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Wednesday, April 13, 2011. Posted by christopher jette. Thursday, April 7, 2011. This is a good characterization of a concert audience. That’s a nice lamp) doesn’t stand a chance against a film like “Attenberg,” a highlight of the second week of the festival, which ends Sunday. From "Awkward Embraces, Assured Directors". By MANOHLA DARGIS, NYTimes, March 27, 2011. Posted by christopher jette. WK2 homework : Spring 2011. You will read the article "Reconceiving Theory" by Robert Cogan. What does this mean?

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Wednesday, April 13, 2011. Posted by christopher jette. Thursday, April 7, 2011. This is a good characterization of a concert audience. That’s a nice lamp) doesn’t stand a chance against a film like “Attenberg,” a highlight of the second week of the festival, which ends Sunday. From Awkward Embraces, Assured Directors. By MANOHLA DARGIS, NYTimes, March 27, 2011. Posted by christopher jette. WK2 homework : Spring 2011. You will read the article Reconceiving Theory by Robert Cogan. What does this mean?

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Wednesday, April 13, 2011. Posted by christopher jette. Thursday, April 7, 2011. This is a good characterization of a concert audience. That’s a nice lamp) doesn’t stand a chance against a film like “Attenberg,” a highlight of the second week of the festival, which ends Sunday. From "Awkward Embraces, Assured Directors". By MANOHLA DARGIS, NYTimes, March 27, 2011. Posted by christopher jette. WK2 homework : Spring 2011. You will read the article "Reconceiving Theory" by Robert Cogan. What does this mean?

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8eighty8: Spear

http://8eighty8.blogspot.com/2011/04/spear.html

Wednesday, April 13, 2011. Posted by christopher jette. Subscribe to: Post Comments (Atom). Muse Score : notation. Thomas Moore New Music Sites. WK2 homework : Spring 2011. What does this mean? Travel theme. Theme images by fpm.

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8eighty8: October 2010

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Saturday, October 30, 2010. This week you are writing a second voice against a first voice. In much of music history this practice is characterized as Counterpoint. There is a specific set of rules that applies to "Counterpoint" and we will eventually arrive at them through practice, not prescription. 1 Is the new melody beautiful? Quantification of Beautiful = does it keep the listener interested by contrasting predictable and surprising movement and is there an organic flow/feeling to the melody).

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8eighty8: Concert Reports

http://8eighty8.blogspot.com/2011/04/concert-reports.html

Tuesday, April 5, 2011. Primavera: Pianomatic Springs I. Though I am greatly interested by the inspiration and methods that lead to electronic music (as with Barlow’s and Horvitz’s), I generally find the input more beautiful than the output. Music 8 Composition Concert. The compositions were carried out without noticeable error. Eric's piece was a bit on the long side in my opinion. In contrast, my own piece was too short. I have no complaints on any other pieces that I can remember at this p...Our prese...

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8eighty8: January 2011

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Friday, January 14, 2011. Lest you need it. Here. Posted by christopher jette. Please follow this link. To an article entitled, The Aesthetic Relation of Musical Performer and Audience, written by Daniel Putnam. Please read this article and send an email with two paragraphs. The first paragraph will be a summary of the article. The seconds paragraph will be a a reflection on how this article relates to you or what you got from this article or something that you learned. Posted by christopher jette.

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8eighty8: February 2011

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Monday, February 28, 2011. What is the relavence of this appproach to making to your own? Posted by christopher jette. Sunday, February 27, 2011. Posted by christopher jette. Thursday, February 17, 2011. Powers of ten : charles and ray eames. Here you play with scale. Posted by christopher jette. Friday, February 4, 2011. These are due by 10PM, sent me by email, the Tuesday before our next class. They will be pdf's with YourName Week#.pdf as the title. Now for the material I want you to look at.

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Download high resolution headshot. K Thomas J. Villegas and A. Forbes. Translation as Technique: Collaboratively Creating an Electro-Acoustic Composition for Saxophone and Live Video Projection. In. Proceedings of International Computer Music Conference. ICMC)/Sound and Music Computing (SMC), Athens, GR, Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 2014. And K Kirchoff. # chronicled: Two Realtime Concert Reviews Sonified. In. A G Forbes, C. Jette. IVAPP), Lisbon, Portugal, 2014.

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Wednesday, April 13, 2011. Posted by christopher jette. Thursday, April 7, 2011. This is a good characterization of a concert audience. That’s a nice lamp) doesn’t stand a chance against a film like “Attenberg,” a highlight of the second week of the festival, which ends Sunday. From "Awkward Embraces, Assured Directors". By MANOHLA DARGIS, NYTimes, March 27, 2011. Posted by christopher jette. WK2 homework : Spring 2011. You will read the article "Reconceiving Theory" by Robert Cogan. What does this mean?

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