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World Cinema On Demand | AHRC Research Network

Funded by the Arts & Humanities Research Council under the "Digital Transformations" scheme, World Cinema On-Demand is a networking research project that aims to investigate the impact of streaming services on World cinema distribution, consumption and teaching. Key Objectives In recent years a number of media organisations (including LoveFilm, Netflix and MUBI) have made available on-demand – via streaming video…

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World Cinema On Demand | AHRC Research Network | worldcinemaod.wordpress.com Reviews

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Funded by the Arts & Humanities Research Council under the Digital Transformations scheme, World Cinema On-Demand is a networking research project that aims to investigate the impact of streaming services on World cinema distribution, consumption and teaching. Key Objectives In recent years a number of media organisations (including LoveFilm, Netflix and MUBI) have made available on-demand – via streaming video…

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1 workshop 1

2 participants

3 philippe brodeur

4 prof malte hagener

5 prof dina iordanova

6 prof julia knight

7 ana kronschnabl

8 prof paul mcdonald

9 prof alejandro pardo

10 prof sheila petty

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workshop 1,participants,philippe brodeur,prof malte hagener,prof dina iordanova,prof julia knight,ana kronschnabl,prof paul mcdonald,prof alejandro pardo,prof sheila petty,dr laura rascaroli,dr karl schoonover,dr niamh thornton,dr patrick vonderau,vampyr

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World Cinema On Demand | AHRC Research Network | worldcinemaod.wordpress.com Reviews

https://worldcinemaod.wordpress.com

Funded by the Arts & Humanities Research Council under the "Digital Transformations" scheme, World Cinema On-Demand is a networking research project that aims to investigate the impact of streaming services on World cinema distribution, consumption and teaching. Key Objectives In recent years a number of media organisations (including LoveFilm, Netflix and MUBI) have made available on-demand – via streaming video…

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worldcinemaod.wordpress.com

1

Participants | World Cinema On Demand

https://worldcinemaod.wordpress.com/participants-workshop-2

World Cinema On Demand. Dr Iain Robert Smith. The second workshop will focus on issues of online availability of World Cinema and fair use of streaming in Higher Education. Abstracts and speakers’ biography can be downloaded in pdf from this link: World Cinema OD – Workshop 2 Abstracts and bios. Error: Twitter did not respond. Please wait a few minutes and refresh this page. Project Principal Investigator: Dr. Stefano Baschiera (QUB). Co-Investigator: Dr. Alexander Fisher (QUB). Follow us via Email.

2

Prof. Alejandro Pardo | World Cinema On Demand

https://worldcinemaod.wordpress.com/prof-alejandro-pardo

World Cinema On Demand. Dr Iain Robert Smith. Spanish Cinema Goes Online:. Threats and Opportunities in the Digital World. This paper attempts to further research this challenging role of the online world in the case of the Spanish film industry. In doing so, I will use a methodology that combines the comparative analysis of market figures with personal interviews with top executives from film and TV companies, as well as with the main responsibles of the above mentioned websites. Economics Center for th...

3

Dr. Karl Schoonover | World Cinema On Demand

https://worldcinemaod.wordpress.com/dr-karl-schoonover

World Cinema On Demand. Dr Iain Robert Smith. Where in the World is Queer Cinema? Festival circuitry has emerged in the spaces of VOD, bootlegging, and free streaming. Audiences in the UK can view an early 1970s Filipino gay melodrama uploaded to Youtube from old Betamax off-air taping, while Hong Kongers watch bootleg copies of. And US viewers buy Apichatpong’s. Where does queer cinema reside? 8216;s recent work explores the idea of ‘world cinema’ as a political structure that emerges from specific inst...

4

Prof. Julia Knight | World Cinema On Demand

https://worldcinemaod.wordpress.com/prof-julia-knight

World Cinema On Demand. Dr Iain Robert Smith. Three Issues for Experimental Moving Image in the Era of Digital Distribution. Is Professor of Moving Image at the University of Sunderland and co-editor of. Convergence: The International Journal of Research into New Media Technologies. She has recently published. Reaching Audiences: Distribution and Promotion of Alternative Moving Image. 2011) and the AHRC funded Film and Video Distribution Database ( fv-distribution-database.ac.uk. Follow us via Email.

5

Programme | World Cinema On Demand

https://worldcinemaod.wordpress.com/programme

World Cinema On Demand. Dr Iain Robert Smith. REGISTRATION AND COFFEE (QFT Foyer). Dina Iordanova (St. Andrews):. Digital Disruption Cinema Moves On-line. Nollywood Streaming: How the Nigerian Digital Video Phenomenon is Challenging African Cinema. Where in the World is Queer Cinema? ONLINE DISTRIBUTION AND FILM CULTURE(S). Online Distribution, Digital Utopianism and the Diversification of Film Culture. Three Issues for Experimental Moving Image in the Era of Digital Distribution. Follow us via Email.

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worldcinemaod.wordpress.com

World Cinema On Demand | AHRC Research Network

World Cinema On Demand. Dr Iain Robert Smith. Funded by the Arts and Humanities Research Council. Under the “ Digital Transformations. 8221; scheme, World Cinema On-Demand. Is a networking research project that aims to investigate the impact of streaming services on World cinema distribution, consumption and teaching. Rocco and His Brothers. Being offered for instant, streamed viewing alongside recent Hollywood blockbusters, often for a monthly subscription. In particular, the network aims to explore the...

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World Cinema Review

This blog is a place for me to scribble down my thoughts on the movies I have watched. Consider this as a dialogue zone and contribute your thoughts to it. Monday, January 08, 2007. Popular Cinema - Emerging Trends. A few weeks back I happened to attend a lecture on ‘ Popular Cinema in the Indiancontext. 8217; For a south Indian, the meaning of Popular Cinema will be clearer than the popular cinema-goer of the North. Rajnikant. Labels: Popular Cinema Discussion. Tuesday, August 29, 2006. The play deals w...