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Sprawling on a pin

A blog about Art by Echoing Feet.Reflections on visits to current exhibitions.Responses to contemporary art works. Thoughts on what art means.

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Sprawling on a pin | sprawlingonapin.com Reviews
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A blog about Art by Echoing Feet.Reflections on visits to current exhibitions.Responses to contemporary art works. Thoughts on what art means.
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1 painting portraits
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Sprawling on a pin | sprawlingonapin.com Reviews

https://sprawlingonapin.com

A blog about Art by Echoing Feet.Reflections on visits to current exhibitions.Responses to contemporary art works. Thoughts on what art means.

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1

Sprawling on a pin: ARTISTS MAKE FACES Curated by Monika Kinley OBE - Plymouth City Museum and Art Gallery November 21 2013

http://www.sprawlingonapin.com/2013/11/artists-make-faces-curated-by-monika.html

Sprawling on a pin. Not Art Review Reflections on Art. Saturday, 23 November 2013. ARTISTS MAKE FACES Curated by Monika Kinley OBE - Plymouth City Museum and Art Gallery November 21 2013. The exhibition starts with this painting. Oil on Canvas, c1527-1593. Uses only summer fruit in its depiction of a human figure and while it is not his best work (check out ‘ The Librarian’. A child like black daubed scrawl on sixteen panels behind Paul Neagu’s Ceramic Skull. Mixed Media, 1980. Ceramic and Glaze, 1973.

2

Sprawling on a pin: A UNIVERSAL ARCHIVE: William Kentridge as Printmaker - Peninsula Arts Gallery-Roland Levinsky Building -Plymouth University November 7 2013

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Sprawling on a pin. Not Art Review Reflections on Art. Thursday, 7 November 2013. A UNIVERSAL ARCHIVE: William Kentridge as Printmaker - Peninsula Arts Gallery-Roland Levinsky Building -Plymouth University November 7 2013. Kentridge has said that his interest in the procession was sparked by Goya’s Procession of the Holy Office. This is clearly demonstrated in 12 Coffee Pots. The Nose 29,. He has spoken of the typewriter as "a projector of the written word". Scenes from ) Ubu tells the truth, 1996-7.

3

Sprawling on a pin: EXPLORER -Jeongmoon Choi - KARST -Stonehouse Plymouth Oct 20 2013

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Sprawling on a pin. Not Art Review Reflections on Art. Sunday, 20 October 2013. EXPLORER -Jeongmoon Choi - KARST -Stonehouse Plymouth Oct 20 2013. In Choi's latest installation in the back streets of Millbay, amongst black nondescript industrial units in the city of Plymouth, the audience are invited to partake as part of the work, figures in a new three dimensional landscape. Cast as. Posted by Echoing Feet. Subscribe to: Post Comments (Atom). EXPLORER -Jeongmoon Choi - KARST -Stonehouse Plymo.

4

Sprawling on a pin: July 2012

http://www.sprawlingonapin.com/2012_07_01_archive.html

Sprawling on a pin. Not Art Review Reflections on Art. Tuesday, 3 July 2012. DAMIEN HIRST RETROSPECTIVE -Tate Modern -Wednesday 20 June 2012. 8 Pans, 1987. The early works begin with the eight pots and pans covered in bright household gloss that Hirst assembled whilst still at Goldsmiths. It is apparent even here that space will quite literally occupy a delineating and central role in typifying his work. And In and Out of Love. Rooms 2 and 3. 8221; This is perfectly demonstrated with Away from the flock.

5

Sprawling on a pin: November 2013

http://www.sprawlingonapin.com/2013_11_01_archive.html

Sprawling on a pin. Not Art Review Reflections on Art. Saturday, 23 November 2013. ARTISTS MAKE FACES Curated by Monika Kinley OBE - Plymouth City Museum and Art Gallery November 21 2013. The exhibition starts with this painting. Oil on Canvas, c1527-1593. Uses only summer fruit in its depiction of a human figure and while it is not his best work (check out ‘ The Librarian’. A child like black daubed scrawl on sixteen panels behind Paul Neagu’s Ceramic Skull. Mixed Media, 1980. Ceramic and Glaze, 1973.

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Sprawling on a pin. Not Art Review Reflections on Art. Saturday, 23 November 2013. ARTISTS MAKE FACES Curated by Monika Kinley OBE - Plymouth City Museum and Art Gallery November 21 2013. The exhibition starts with this painting. Oil on Canvas, c1527-1593. Uses only summer fruit in its depiction of a human figure and while it is not his best work (check out ‘ The Librarian’. A child like black daubed scrawl on sixteen panels behind Paul Neagu’s Ceramic Skull. Mixed Media, 1980. Ceramic and Glaze, 1973.

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