is a way to. The plays to get the results. About the...

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