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Tom Trevatt - Archived reviews

Tom Trevatt – Archived reviews. Paul Carter – Hotel (2009) at Matt’s Gallery. November 12, 2009. The melancholic fug of stale cigarettes and mouldy timber that hangs heavy in the air, produced by the salvaged walls and window frames from Paul Carter’s studio, the memory of […]. Read Article →. For Uriel Orlow’s exhibition Neither Fish Nor Fowl. May 30, 2009. Read Article →. Altermodern Review – An Economic Misadventure. March 12, 2009. Read Article →. February 6, 2009. Read Article →. February 5, 2009.

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Tom Trevatt - Archived reviews | tomtrevatt.wordpress.com Reviews

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Tom Trevatt – Archived reviews. Paul Carter – Hotel (2009) at Matt’s Gallery. November 12, 2009. The melancholic fug of stale cigarettes and mouldy timber that hangs heavy in the air, produced by the salvaged walls and window frames from Paul Carter’s studio, the memory of […]. Read Article →. For Uriel Orlow’s exhibition Neither Fish Nor Fowl. May 30, 2009. Read Article →. Altermodern Review – An Economic Misadventure. March 12, 2009. Read Article →. February 6, 2009. Read Article →. February 5, 2009.

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Split Seconds from 3rd December 1919 – 3rd December 1989 | Tom Trevatt - Archived reviews

https://tomtrevatt.wordpress.com/2009/02/05/split-seconds-from-3rd-december-1919-3rd-december-1989

Tom Trevatt – Archived reviews. Split Seconds from 3rd December 1919 – 3rd December 1989. February 5, 2009. Curated by Sebastian Verner. December 1989 the first President Bush and Mikhail Gorbachev declared the Cold War over. Over 40 years of opposition ended, the world teetered for a moment on the verge of destruction, but restrained finally by a summit on the island of Malta. On 3. The death of a painterly style then is juxtaposed with the very real possibility in the late eighties of the annihilation ...

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Mie Olise Kjaergaard at Standpoint November 2008 | Tom Trevatt - Archived reviews

https://tomtrevatt.wordpress.com/2009/02/05/mie-olise-kjaergaard-at-standpoint-november-2008

Tom Trevatt – Archived reviews. Mie Olise Kjaergaard at Standpoint November 2008. February 5, 2009. The Ruins of the Future. Standpoint Gallery, October 24 November 22 2008. Ruin Take the title of the exhibition,. Ruins of the Future. Ostensibly this suggests dismay at the failed utopian modernist dream. However, I would argue that this title names two distinct possibilities. Both the possibility of the ruination of existing buildings in future time and the ruins of the. At the height of utopian dreams.

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Response to Dave Beech’s article Recovering Radicalism in Art Monthly 323 | Tom Trevatt - Archived reviews

https://tomtrevatt.wordpress.com/2009/02/06/response-to-dave-beechs-article-recovering-radicalism-in-art-monthly-323

Tom Trevatt – Archived reviews. Response to Dave Beech’s article Recovering Radicalism in Art Monthly 323. February 6, 2009. Dear Art Monthly,. Altermodern Review – An Economic Misadventure →. One response to “ Response to Dave Beech’s article Recovering Radicalism in Art Monthly 323. March 1, 2009 at 7:36 pm. This letter was published in the March 2009 edition of Art Monthly. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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November | 2009 | Tom Trevatt - Archived reviews

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Tom Trevatt – Archived reviews. Monthly Archives: November 2009. Paul Carter – Hotel (2009) at Matt’s Gallery. November 12, 2009. The melancholic fug of stale cigarettes and mouldy timber that hangs heavy in the air, produced by the salvaged walls and window frames from Paul Carter’s studio, the memory of […]. Read Article →. Blog at WordPress.com. Tom Trevatt – Archived reviews. Create a free website or blog at WordPress.com.

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Laura Bartlett Gallery | Tom Trevatt - Archived reviews

https://tomtrevatt.wordpress.com/2009/02/05/laura-bartlett-gallery

Tom Trevatt – Archived reviews. February 5, 2009. One Year: November 2007 – December 2008. Mie Olise Kjaergaard at Standpoint November 2008. Response to Dave Beech’s article Recovering Radicalism in Art Monthly 323 →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out.

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Curating Discourse: Strange Events Permit Themselves the Luxury of Occurring - curated by Steven Claydon

http://curatingdiscourse.blogspot.com/2009/02/strange-events-permit-themselves-luxury.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Tuesday, 3 February 2009. Strange Events Permit Themselves the Luxury of Occurring - curated by Steven Claydon. Written by Tom Trevatt. We shall begin by accepting Claydon’s claims to a redistribution of typologies and allow ourselves the luxury, indeed, to follow his curatorial argument. No, it's because we ourselves are so divided by so many contradictory attachments that we have to assemble.

curatingdiscourse.blogspot.com curatingdiscourse.blogspot.com

Curating Discourse

http://curatingdiscourse.blogspot.com/2008/03/bernd-behr-alexia-goethe-gallery-london.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Tuesday, 25 March 2008. Bernd Behr - Alexia Goethe Gallery, London. 29th February – 7th April 2008. Behr explores the idea for the Hong Kong housing complex to revive its actual potential and therefore its filmic characterisation as being not strictly documentary, through the introduction of the audio voice over enacting a developmental proposal. 18 April 2008 at 04:40. Tom Trevatt - Writing.

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Curating Discourse: January 2009

http://curatingdiscourse.blogspot.com/2009_01_01_archive.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Thursday, 29 January 2009. A review on a curators practice; Lisa Le Feuvre - Sophie Risner. Curating; the balance between practice and distance. As well as web based activity for Nought to Sixty. At the ICA and the latter known Unrealised Projects,. At the Chelsea Space in 2005 alongside the recent offering of Renee Greens Endless Dreams and Water Between. Alongside Cell Project Space. We are: Ca...

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Curating Discourse: Steve McQueen: Hunger

http://curatingdiscourse.blogspot.com/2008/11/steve-mcqueen-hunger.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Monday, 17 November 2008. Towards and Economy of Means: On Violence. 160;          . On October 31 the critically acclaimed film Hunger. By British artist Steve McQueen was released in the UK. McQueen, who will represent Britain at the 53. Shows fragments of a traumatic chapter of recent British history as an odyssey of epic gestures of violence, resistance, and power. Is an urgent reminder of th...

curatingdiscourse.blogspot.com curatingdiscourse.blogspot.com

Curating Discourse: Supercream_magazine, issue no. 00: Event

http://curatingdiscourse.blogspot.com/2008/11/supercreammagazine-issue-no-00-event.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Friday, 28 November 2008. Supercream magazine, issue no. 00: Event. Http:/ www.supercream.org.uk/magazine/issue 00/index.html. Supercream magazine is an online publication. It investigates the cluster of meeting points between disciplines and fosters writers, curators and artists to experiment in an expanded field with production and its reception. For Supercream magazine, publishing mean...Tom a...

curatingdiscourse.blogspot.com curatingdiscourse.blogspot.com

Curating Discourse: February 2009

http://curatingdiscourse.blogspot.com/2009_02_01_archive.html

A selection of the most up to date writings from the MFA Curating course at Goldsmiths, University of London. Tuesday, 3 February 2009. Laura Bartlett Gallery 2008. Written by Tom Trevatt. 8th December 2008, London. Mie Olise Kjaegaard - Ruins of the Future, Standpoint Gallery 2008. Written by Tom Trevatt. As a strongly democratic or anarchist critique of statist visions of utopia? Anthony McCall - Serpentine Gallery 2008. Written by Tom Trevatt. 9th January 2008, London. Roman Signer - 7th February 2008.

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: Critical Juncture cross-cultural collaboration conference in Kalady, India

http://cressidakocienski.blogspot.com/2015/01/critical-juncture-cross-cultural.html

Critical Juncture cross-cultural collaboration conference in Kalady, India. I was invited to speak to the negotiation of voice in the speaking of spaces, with regards to residencies and cultural exchanges. The conference took place at Sree Sankaracharya University of Sanskrit, Kalady, on 15.12.2014. The exhibition Critical Juncture is an independents project as a part of the Kochi Biennale. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism.

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: Publication: Points in Line Issue #1 on Linear Movement

http://cressidakocienski.blogspot.com/2012/07/publication-points-in-line-issue-1-on.html

Publication: Points in Line Issue #1 on Linear Movement. Http:/ www.mottodistribution.com/site/? 8216;Points in Line’. Issue 1 on Linear Movement, 2012. Edited by Laura McLardy. Contributions by Vilém Flusser, Laura McLardy, Dora Maurer, Tina Gebler and Pia Bruer,. Julia Müller, Alexandre Achour, Cressida Kocienski, Konstantin Sergiou, Heine Thorhauge Mathiasen, Daniel Fernandez Pascual, Rodrigo Maltez Novaes, Tanaz Modabber, Pedro Wirz. Graphic design by Santiago da Silva. The Institute of Immaterialism.

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: Screening: Centralia at South Kiosk

http://cressidakocienski.blogspot.com/2014/07/screening-centralia-at-south-kiosk.html

Screening: Centralia at South Kiosk. On the 19th of August I'll be screening Unorganized North Algoma. In Centralia - one of the Summer Screen series at South Kiosk gallery, London. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism. Contact: cressida.kocienski [at] gmail.com. Architecture - LONDON/SHEFFIELD OPENkhana. Explores the use of digital techniques for. Architecture - TORONTO O[S]R. The Office for Spatial Research). Long Winter First T...

cressidakocienski.blogspot.com cressidakocienski.blogspot.com

Circumstantial Avalanche: UPCOMING

http://cressidakocienski.blogspot.com/2012/11/upcoming.html

I'll be teaching an undergraduate Architecture design lab in the University of Sheffield next week. The Institute of Immaterialism. And experimental publishing platform, was launched with Erik Martinson, and featured a screening and Cyranoids Acting Masterclass from Lucy Pawlak. More things will happen soon. March 2013 I'll be performing as part of FADO. S emerging artist series. I'll be curating New Toronto Works next summer, with Francisco-Fernando Granados. The institute of immaterialism. Currently wo...

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Tom Trevatt - Archived reviews

Tom Trevatt – Archived reviews. Paul Carter – Hotel (2009) at Matt’s Gallery. November 12, 2009. The melancholic fug of stale cigarettes and mouldy timber that hangs heavy in the air, produced by the salvaged walls and window frames from Paul Carter’s studio, the memory of […]. Read Article →. For Uriel Orlow’s exhibition Neither Fish Nor Fowl. May 30, 2009. Read Article →. Altermodern Review – An Economic Misadventure. March 12, 2009. Read Article →. February 6, 2009. Read Article →. February 5, 2009.

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July 19, 2015. Take Me To The River. April 17, 2015. Dojima River Biennale 2015. January 11, 2015. Peter Fend – H2Earth. January 5, 2015. January 2, 2015. Neil Cummings – Self-Portrait: Arnolfini, 2061. Neil Cummings in conversation, British Art Show 7 Finale Symposium, University of Plymouth, November 2011. Neil Cummings, Arnolfini Self Portrait 2061, Pt 1. Neil Cummings, Arnolfini Self Portrait 2061, Pt 2. Neil Cummings, Arnolfini Self Portrait 2061, Pt 3. January 2, 2015. December 31, 2014.

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welcome

Our creative community has inspired artists for generations. Here, art flourishes inside the walls of our thriving community's many galleries. We're home to famed museums, architectural marvels, world-class performance spaces, and an award-winning public art program. Come be inspired! Come see the latest in what we have to offer in free classes, speakers, and performances. Come share your experience, knowledge, and skills with other local creative minds. Worth A Thousand Words. Tom Trevor Fine Art.

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Verificationista, new media junkie, Arabic addict, coffee fiend and flâneur. I work with the awesome team at Meedan. On great projects like Checkdesk. I write on Medium. Project need and impact research. Translation (Arabic English, Spanish English). Projects I’ve worked on. 8211; An open source toolkit for verifying digital media. 8211; Social media translation. 8211; Cross-language interfaith dialogue. 8211; Cross-language classroom discussion. 8211; Arabic-English media sharing.

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