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Thomas James Niblett

Presentation Process; Film and Documentation. Final Publication; Images Continued. The second spread relates to sound source, and the initial positions that sound comes from. Using a left to right composition, the interactive elements and sounds also pan from left to right, allowing the user to observe the relationship between sound source and location. Final Publication; Images. Shown here is the final front cover, and spread 8 from the final bound book. Printed on a 120 gsm splendorgel stock, with ...

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Thomas James Niblett | thomasjames-gdc3.blogspot.com Reviews
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Presentation Process; Film and Documentation. Final Publication; Images Continued. The second spread relates to sound source, and the initial positions that sound comes from. Using a left to right composition, the interactive elements and sounds also pan from left to right, allowing the user to observe the relationship between sound source and location. Final Publication; Images. Shown here is the final front cover, and spread 8 from the final bound book. Printed on a 120 gsm splendorgel stock, with ...
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Thomas James Niblett | thomasjames-gdc3.blogspot.com Reviews

https://thomasjames-gdc3.blogspot.com

Presentation Process; Film and Documentation. Final Publication; Images Continued. The second spread relates to sound source, and the initial positions that sound comes from. Using a left to right composition, the interactive elements and sounds also pan from left to right, allowing the user to observe the relationship between sound source and location. Final Publication; Images. Shown here is the final front cover, and spread 8 from the final bound book. Printed on a 120 gsm splendorgel stock, with ...

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thomasjames-gdc3.blogspot.com thomasjames-gdc3.blogspot.com
1

Thomas James Niblett: Final Publication; Images Continued

http://thomasjames-gdc3.blogspot.com/2010/06/final-publication-images-continued.html

Final Publication; Images Continued. Shown are two further spreads (8-9 and 14-15). The first details Serialism and Fouyaka's advances in phonoaesthetics, looking at the relationships between shape and composition. Using various forms (shown is a triangular approach) he drew various compositions using repeated forms, and then translated lengths to tone and frequency, as the interactive printed elements also do. The base length of the triangle determines the frequency of the noise listened to.

2

Thomas James Niblett: Presentation Process; Film & Documentation

http://thomasjames-gdc3.blogspot.com/2010/06/presentation-process-film-documentation.html

Presentation Process; Film and Documentation.

3

Thomas James Niblett: Matthew Falla; Fabrication

http://thomasjames-gdc3.blogspot.com/2010/05/matthew-falla-fabrication.html

Matthew Falla; Fabrication.

4

Thomas James Niblett: Matthew Falla; Development

http://thomasjames-gdc3.blogspot.com/2010/05/matthew-falla-development.html

Matthew Falla; Development. Pictured is a list drawn up in the meeting with Osmotronic; the items circled in green need to be complete asap to begin with the fabrication and programming of the book. This includes finalising designs, user interaction, and the master circuit board; all to be printed in electro conductive ink to allow for tactile interaction.

5

Thomas James Niblett: Adobe Director; Coding

http://thomasjames-gdc3.blogspot.com/2010/06/adobe-director-coding.html

Adobe Director; Coding. The coding for the interactive print is to be completed on Adobe Director. Whereas this is an old and somewhat 'traditional' coding method, I am familiar with it, and can easily do what needs to be done in connection with the conductive ink, with the help of Matthew Falla. The software provides an interface for the inputs (the touchable hotspots) and allows me to control the outputs for such.

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Presentation Process; Film and Documentation. Final Publication; Images Continued. The second spread relates to sound source, and the initial positions that sound comes from. Using a left to right composition, the interactive elements and sounds also pan from left to right, allowing the user to observe the relationship between sound source and location. Final Publication; Images. Shown here is the final front cover, and spread 8 from the final bound book. Printed on a 120 gsm splendorgel stock, with ...

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