anrt-nancy.fr
Atelier national de recherche typographique
http://anrt-nancy.fr/candidature
Atelier National de Recherche. Programmes de recherche 2016. L’appel à candidature pour la session 2016 est ouvert jusqu’au 30 juin 2016. Les candidats peuvent présenter un projet de recherche personnel ou s’inscrire à l’un des programmes de recherche ouverts en 2016. Programmes de recherche 2016. Halbgotische, Gotico-Antiqua, Fere-Humanistica: entre gothique et romain. Les qualités requises pour intégrer ce programme sont:. Une expérience du dessin de caractères latins,. Une expérience du dessin de cara...
istvc.org
ISTVC Board - ISTVC | ΙΜΕΤΥΠΟΕ
http://www.istvc.org/istvc-board.html
ISTVC ΙΜΕΤΥΠΟΕ. 6th ICTVC July 2016. HYΦEN, a typographic forum. I special [single copy] offers. Ii special offers Art. Iii special offers Media. Andreas Cl. Sophocleous. Http:/ www.sophocleousan.com/homepage.html. Http:/ reading.ac.uk/typography. Karel van der Waarde. Studied graphic design in the Netherlands (1986: The Design Academy, Eindhoven) and in the UK (1988: De Montfort University, Leicester; 1993: the University of Reading). Van der Waarde is a life-Fellow of the Communications Research Instit...
leonidas.org
Журнал «Шрифт» – Gerry Leonidas
http://leonidas.org/2014/03/27/type-journal-interview/img_2483web
Farewell, Richard Southall. The right kind of support. From concrete to fluid, but not yet to social. Echoes on designing across scripts. You can’t put a price on expertise. Larr; Previous Post. Proudly powered by WordPress. Theme: editor by Array.
leonidas.org
gerryleonidas – Gerry Leonidas
http://leonidas.org/author/gerryleonidas
Farewell, Richard Southall. The right kind of support. From concrete to fluid, but not yet to social. Echoes on designing across scripts. You can’t put a price on expertise. Farewell, Richard Southall. The stories of how Richard ended up in typography are best left to those who knew him in his youth, and have firsthand recollections. Similarly, his engagement with seminal chapters of type and typography have been documented to some degree by others — notably, and recently, by Alice Savoie. Or at least ha...
leonidas.org
About – Gerry Leonidas
http://leonidas.org/about
Farewell, Richard Southall. The right kind of support. From concrete to fluid, but not yet to social. Echoes on designing across scripts. You can’t put a price on expertise. Associate Professor of Typography. Vice-President of ATypI. Board member of ISTVC. Knowledge Transfer and support for typeface design. Conference presentations and invited lectures. Reviewing, judging, and related work. Interviews and media contributions. John Baskerville: art, industry and culture in the Enlightenment. Texts and edi...
leonidas.org
Alice Savoie in BCN – Gerry Leonidas
http://leonidas.org/2014/09/22/smashing-week/alicesavoie-in-bcn
Farewell, Richard Southall. The right kind of support. From concrete to fluid, but not yet to social. Echoes on designing across scripts. You can’t put a price on expertise. Alice Savoie in BCN. We should be able to markup the slide with the names of the persons, the location, the company, during the making of the presentation! Larr; Previous Post. Proudly powered by WordPress. Theme: editor by Array.
leonidas.org
Type Journal interview – Gerry Leonidas
http://leonidas.org/2014/03/27/type-journal-interview
Farewell, Richard Southall. The right kind of support. From concrete to fluid, but not yet to social. Echoes on designing across scripts. You can’t put a price on expertise. In the summer of 2013 Alexei Vanyashin asked for an interview for the (then still to-be-launched) online journal Шрифт. My original set of answers (which are not in the order of the final interview) are on this page. Click to email this to a friend (Opens in new window). Click to share on Twitter (Opens in new window).
leonidas.org
The next ten years – Gerry Leonidas
http://leonidas.org/2013/03/12/thenexttenyears
Farewell, Richard Southall. The right kind of support. From concrete to fluid, but not yet to social. Echoes on designing across scripts. You can’t put a price on expertise. The next ten years. I measure the growth of typeface design by the questions of border control agents. Spreads, pages, and columns of hugely variant sizes, each with its own demands on line density, contrast, and spacing. Typefaces, spacing, visual hierarchies, and colour. Are the only reliable identifiers. As typeface families grow ...
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