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Ed Sheeran | Disposable Everything
https://disposableeverything.co.uk/tag/ed-sheeran
Ed Sheeran, the Brit Awards and the politics of ‘authentic’ performance. What is ‘authenticity’ in musical performance; and what does a hegemonically-determined authentic musical performance look like? Last week’s Brit Awards were defined by two wildly contrasting performances: on the one hand a celebration of white middle class domination of the arts in the UK; on the other, the biggest name in American hip-hop playing Trojan horse for the British grime scene. And tagged Brit Awards. March 9, 2015.
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On Charlie Hebdo and the function of art | Disposable Everything
https://disposableeverything.co.uk/2015/01/11/on-charlie-hebdo-and-the-function-of-art
On Charlie Hebdo and the function of art. The events of yesterday will become many things to many people: for the mainstream press, an apparent attack on free speech; for the dogwhistle racists, supposed evidence of the growing threat the Other poses to Western civilisation. Who needs introspection, articulation and self-expression when you can retweet? The problem, also epitomised by the “je suis Charlie” slogan, is that:. The flood of hashtags and avatars and social-media posturing proclaiming #. Shoul...
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Articles | Disposable Everything
https://disposableeverything.co.uk/category/articles
Politics and art in a post-factual age. For Wales Arts Review:. This is, we are told, a ‘post-factual age’. The EU referendum has seen myth collide with fact, and myth has won to devastating effect. It has been said that the UK has ‘had enough of experts’, and such a situation has proven to be fertile ground for a politics based on untruth. Read the full article. June 26, 2016. Ed Sheeran, the Brit Awards and the politics of ‘authentic’ performance. And tagged Brit Awards. March 9, 2015. January 11, 2015.
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Kanye West | Disposable Everything
https://disposableeverything.co.uk/tag/kanye-west
Ed Sheeran, the Brit Awards and the politics of ‘authentic’ performance. What is ‘authenticity’ in musical performance; and what does a hegemonically-determined authentic musical performance look like? Last week’s Brit Awards were defined by two wildly contrasting performances: on the one hand a celebration of white middle class domination of the arts in the UK; on the other, the biggest name in American hip-hop playing Trojan horse for the British grime scene. And tagged Brit Awards. March 9, 2015.
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intertextuality | Disposable Everything
https://disposableeverything.co.uk/tag/intertextuality
Memorials without mimesis: Abstraction and intertextuality in William Basinski’s The Disintegration Loops. On September 11th 2001, the composer William Basinski completed. A work documenting the slow decay of recorded tape loops he had unsuccessfully attempted to salvage. That same day he witnessed the attacks on the World Trade Centre from the roof of his Brooklyn apartment, his new composition providing the soundtrack to this experience. Can be said to be ‘about’ the events of September 11. May 17, 2015.
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art | Disposable Everything
https://disposableeverything.co.uk/tag/art
Politics and art in a post-factual age. For Wales Arts Review:. This is, we are told, a ‘post-factual age’. The EU referendum has seen myth collide with fact, and myth has won to devastating effect. It has been said that the UK has ‘had enough of experts’, and such a situation has proven to be fertile ground for a politics based on untruth. Read the full article. June 26, 2016. On Charlie Hebdo and the function of art. January 11, 2015. Commodification and popular culture. Theodor W. Adorno. S analysis o...
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Brit Awards | Disposable Everything
https://disposableeverything.co.uk/tag/brit-awards
Ed Sheeran, the Brit Awards and the politics of ‘authentic’ performance. What is ‘authenticity’ in musical performance; and what does a hegemonically-determined authentic musical performance look like? Last week’s Brit Awards were defined by two wildly contrasting performances: on the one hand a celebration of white middle class domination of the arts in the UK; on the other, the biggest name in American hip-hop playing Trojan horse for the British grime scene. And tagged Brit Awards. March 9, 2015.
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Gareth Leaman | Disposable Everything
https://disposableeverything.co.uk/author/garethleaman
A quick note on my musical work:. I’m hoping to release the first record of my ‘Joydah’ project,. Towards the end of this year. In the meantime I’ll be posting teasers, lyric fragments and maybe the odd demo at joydah.com. I’ll also be posting sporadically at:. August 17, 2016. Politics and art in a post-factual age. For Wales Arts Review:. Read the full article. June 26, 2016. Memorials without mimesis: Abstraction and intertextuality in William Basinski’s The Disintegration Loops. With this in mind, th...
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Ed Sheeran, the Brit Awards and the politics of ‘authentic’ performance | Disposable Everything
https://disposableeverything.co.uk/2015/03/09/ed-sheeran-the-brit-awards-and-the-politics-of-authentic-performance
Ed Sheeran, the Brit Awards and the politics of ‘authentic’ performance. What is ‘authenticity’ in musical performance; and what does a hegemonically-determined authentic musical performance look like? Last week’s Brit Awards were defined by two wildly contrasting performances: on the one hand a celebration of white middle class domination of the arts in the UK; on the other, the biggest name in American hip-hop playing Trojan horse for the British grime scene. 8216;As the Brits show continued to reflect...
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Charlie Hebdo | Disposable Everything
https://disposableeverything.co.uk/tag/charlie-hebdo
On Charlie Hebdo and the function of art. January 11, 2015. Politics and art in a post-factual age. Memorials without mimesis: Abstraction and intertextuality in William Basinski’s The Disintegration Loops. Ed Sheeran, the Brit Awards and the politics of ‘authentic’ performance. On Charlie Hebdo and the function of art. Assemblage in contemporary British poetry. Enter your email address to follow this blog and receive notifications of new posts by email. Infinitely Full Of Hope. It's her factory.