sfip-project.blogspot.com

Still Fighting Ignorance & Intellectual Perfidy

Friday, 3 April 2015. South African Art critic and writer. Are their presences registered, ambiguously, in the gestures, and repetitions we see? When Kisito Assangni asked me to write for this exhibition I was first of all compelled by the title he chose: STILL FIGHTING IGNORANCE AND INTELLECTUAL PERFIDY. My text is a conversation with this title. It is also a dialogue with this idea of video art that is African. What does this all mean? To quote from the text I wrote for Kisito: ‘Why is it that &#...

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Still Fighting Ignorance & Intellectual Perfidy | sfip-project.blogspot.com Reviews

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Friday, 3 April 2015. South African Art critic and writer. Are their presences registered, ambiguously, in the gestures, and repetitions we see? When Kisito Assangni asked me to write for this exhibition I was first of all compelled by the title he chose: STILL FIGHTING IGNORANCE AND INTELLECTUAL PERFIDY. My text is a conversation with this title. It is also a dialogue with this idea of video art that is African. What does this all mean? To quote from the text I wrote for Kisito: ‘Why is it that &#...

<META> KEYWORDS

1 blackness and whiteness

2 by yvette greslé

3 video

4 references

5 posted by

6 kisito assangni

7 no comments

8 email this

9 blogthis

10 share to twitter

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blackness and whiteness,by yvette greslé,video,references,posted by,kisito assangni,no comments,email this,blogthis,share to twitter,share to facebook,share to pinterest,by marie rodet,ben uri museum,108a boundary road,london nw8 orh,wwwbenuri.org uk

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Still Fighting Ignorance & Intellectual Perfidy | sfip-project.blogspot.com Reviews

https://sfip-project.blogspot.com

Friday, 3 April 2015. South African Art critic and writer. Are their presences registered, ambiguously, in the gestures, and repetitions we see? When Kisito Assangni asked me to write for this exhibition I was first of all compelled by the title he chose: STILL FIGHTING IGNORANCE AND INTELLECTUAL PERFIDY. My text is a conversation with this title. It is also a dialogue with this idea of video art that is African. What does this all mean? To quote from the text I wrote for Kisito: ‘Why is it that &#...

INTERNAL PAGES

sfip-project.blogspot.com

1

Still Fighting Ignorance & Intellectual Perfidy: April 2014

http://sfip-project.blogspot.com/2014_04_01_archive.html

Tuesday, 1 April 2014. Ben Uri Gallery and Museum Opening. Subscribe to: Posts (Atom). STILL FIGHTING IGNORANCE and INTELLECTUAL PERFIDY: Video Art from Africa. Curated by Kisito Assangni. Project [SFIP] is a multi-national exhibition process and the first platform for critical thinking, researching and presenting African video art. BEN URI MUSEUM, London. 26 Feb-31 March 2014. MARRAKECH BIENNALE, Morocco. KUNSTHALLE SAO PAULO, Sao. MOTORENHALLE CENTRE FOR CONTEMPORARY ART, Dresden, Germany. MUSEO ExTERE...

2

Still Fighting Ignorance & Intellectual Perfidy: NATIONAL CENTRE FOR CONTEMPORARY ARTS, MOSCOW

http://sfip-project.blogspot.com/2012/10/national-centre-for-contemporary-arts.html

Thursday, 18 October 2012. NATIONAL CENTRE FOR CONTEMPORARY ARTS, MOSCOW. Still Fighting Ignorance and Intellectual Perfidy. NATIONAL CENTRE FOR CONTEMPORARY ARTS. 123342, 43, Build.2. Jude Anogwih Younes Baba-Ali Saidou Dicko Ndoye Douts Kokou Ekouagou Mohamed El Baz Samba Fall Nicene Kossentini Kai Lossgott Michele Magema Nathalie Mba Bikoro Johan Thom Saliou Traore Guy Wouete Ezra. Note: only a member of this blog may post a comment. Subscribe to: Post Comments (Atom). Curated by Kisito Assangni.

3

Still Fighting Ignorance & Intellectual Perfidy: MOTORENHALLE Opening

http://sfip-project.blogspot.com/2013/04/motorenhalle-opening.html

Friday, 12 April 2013. Note: only a member of this blog may post a comment. Subscribe to: Post Comments (Atom). STILL FIGHTING IGNORANCE and INTELLECTUAL PERFIDY: Video Art from Africa. Curated by Kisito Assangni. Project [SFIP] is a multi-national exhibition process and the first platform for critical thinking, researching and presenting African video art. BEN URI MUSEUM, London. 26 Feb-31 March 2014. MARRAKECH BIENNALE, Morocco. KUNSTHALLE SAO PAULO, Sao. VIDEOFORMES, Clermont-Ferrand, France. MUSEO Ex...

4

Still Fighting Ignorance & Intellectual Perfidy: VIDEOFORMES, CLERMONT-FERRAND, FRANCE

http://sfip-project.blogspot.com/2013/03/videoformes-clermont-ferrand-france.html

Wednesday, 13 March 2013. VIDEOFORMES, CLERMONT-FERRAND, FRANCE. 20 - 23 March 2013. 28th edition of VIDEOFORMES. Said Afifi Jude Anogwih Rehema Chachage Saidou Dicko Kokou Ekouagou Samba Fall Dimitri Fagbohoun Wanja Kimani Nicene Kossentini Michele Magema Victor Mutelekesha Johan Thom Ezra Wube. Note: only a member of this blog may post a comment. Subscribe to: Post Comments (Atom). STILL FIGHTING IGNORANCE and INTELLECTUAL PERFIDY: Video Art from Africa. Curated by Kisito Assangni. 26 Feb-31 March 2014.

5

Still Fighting Ignorance & Intellectual Perfidy: Ben Uri Gallery & Museum Opening

http://sfip-project.blogspot.com/2014/04/ben-uri-gallery-museum-opening.html

Tuesday, 1 April 2014. Ben Uri Gallery and Museum Opening. Note: only a member of this blog may post a comment. Subscribe to: Post Comments (Atom). STILL FIGHTING IGNORANCE and INTELLECTUAL PERFIDY: Video Art from Africa. Curated by Kisito Assangni. Project [SFIP] is a multi-national exhibition process and the first platform for critical thinking, researching and presenting African video art. BEN URI MUSEUM, London. 26 Feb-31 March 2014. MARRAKECH BIENNALE, Morocco. KUNSTHALLE SAO PAULO, Sao. AIVA FESTIV...

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sfip-project.blogspot.com

Still Fighting Ignorance & Intellectual Perfidy

Friday, 3 April 2015. South African Art critic and writer. Are their presences registered, ambiguously, in the gestures, and repetitions we see? When Kisito Assangni asked me to write for this exhibition I was first of all compelled by the title he chose: STILL FIGHTING IGNORANCE AND INTELLECTUAL PERFIDY. My text is a conversation with this title. It is also a dialogue with this idea of video art that is African. What does this all mean? To quote from the text I wrote for Kisito: ‘Why is it that &#...

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