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The Almshouse Tempera Project

The Almshouse Tempera Project. Background to the Project. The Almshouse Tempera Project publication available to order. March 31, 2016. A 68-page publication detailing the work of The Almshouse Tempera Project is now available to order. February 14, 2016. Derek Hampson and Peter Suchin’s introduction. To The Almshouse Tempera Project’s forthcoming publication:. Naming the Readymade, a Centenary. January 17, 2016. Translation of Duchamp’s letter:. Inscriptions – Project Publication. December 10, 2015.

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The Almshouse Tempera Project. Background to the Project. The Almshouse Tempera Project publication available to order. March 31, 2016. A 68-page publication detailing the work of The Almshouse Tempera Project is now available to order. February 14, 2016. Derek Hampson and Peter Suchin’s introduction. To The Almshouse Tempera Project’s forthcoming publication:. Naming the Readymade, a Centenary. January 17, 2016. Translation of Duchamp’s letter:. Inscriptions – Project Publication. December 10, 2015.

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The Almshouse Tempera Project | temperanet.wordpress.com Reviews

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The Almshouse Tempera Project. Background to the Project. The Almshouse Tempera Project publication available to order. March 31, 2016. A 68-page publication detailing the work of The Almshouse Tempera Project is now available to order. February 14, 2016. Derek Hampson and Peter Suchin’s introduction. To The Almshouse Tempera Project’s forthcoming publication:. Naming the Readymade, a Centenary. January 17, 2016. Translation of Duchamp’s letter:. Inscriptions – Project Publication. December 10, 2015.

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The Almshouse Tempera Project | Page 2

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The Almshouse Tempera Project. Background to the Project. Newer posts →. Discussion Day – Report. June 28, 2015. Report on the Almshouse Tempera Project’s. Held at the University of Nottingham, Wednesday 24th June. The aim of the day was to bring all the project participants together to discuss how their work and thinking was progressing and to focus attention on to the forthcoming exhibition and project publication. The morning session,. Looking Backwards, Looking Forward. The afternoon session,. The da...

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The Almshouse Tempera Project: Introduction | The Almshouse Tempera Project

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The Almshouse Tempera Project. Background to the Project. The Almshouse Tempera Project: Introduction. Derek Hampson and Peter Suchin. Hind Memorial Homes, Nottingham, 2015. Miss M. E. Hardcastle in Water, Grass, Marble and Zinc. See p 35), inspired by a partially open door at the William Woodsend Memorial Homes, Nottingham. The piece considers, through the medium of egg tempera, the concept of thresholds: between inside and out, the public and the private, the drawn and the painted. Krauss, R. (1999).

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Inscriptions – Project Publication | The Almshouse Tempera Project

https://temperanet.wordpress.com/2015/12/10/inscriptions-project-publication

The Almshouse Tempera Project. Background to the Project. Naming the Readymade, a Centenary →. Inscriptions – Project Publication. December 10, 2015. Proof copy of The Almshouse Tempera Project’s forthcoming publication: “Inscriptions,” images and texts detailing the work of the project – published version available soon. This entry was posted in Uncategorized. Naming the Readymade, a Centenary →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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Inscription: The Almshouse Tempera Project – press release | The Almshouse Tempera Project

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The Almshouse Tempera Project. Background to the Project. Inscription: The Almshouse Tempera Project – press release. AN EXHIBITION ABOUT WHAT HAS BEEN FORGOTTEN. Inscription: The Almshouse Tempera Project. Bonington Gallery, Atrium Spacey, Nottingham Trent University, Bonington building, Dryden Street, Nottingham, NG1 4GG. UK. 19th September to 23rd October 2015. Private View; 1st October, 5pm – 7.30pm. Derek Hampson Bonington Gallery. Background to the Exhibition. This exhibition has emerged from.

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Naming the Readymade, a Centenary | The Almshouse Tempera Project

https://temperanet.wordpress.com/2016/01/17/naming-the-readymades-a-centenary

The Almshouse Tempera Project. Background to the Project. Inscriptions – Project Publication. Inscriptions: Introduction →. Naming the Readymade, a Centenary. January 17, 2016. January 15th, 1916, Duchamp’s letter to his sister in which he first names the “readymade”. Translation of Duchamp’s letter:. 15th January approximately. My dear Suzanne, A huge thank you for having taken care of everything for me. But why didn’t you take my studio and go and live there? This entry was posted in Uncategorized.

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artrhetoric.wordpress.com

December | 2016 | Derek Hampson

https://artrhetoric.wordpress.com/2016/12

The Horizontal Within, The Horizontal Without. Monthly Archives: December 2016. Tinzen Blue – how do you make blue? December 18, 2016. December 18, 2016. Art and Theory Reading Group. December 9, 2016. 8211; a workout for the mind! Theoretical thinking plays an ever increasing role in the creation and understanding of contemporary art. The Art and Theory Reading Group aims to create a meeting place for those interested in expanding their understanding of … Continue reading →. Art and Theory Reading Group.

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Vasily Kandinsky on Blue | Derek Hampson

https://artrhetoric.wordpress.com/2017/01/11/vasily-kandinsky-on-blue

The Horizontal Within, The Horizontal Without. Tinzen Blue →. Vasily Kandinsky on Blue. January 11, 2017. Kandinsky reinforces the relationship of the colour blue to distance in these quotations from. The Spiritual in Art. Blue … moves in upon itself, like a snail retreating into its shell, and draws away from the spectator. The inclination of blue to depth is so strong that its inner appeal is stronger when its shade is deeper. Blue is the typical heavenly colour. This entry was posted in Blogs. Post wa...

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Derek Hampson | Derek Hampson

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The Horizontal Within, The Horizontal Without. Author Archives: Derek Hampson. Hau: the Aura of the Gift. February 28, 2017. In his 1925 essay The Gift, Marcel Mauss addresses the nature of the gifts exchanged in rituals such as the potlatch. Asking what force is there in the given thing that causes its recipient to pay it back? GT, 41) … Continue reading →. Art as Gift: Intro. February 17, 2017. Art and Theory Reading Group. The Delay of the Gift. February 17, 2017. The Situationist’s Potlatch. The Potl...

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Art and Theory Reading Group | Derek Hampson

https://artrhetoric.wordpress.com/2016/12/09/art-and-theory-reading-group

The Horizontal Within, The Horizontal Without. Tinzen Blue – how do you make blue? Art and Theory Reading Group. December 9, 2016. 8211; a workout for the mind! Theoretical thinking plays an ever increasing role in the creation and understanding of contemporary art. The Art and Theory Reading Group aims to create a meeting place for those interested in expanding their understanding of the relationship between the two, by exploring some of the works of key twentieth century thinkers and practitioners.

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The Horizontal Within, The Horizontal Without | Derek Hampson

https://artrhetoric.wordpress.com/2016/12/09/the-horizontal-within-the-horizontal-without

The Horizontal Within, The Horizontal Without. Tinzen Blue →. The Horizontal Within, The Horizontal Without. December 9, 2016. Curated by Stephen Lee and Peter Suchin. Ian Bourn Louise Bristow Maria Chevska Richard Grayson. Derek Hampson Liane Lang Stephen Lee Claudia Sarnthein Peter Suchin. Private View: Friday 13 January, 6-9pm. Exhibition Continues: 14 January – 5 February 2017. Talk: Sunday 5th February 2017, 2pm. Http:/ www.lubomirov-angus-hughes.com. This entry was posted in Horizontal Within.

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Tinzen Blue | Derek Hampson

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The Horizontal Within, The Horizontal Without. The Horizontal Within, The Horizontal Without. Art and Theory Reading Group →. December 9, 2016. Some background information on my painting for. The Horizontal Within, The Horizontal Without. An exhibition inspired by Thomas Mann’s. I dream of a Tinzen picture at sunset, just the mountain, blue against blue, very simple. One of the places where Kirchner was treated was located in Davos, the site of the sanatorium in. Common to both accounts is the colour blu...

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Tinzen Blue – how do you make blue? | Derek Hampson

https://artrhetoric.wordpress.com/2016/12/18/tinzen-blue-how-do-you-make-blue

The Horizontal Within, The Horizontal Without. Art and Theory Reading Group. Vasily Kandinsky – Blue Mountain →. Tinzen Blue – how do you make blue? December 18, 2016. This entry was posted in Horizontal Within. Art and Theory Reading Group. Vasily Kandinsky – Blue Mountain →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. The Almshouse Tempera Project.

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January | 2017 | Derek Hampson

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The Horizontal Within, The Horizontal Without. Monthly Archives: January 2017. January 18, 2017. Blue Fantails (oil paint and wood, 29 x 35 x 14 cm) for the The Horizontal Within, The Horizontal Without, exhibition at Lubomirov/Angus Hughes, until February 5th. January 15, 2017. Vasily Kandinsky on Blue. January 11, 2017. January 10, 2017. In painting, aerial perspective employs the colour blue to signify far distance; using it to reinforce the structural rigging of Cartesian perspective, in which the di...

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Vasily Kandinsky – Blue Mountain | Derek Hampson

https://artrhetoric.wordpress.com/2017/01/04/vasily-kandinsky-blue-mountain

The Horizontal Within, The Horizontal Without. Tinzen Blue – how do you make blue? Distant Blue →. Vasily Kandinsky – Blue Mountain. January 4, 2017. 1908-09, oil on canvas, 106 x 96.6 cm. This entry was posted in Blogs. Tinzen Blue – how do you make blue? Distant Blue →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email.

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Distant Blue | Derek Hampson

https://artrhetoric.wordpress.com/2017/01/10/distant-blue

The Horizontal Within, The Horizontal Without. Vasily Kandinsky – Blue Mountain. Vasily Kandinsky on Blue →. January 10, 2017. In painting, aerial perspective employs the colour blue to signify far distance; using it to reinforce the structural rigging of Cartesian perspective, in which the distance between us, the viewer, and objects depicted is fixed. We are conceived as detached, analytical observers of what is before us. Martin Heidegger called this Entfurnung. This entry was posted in Blogs. You are...

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The Almshouse Tempera Project

The Almshouse Tempera Project. Background to the Project. The Almshouse Tempera Project publication available to order. March 31, 2016. A 68-page publication detailing the work of The Almshouse Tempera Project is now available to order. February 14, 2016. Derek Hampson and Peter Suchin’s introduction. To The Almshouse Tempera Project’s forthcoming publication:. Naming the Readymade, a Centenary. January 17, 2016. Translation of Duchamp’s letter:. Inscriptions – Project Publication. December 10, 2015.

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