thequarternotehack.blogspot.com

The Quarter-Note Hack

A blog documenting my explorations in jazz arranging, composing, and bass playing. Sunday, February 10, 2013. Looking at Michael Gibbs, part 1. Although they may not realize it, many people, especially fans of Jazz, are familiar with the music of Michael Gibbs; most obviously from the title track of Stan Getz’s Sweet Rain. Which is one of Gibbs's distinctive compositions. This tune, along with two more of his, was also used by Gary Burton. On the album Duster. But I think that it would be unfair to gener...

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A blog documenting my explorations in jazz arranging, composing, and bass playing. Sunday, February 10, 2013. Looking at Michael Gibbs, part 1. Although they may not realize it, many people, especially fans of Jazz, are familiar with the music of Michael Gibbs; most obviously from the title track of Stan Getz’s Sweet Rain. Which is one of Gibbs's distinctive compositions. This tune, along with two more of his, was also used by Gary Burton. On the album Duster. But I think that it would be unfair to gener...

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The Quarter-Note Hack | thequarternotehack.blogspot.com Reviews

https://thequarternotehack.blogspot.com

A blog documenting my explorations in jazz arranging, composing, and bass playing. Sunday, February 10, 2013. Looking at Michael Gibbs, part 1. Although they may not realize it, many people, especially fans of Jazz, are familiar with the music of Michael Gibbs; most obviously from the title track of Stan Getz’s Sweet Rain. Which is one of Gibbs's distinctive compositions. This tune, along with two more of his, was also used by Gary Burton. On the album Duster. But I think that it would be unfair to gener...

INTERNAL PAGES

thequarternotehack.blogspot.com

1

The Quarter-Note Hack: Unconventional Voicings in Gil Evans’s Music – Applying It to My Own Work

http://thequarternotehack.blogspot.com/2009/06/unconventional-voicings-in-gil-evanss.html

A blog documenting my explorations in jazz arranging, composing, and bass playing. Tuesday, June 23, 2009. Unconventional Voicings in Gil Evans’s Music – Applying It to My Own Work. Jazz Arranging and Composing, A Linear Approach. As a good place to begin exploring the linear concept. Changing the function or the fundamental character of the voicing. A dominant seventh can be made to sound (more) dissonant just by sticking the root next to the seventh, but no new notes have to be added. To Each His Own.

2

The Quarter-Note Hack: To Each His Own

http://thequarternotehack.blogspot.com/2009/06/to-each-his-own.html

A blog documenting my explorations in jazz arranging, composing, and bass playing. Wednesday, June 24, 2009. To Each His Own. I was recently asked to write an aritcle about the life of bassist Jymie Merritt for the Philadelphia Jazz Heritage Project. S upcoming Jazz Fair 2009. Here's a link to the article on Allaboutjazz.com. A few links to some other folks's stuff:. Bassist Tom Gale has written about his approach. Bill Carrothers is a pianist I've been getting into of late. Drummer Jay Epstein's.

3

The Quarter-Note Hack: September 2009

http://thequarternotehack.blogspot.com/2009_09_01_archive.html

A blog documenting my explorations in jazz arranging, composing, and bass playing. Tuesday, September 22, 2009. Calender of Sound - Hermeto Pascoal. I heard some of Hermeto Pascoal's music a few years ago on a long road trip. Late at night or early in the morning, I can't remember which, the pianist for the band I was playing with popped in Só Não Toca Quem Não Quer. I thought, "This is a crazy person's music, but it's awesome.". However, the entire collection is available for free on his website. Which ...

4

The Quarter-Note Hack: Secondhand Wisdom

http://thequarternotehack.blogspot.com/2010/08/secondhand-wisdom_21.html

A blog documenting my explorations in jazz arranging, composing, and bass playing. Saturday, August 21, 2010. I recently came across a page of notes that I took from a Master Class with jazz bassist John Patitucci. March 29, 2008, at Rowan University:. Shumsky (Vionlinist) - Bach’s violin pieces. Recordings of Bach’s compositions for the violin. Patitucci] used to be really attached to Pablo Casals’s recordings [of the aforementioned cello suites], but not so much now. The student had performed the selec...

5

The Quarter-Note Hack: April 2009

http://thequarternotehack.blogspot.com/2009_04_01_archive.html

A blog documenting my explorations in jazz arranging, composing, and bass playing. Sunday, April 26, 2009. Starting this 'blog is an idea I've had for some time now, but the catalyst has only recently arrived; my thanks to Do The Math. For starting the proverbial fire under my ass. . 160; So why add another webpage to a cyber-world already flooded with split-second self-journalism? Subscribe to: Posts (Atom). View my complete profile.

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The Quarter-Note Hack

A blog documenting my explorations in jazz arranging, composing, and bass playing. Sunday, February 10, 2013. Looking at Michael Gibbs, part 1. Although they may not realize it, many people, especially fans of Jazz, are familiar with the music of Michael Gibbs; most obviously from the title track of Stan Getz’s Sweet Rain. Which is one of Gibbs's distinctive compositions. This tune, along with two more of his, was also used by Gary Burton. On the album Duster. But I think that it would be unfair to gener...

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Thursday, May 30, 2013. Fighting the Good Fight; Justice vs. Grace. If we are all sinful humans; how do we justify mercy and grace? How can we tolerate fighting the the "good fight" when we feel like we are loosing. For a while now I have warred inside myself about this. How can we really show grace? How can we get up each day and conduct our actions in a manner that exhorts grace without being labeled a "liberal" or leftist? Let me tell you a story. Can I help you ma'am? Left this trash in front of my.