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16:9 | Photographic Resources & Lens Tests

Why bigger is better, and why we don't just call a corner a corner. Camera Phone v Canon 350D. 6x4 small print shootout: Sony Ericsson K800i v Canon 350D v Canon 5D. In pursuit of diverse image-making, 16:9 rails against compromise, explores seldom-charted digital techniques, cajoles incompatible equipment into getting along, and wilfully disrespects conventions for the edification of diverse image-makers. Preferred maxim: if it ain't broke, break it. In the real world we take pictures of buildings.

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16:9 | Photographic Resources & Lens Tests | 16-9.net contacts
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Why bigger is better, and why we don't just call a corner a corner. Camera Phone v Canon 350D. 6x4 small print shootout: Sony Ericsson K800i v Canon 350D v Canon 5D. In pursuit of diverse image-making, 16:9 rails against compromise, explores seldom-charted digital techniques, cajoles incompatible equipment into getting along, and wilfully disrespects conventions for the edification of diverse image-makers. Preferred maxim: if it ain't broke, break it. In the real world we take pictures of buildings.
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Why bigger is better, and why we don't just call a corner a corner. Camera Phone v Canon 350D. 6x4 small print shootout: Sony Ericsson K800i v Canon 350D v Canon 5D. In pursuit of diverse image-making, 16:9 rails against compromise, explores seldom-charted digital techniques, cajoles incompatible equipment into getting along, and wilfully disrespects conventions for the edification of diverse image-makers. Preferred maxim: if it ain't broke, break it. In the real world we take pictures of buildings.
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16:9 | Photographic Resources & Lens Tests

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Why bigger is better, and why we don't just call a corner a corner. Camera Phone v Canon 350D. 6x4 small print shootout: Sony Ericsson K800i v Canon 350D v Canon 5D. In pursuit of diverse image-making, 16:9 rails against compromise, explores seldom-charted digital techniques, cajoles incompatible equipment into getting along, and wilfully disrespects conventions for the edification of diverse image-makers. Preferred maxim: if it ain't broke, break it. In the real world we take pictures of buildings.

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