wayoffword.blogspot.com

Wayfarer

Where walking meets writing. Saturday, 29 September 2007. More than the choice of the vegetables the preparation of the salad dressing shows the drama of linking two ends: the one which is known and loved and the other that holds everything that can be lost since bound to the uncertainty or the abandonment of oneself. Monday, 3 September 2007. One way or another. 8230;as he walks and counts his footsteps. Now that mirrors are lost. Finds doors in streets. So far so high as the lamps. In the image a-coming.

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Wayfarer | wayoffword.blogspot.com Reviews

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Where walking meets writing. Saturday, 29 September 2007. More than the choice of the vegetables the preparation of the salad dressing shows the drama of linking two ends: the one which is known and loved and the other that holds everything that can be lost since bound to the uncertainty or the abandonment of oneself. Monday, 3 September 2007. One way or another. 8230;as he walks and counts his footsteps. Now that mirrors are lost. Finds doors in streets. So far so high as the lamps. In the image a-coming.

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Wayfarer | wayoffword.blogspot.com Reviews

https://wayoffword.blogspot.com

Where walking meets writing. Saturday, 29 September 2007. More than the choice of the vegetables the preparation of the salad dressing shows the drama of linking two ends: the one which is known and loved and the other that holds everything that can be lost since bound to the uncertainty or the abandonment of oneself. Monday, 3 September 2007. One way or another. 8230;as he walks and counts his footsteps. Now that mirrors are lost. Finds doors in streets. So far so high as the lamps. In the image a-coming.

INTERNAL PAGES

wayoffword.blogspot.com

1

Wayfarer: one way or another

http://www.wayoffword.blogspot.com/2007/09/one-way-or-another.html

Where walking meets writing. Monday, 3 September 2007. One way or another. 8230;as he walks and counts his footsteps. Now that mirrors are lost. Finds doors in streets. So far so high as the lamps. In the image a-coming. With ‘Preyed Upon’, by Tanita Tikaram in mind]. Photo: Paulista Avenue, in São Paulo, by Ricardo Imaeda. Subscribe to: Post Comments (Atom). Não há razão para desespero. Apenas sentimentos. E enquanto faz dia caminho um passo a mais. View my complete profile. One way or another.

2

Wayfarer: August 2007

http://www.wayoffword.blogspot.com/2007_08_01_archive.html

Where walking meets writing. Saturday, 11 August 2007. It seems you must be ready for a start or an end. Something going on any time. Like riding on a bike, wheels in a constant movement. Blade runner in the real life. Such is the rhythm they have in store for those willing to survive. Subscribe to: Posts (Atom). Não há razão para desespero. Apenas sentimentos. E enquanto faz dia caminho um passo a mais. View my complete profile.

3

Wayfarer: June 2007

http://www.wayoffword.blogspot.com/2007_06_01_archive.html

Where walking meets writing. Saturday, 30 June 2007. Requiem for the real world. Some days can be harder. They can take those feelings away and leave you a ticket. Sunday, 24 June 2007. Today is the day to be reborn. Wednesday, 20 June 2007. An afternoon in the museum. Photo: Museum of Art of São Paulo (Masp), by Ricardo Imaeda. Monday, 11 June 2007. Different settings and covers but people seem similar. The aims are near, searches coincide. Whatever they pose the inner side denies. Monday, 4 June 2007.

4

Wayfarer: Countdown

http://www.wayoffword.blogspot.com/2007/08/countdown.html

Where walking meets writing. Saturday, 11 August 2007. It seems you must be ready for a start or an end. Something going on any time. Like riding on a bike, wheels in a constant movement. Blade runner in the real life. Such is the rhythm they have in store for those willing to survive. このデコログでは芸能人と出会う事が出来ます。それこそが今の退屈な人生から抜け出すチャンスなのです。さあ皆さんも芸能人と出会い、上手くいけば芸能界デビュー？？ 18 January 2011 at 00:12. Subscribe to: Post Comments (Atom). View my complete profile.

5

Wayfarer: May 2007

http://www.wayoffword.blogspot.com/2007_05_01_archive.html

Where walking meets writing. Wednesday, 30 May 2007. There is a time when you stop waiting. No one will ever come, it dawns on you. And what once seemed wide and open narrows to a blade’s edge. You realize there is no support wherever from. Ahead a history to unfold and no mysteries to taste. A fine long line rests in front of your shoulders. Thursday, 24 May 2007. Wednesday, 16 May 2007. To trust in word. Paths get narrowed as light dims, as memory blurs. Yet the lines may still be relied upon. If ever ...

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lon-sao.blogspot.com

Lon-Sao: Cada pequeno fim

http://lon-sao.blogspot.com/2011/11/cada-pequeno-fim.html

Wednesday, November 09, 2011. Começo de noite, parque para fechar, alguns gatos surgem por toda a parte. São brancos e pretos, parecem tranqüilos. Não há final de história para eles. Nas alamedas vazias estão sentados ou deitados, lambem o corpo e são indiferentes aos visitantes que passam. Estarão se sentindo sós? As luzes são acesas. Menos movimento ainda. O pavão no alto da árvore entoa seu canto. O domingo continua a findar. Não há chegada. E nem termina por completo. View my complete profile.

lon-sao.blogspot.com

Lon-Sao: Soltar as cores

http://lon-sao.blogspot.com/2011/11/soltar-as-cores.html

Saturday, November 12, 2011. Ele aproximava as cores da sensação de liberdade. As cores de cada vida: frutas, flores, pássaros, ventos. Para onde quer que olhasse encontraria ainda um rastro, um memo, passos de luz restante. Em cada cor aprofundou sua pausa. Deitou sua calma e se deixou ficar. Não adormeceu. Antes, foi como acordar de um salto, perder o rumo e jogar cada pedaço embora. Foto: detalhe da instalação ‘Seu corpo da obra’, de Olafur Eliasson, no Sesc Pompéia, São Paulo, por R.I.

lon-sao.blogspot.com

Lon-Sao: January 2011

http://lon-sao.blogspot.com/2011_01_01_archive.html

Thursday, January 27, 2011. Sentir o vento no peito. Nele se ater, sem menos. Tempero e acentos, inteiro. Sentir no peito os veios. Intensos, sem medo nem tempo. Desde cedo, talvez sempre. Foto: detalhe do Parque do Ibirapuera, em São Paulo, por R.I. Friday, January 21, 2011. Quando se olha para os dias difíceis, difíceis, algum mistério parece oferecer conforto ou sentido. Mas, ao mesmo tempo, vira alimento para seu próprio poderio. Foto: detalhe do parque Moinhos de Vento, em Porto Alegre, por R.I.

lon-sao.blogspot.com

Lon-Sao: February 2011

http://lon-sao.blogspot.com/2011_02_01_archive.html

Sunday, February 20, 2011. Não importa seu destino. A experiência do cinema modifica o olhar dessa forma radical, ainda que momentaneamente. Mais do que qualquer conteúdo novo, a vivência da integração com o que parecia estar fora. Foto: praça do Patriarca, no centro de São Paulo, por R.I. Tuesday, February 15, 2011. Foto: vista da orla de Santos, por R.I. Tuesday, February 08, 2011. Foto: skyline de São Paulo a partir de um dos lagos do parque Ibirapuera, por R.I. Wednesday, February 02, 2011. View my c...

lon-sao.blogspot.com

Lon-Sao: November 2011

http://lon-sao.blogspot.com/2011_11_01_archive.html

Tuesday, November 22, 2011. 8216;Amanhã é um outro dia não é’. Renato Russo (in ‘A Via Láctea’). Desespero é fazer as mesmas coisas sabendo que não passa. Não há fresta, não adianta. Ainda demora. E os dias decantam. Sem altas ou escolhas. Mas duram. Foto: detalhe do acesso à estação de trem Cidade Jardim, na zona sul de São Paulo, por R.I. Thursday, November 17, 2011. Foto: detalhe da obra ‘Microscópio para São Paulo’, de Olafur Eliasson, na Pinacoteca do Estado, em São Paulo, por R.I. Ele aproximava as...

lon-sao.blogspot.com

Lon-Sao: E agora?

http://lon-sao.blogspot.com/2011/11/e-agora.html

Tuesday, November 22, 2011. 8216;Amanhã é um outro dia não é’. Renato Russo (in ‘A Via Láctea’). Desespero é fazer as mesmas coisas sabendo que não passa. Não há fresta, não adianta. Ainda demora. E os dias decantam. Sem altas ou escolhas. Mas duram. Foto: detalhe do acesso à estação de trem Cidade Jardim, na zona sul de São Paulo, por R.I. Pode me chamar assim. Subscribe to: Post Comments (Atom). Não há razão para desespero. Apenas sentimentos. E enquanto faz dia caminho um passo a mais.

lon-sao.blogspot.com

Lon-Sao: Segunda imagem

http://lon-sao.blogspot.com/2011/11/segunda-imagem.html

Thursday, November 17, 2011. Sempre vi o mundo menor do que era. Por conta das lentes divergentes a imagem corrigida se mostrava reduzida. Nenhuma coisa tinha uma exata correspondência, como distância alguma deveria ser real. Durante anos os óculos comprimiram a vida e a filtraram numa espécie de cinema sem tela fixa. Eles tornavam nítido o que era preciso, ainda que não necessariamente. Exato, apenas quando desfocado, borrado. Subscribe to: Post Comments (Atom). View my complete profile.

lon-sao.blogspot.com

Lon-Sao: December 2010

http://lon-sao.blogspot.com/2010_12_01_archive.html

Tuesday, December 21, 2010. E o dia terminando. Voltar a ser um. Foto: praia do Jabaquara, em Paraty, por R.I. Monday, December 13, 2010. Não são apenas os antibióticos que demandam uso em um intervalo regular e preciso de tempo para poder surtir um efeito sistêmico, contínuo. Quando se desembarca do movimento seguido dos dias quase sem relevo ou quando alguma dor física vem bater é que se percebe sua falta. Sunday, December 05, 2010. O animal-símbolo e a cidade. Talvez porque eles estejam perto mas apon...

lon-sao.blogspot.com

Lon-Sao: July 2011

http://lon-sao.blogspot.com/2011_07_01_archive.html

Tuesday, July 26, 2011. Agora e na hora. Tanta informação, toda a necessidade de sentido. Traçar uma linha se parece com criar histórias, ficcionalizar vidas. Caminham lado a lado, imagens ocas, peles abandonadas. Em um instante de folga (ganha à força) abro livros, que libertam fontes. Não demoram a cobrir ossos e vácuos em novas florações. Foto: interior da Biblioteca de São Paulo, na zona norte de São Paulo, por R.I. Saturday, July 09, 2011. Tuesday, July 05, 2011. Parece sempre estranho ouvir a própr...

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Wayfarer

Where walking meets writing. Saturday, 29 September 2007. More than the choice of the vegetables the preparation of the salad dressing shows the drama of linking two ends: the one which is known and loved and the other that holds everything that can be lost since bound to the uncertainty or the abandonment of oneself. Monday, 3 September 2007. One way or another. 8230;as he walks and counts his footsteps. Now that mirrors are lost. Finds doors in streets. So far so high as the lamps. In the image a-coming.

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