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Show Showdown

Tuesday, August 11, 2015. No one path leads to an indelible, unforgettable performance. Sometimes an actor takes a classic, timeless role and makes it truly their own, to the point where anyone else repeating it seems pointless. For me, Vanessa Redgraves fearless Mary Tyrone (in 2003s . Long Days Journey Into Night. And Simon Russell Beales intense, broken Lophakin (in Sam Mendes underrated production of . Or Audra McDonalds Billie Holliday in . Lady Day at Emersons Bar and Grill. Caroline, or Change.

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Show Showdown | showshowdown.blogspot.com Reviews
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Tuesday, August 11, 2015. No one path leads to an indelible, unforgettable performance. Sometimes an actor takes a classic, timeless role and makes it truly their own, to the point where anyone else repeating it seems pointless. For me, Vanessa Redgraves fearless Mary Tyrone (in 2003s . Long Days Journey Into Night. And Simon Russell Beales intense, broken Lophakin (in Sam Mendes underrated production of . Or Audra McDonalds Billie Holliday in . Lady Day at Emersons Bar and Grill. Caroline, or Change.
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1 john
2 posted by
3 cameron kelsall
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6 grey gardens
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Show Showdown | showshowdown.blogspot.com Reviews

https://showshowdown.blogspot.com

Tuesday, August 11, 2015. No one path leads to an indelible, unforgettable performance. Sometimes an actor takes a classic, timeless role and makes it truly their own, to the point where anyone else repeating it seems pointless. For me, Vanessa Redgraves fearless Mary Tyrone (in 2003s . Long Days Journey Into Night. And Simon Russell Beales intense, broken Lophakin (in Sam Mendes underrated production of . Or Audra McDonalds Billie Holliday in . Lady Day at Emersons Bar and Grill. Caroline, or Change.

INTERNAL PAGES

showshowdown.blogspot.com showshowdown.blogspot.com
1

Show Showdown: Cymbeline

http://showshowdown.blogspot.com/2015/07/cymbeline.html

Monday, July 27, 2015. Is one of Shakespeare's so-called romances, deemed problem plays for centuries. It's always had its admirers - Tennyson was buried with a copy of the text - and it's detractors (Shaw called it "exasperating beyond all tolerance" and went so far as to provide a new ending in his 1937 Cymbeline Refinished. And from there, much other intrigue ensues, which involve cross-dressing, mistaken identity, drugging, rape and war. Truthfully, I've always found Cymbeline. And I'm never going to...

2

Show Showdown: The Absolute Brightness of Leonard Pelkey

http://showshowdown.blogspot.com/2015/07/the-absolute-brightness-of-leonard.html

Wednesday, July 29, 2015. The Absolute Brightness of Leonard Pelkey. The Absolute Brightness of Leonard Pelkey,. Lie in its vivid characters, all of whom are played with enormous sensitivity and insight by Lecesne. The Absolute Brightness of Leonard Pelkey. Subscribe to: Post Comments (Atom). The Absolute Brightness of Leonard Pelkey. Judith and Vinegar Tom. Nominations for the 11th Annual New York Innovativ. Fish in the Dark. DC Metro Theater Arts. Lortel Archives: The Internet Off-Broadway Database.

3

Show Showdown: John

http://showshowdown.blogspot.com/2015/08/photo-matthew-murphy-no-one-path-leads.html

Tuesday, August 11, 2015. No one path leads to an indelible, unforgettable performance. Sometimes an actor takes a classic, timeless role and makes it truly their own, to the point where anyone else repeating it seems pointless. For me, Vanessa Redgrave's fearless Mary Tyrone (in 2003's. Long Day's Journey Into Night. And Simon Russell Beale's intense, broken Lophakin (in Sam Mendes' underrated production of. Or Audra McDonald's Billie Holliday in. Lady Day at Emerson's Bar and Grill. Caroline, or Change.

4

Show Showdown: May 2015

http://showshowdown.blogspot.com/2015_05_01_archive.html

Friday, May 29, 2015. What does it mean to be a nice girl? And is it really a positive label? In Melissa Rosss Nice Girl. At the Labyrinth, Jo (the smart and subtle Diane Davis) doesnt feel nice at all. She knows that she is angry and even bitter, and that she only carries out the actions that make her seem nice because shes too passive not to. Links to this post. Tuesday, May 26, 2015. The King and I. The King and I. In the production of The King and I. The show doesn't lack strengths. O'Hara's sing...

5

Show Showdown: January 2015

http://showshowdown.blogspot.com/2015_01_01_archive.html

Saturday, January 24, 2015. Between Riverside and Crazy. In the truly amazing  Between Riverside and Crazy. The wonderful Stephen Adly Guirgis signals us quickly that all is not what it seems. Pops, the old man in the wheelchair, is neither ill nor injured. The people who call him Dad are not his children. And the one-line description that is being widely used to descibe the play ( Between Riverside and Crazy. Stephen McKinley Henderson, Liza Colon-Zayas. Photo: Kevin Thomas Garcia. Links to this post.

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metadrama.blogspot.com metadrama.blogspot.com

metaDRAMA: June 2007

http://metadrama.blogspot.com/2007_06_01_archive.html

Thursday, June 28, 2007. Look What They're Doing! July 31 at 7:30. League of Independent Theater Convocation. They're in Tribeca, at 279 Church Street, so that's one idea for the summer. Posted by Aaron Riccio. Links to this post. Wednesday, June 27, 2007. I'm More Authentic Than You. Is nobody else offended about the recent Campbell Robertson article highlighting Spike Lee's plans to "try Broadway" by making Stalag 17. And becoming too wound up in publicity (so early in the game) to ever live up to any ...

newtheatercorps.blogspot.com newtheatercorps.blogspot.com

Theater Talk's New Theater Corps: W;t

http://newtheatercorps.blogspot.com/2010/04/wt.html

According to Lincoln Center's new LCT3 project at its slogan, it takes "New Audiences for New Artists." It also takes new critics, hence the establishment of Theater Talk. S New Theater Corps in 2005, a way for up-and-coming theater writers and eager new theatergoers to get exposure to the ever-growing theater scene in New York City. Writers for the New Theater Corps are given the opportunity to immerse themselves in the off-off and off-Broadway theater scene, learning and. Friday, April 16, 2010. In thi...

newtheatercorps.blogspot.com newtheatercorps.blogspot.com

Theater Talk's New Theater Corps: JOIN the New Theater Corps

http://newtheatercorps.blogspot.com/2008/03/join-new-theater-corps.html

According to Lincoln Center's new LCT3 project at its slogan, it takes "New Audiences for New Artists." It also takes new critics, hence the establishment of Theater Talk. S New Theater Corps in 2005, a way for up-and-coming theater writers and eager new theatergoers to get exposure to the ever-growing theater scene in New York City. Writers for the New Theater Corps are given the opportunity to immerse themselves in the off-off and off-Broadway theater scene, learning and. Saturday, March 07, 2009.

newtheatercorps.blogspot.com newtheatercorps.blogspot.com

Theater Talk's New Theater Corps: Twelfth Night

http://newtheatercorps.blogspot.com/2010/05/twelfth-night.html

According to Lincoln Center's new LCT3 project at its slogan, it takes "New Audiences for New Artists." It also takes new critics, hence the establishment of Theater Talk. S New Theater Corps in 2005, a way for up-and-coming theater writers and eager new theatergoers to get exposure to the ever-growing theater scene in New York City. Writers for the New Theater Corps are given the opportunity to immerse themselves in the off-off and off-Broadway theater scene, learning and. Friday, May 14, 2010. Ernest M...

metadrama.blogspot.com metadrama.blogspot.com

metaDRAMA: Critical Thought #2: What's a Spoiler?

http://metadrama.blogspot.com/2007/12/critical-thought-2-whats-spoiler.html

Thursday, December 06, 2007. Critical Thought #2: What's a Spoiler? Calls out Jacques Le Sourd. For spoiling the big secret of Tracy Letts' new play, August: Osage County. Which I review here. My stance on spoilers is simple: if the play does not earn. But I would gladly tell you about The Village. I generally extend it one step further, just because I try to be a nice guy and give the benefit of the doubt where I can, which is to say that I won't give away anything that is integral. I don't think Le Sou...

metadrama.blogspot.com metadrama.blogspot.com

metaDRAMA: April 2007

http://metadrama.blogspot.com/2007_04_01_archive.html

Tuesday, April 24, 2007. So aren't gut responses awesome? Right below this post, I had some choice words to say for the offending audience at Mike Daisey's ART performance of Invincible Summer. As the days continue, it turns out that they weren't religious (they were a choir), and that it apparently wasn't premeditated - in fact, it was "agitated" by the house manager's reluctance to pause the show. Of course, this is just what Norco High School says. We can assume, as over at Playgoer. Links to this post.

metadrama.blogspot.com metadrama.blogspot.com

metaDRAMA: December 2007

http://metadrama.blogspot.com/2007_12_01_archive.html

Wednesday, December 26, 2007. If It Ain't Broke, Don't Fix It. Dredging through some archives that I managed to catch up on over the holiday, and here's a little gem from American Theater. October 2007), from an interview with writer/director Craig Lucas. Says Lucas:. There's this whole play-development thing in America that assumes somehow all new plays are broken and need fixing. But what does that mean? Every single one of Shakespeare's plays has a bad fourth act in my view - every one of them! When i...

newtheatercorps.blogspot.com newtheatercorps.blogspot.com

Theater Talk's New Theater Corps: Twelfth Night

http://newtheatercorps.blogspot.com/2009/01/twelfth-night.html

According to Lincoln Center's new LCT3 project at its slogan, it takes "New Audiences for New Artists." It also takes new critics, hence the establishment of Theater Talk. S New Theater Corps in 2005, a way for up-and-coming theater writers and eager new theatergoers to get exposure to the ever-growing theater scene in New York City. Writers for the New Theater Corps are given the opportunity to immerse themselves in the off-off and off-Broadway theater scene, learning and. Tuesday, January 20, 2009.

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Show Showdown

Tuesday, August 11, 2015. No one path leads to an indelible, unforgettable performance. Sometimes an actor takes a classic, timeless role and makes it truly their own, to the point where anyone else repeating it seems pointless. For me, Vanessa Redgraves fearless Mary Tyrone (in 2003s . Long Days Journey Into Night. And Simon Russell Beales intense, broken Lophakin (in Sam Mendes underrated production of . Or Audra McDonalds Billie Holliday in . Lady Day at Emersons Bar and Grill. Caroline, or Change.

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