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Abcrit | discursive argument on abstract painting & sculpture | abcrit.org Reviews
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discursive argument on abstract painting & sculpture
Helen Marten | Abcrit
https://abcrit.org/tag/helen-marten
Discursive argument on abstract painting and sculpture. 47 Robin Greenwood writes on Robert Rauschenberg. Robert Rauschenberg, “Ace”, 1962. Here’s a selection of some Rauschenbergs from the fifties that are NOT in the show (click to enlarge):. Posted in Robin Greenwood. And tagged Helen Marten. December 10, 2016. Follow Abcrit on WordPress.com. On #51. Alan Gouk writes on the Shchukin Collection at Fondation Louis Vuitton, Paris. On #51. Alan Gouk writes on the Shchukin Collection at Fondation Louis ...
Nick Moore | Abcrit
https://abcrit.org/tag/nick-moore
Discursive argument on abstract painting and sculpture. 46 Nick Moore writes on Frank Avray Wilson at Whitford Fine Art, London. Frank Avray Wilson installation at Whitford Fine Art. Anyone involved with the search for the Abstract would know that it was not a stunt. It was far too demanding, and powerful, for that. Frank Avray Wilson, ‘Thinking About Painting’ 1990. Approach for which he became known, which makes up the main body of the show. I drew some of the cells, colouring them with fast running wa...
Nick Moore | Abcrit
https://abcrit.org/category/nick-moore
Discursive argument on abstract painting and sculpture. 46 Nick Moore writes on Frank Avray Wilson at Whitford Fine Art, London. Frank Avray Wilson installation at Whitford Fine Art. Anyone involved with the search for the Abstract would know that it was not a stunt. It was far too demanding, and powerful, for that. Frank Avray Wilson, ‘Thinking About Painting’ 1990. Approach for which he became known, which makes up the main body of the show. I drew some of the cells, colouring them with fast running wa...
#47. Robin Greenwood writes on Robert Rauschenberg | Abcrit
https://abcrit.org/2016/12/10/47-robin-greenwood-writes-on-robert-rauschenberg
Discursive argument on abstract painting and sculpture. 47 Robin Greenwood writes on Robert Rauschenberg. Robert Rauschenberg, “Ace”, 1962. Here’s a selection of some Rauschenbergs from the fifties that are NOT in the show (click to enlarge):. 8220;Red Interior”, 1954. 8220;Collection”, 1954. 8220;Satellite”, 1955. 8220;Rebus”, 1955. 8220;Wager”, 1957-59. 8220;Painting with Grey Wing”, 1959. 8220;Inlet”, 1959. 8220;Broadcast”, 1959. 8220;Pilgrim”. 1960. 8220;Diplomat”, 1960. 8220;Charlene”, 1954. Hans Ho...
Alan Gouk | Abcrit
https://abcrit.org/category/alan-gouk
Discursive argument on abstract painting and sculpture. 51 Alan Gouk writes on the Shchukin Collection at Fondation Louis Vuitton, Paris. Gallery of Matisses at the Shchukin Collection; photo John Pollard. The Shchukin Collection at Fondation Louis Vuitton, Paris has been extended to 5th March 2017. Http:/ www.fondationlouisvuitton.fr/en.html. Posted in Alan Gouk. And tagged Alan Gouk. February 18, 2017. 48 Alan Gouk writes on Katherine Gili sculpture. Katherine Gili: Looking for the Physical. The fact t...
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STUDIO CRITICAL: JAMIE POWELL
http://studiocritical.blogspot.com/2015/06/jaime-powell.html
A behind the scenes approach to contemporary painting. Monday, June 1, 2015. Jib Jab, 13" x 10", Acrylic and spray paint on cut canvas, 2015. What are you working on in your studio right now? Can you describe your working routine? Can you describe your studio space and how, if at all, that affects your work? Tell me about your process, where things begin, how they evolve etc. Birth from failure I never thought of it that way until now. Meatball, 12" x 10" x 5", Acrylic and spray paint on cut canvas, 2015.
STUDIO CRITICAL: April 2014
http://studiocritical.blogspot.com/2014_04_01_archive.html
A behind the scenes approach to contemporary painting. Tuesday, April 29, 2014. Crumbling Block of Blocks,. Acrylic paint on powder-coated stand. 105 x 13.5 x 24 inches (dimensions variable). What are you working on in your studio right now? Can you describe your working routine? Can you describe your studio space and how, if at all, that affects your work? Tell me about your process, where things begin, how they evolve, etc. What are you having the most trouble resolving? Monday, April 14, 2014. Do you ...
STUDIO CRITICAL: December 2013
http://studiocritical.blogspot.com/2013_12_01_archive.html
A behind the scenes approach to contemporary painting. Monday, December 16, 2013. T'Bar, oil and acrylic on canvas, 35x25cm, 2013. What are you working on in your studio right now? I’m working on a few things. I’m putting together a series of miniatures for a travelling show titled, ‘Wandering Museum’. They are still in early stages and I am just laying down colours and making marks. Can you describe your working routine? Can you describe your studio space and how, if at all, that affects your work?
STUDIO CRITICAL: MOLLY STEVENS
http://studiocritical.blogspot.com/2012/10/molly-stevens.html
A behind the scenes approach to contemporary painting. Tuesday, October 16, 2012. Knight in armor with teeth, 2012,. Oil stick on paper, 61” x 47.5”. What are you working on in your studio right now? I’m developing new large-scale oils on paper and canvas. These past few months, I’ve been seeing boxers, guardians, cats with guns and most recently, lederhosen. Can you describe your working routine? Head (Boxer), 2012, oil stick on paper, 60” x 44”. Studio view toward windows. My plan never pans out. E...
STUDIO CRITICAL: April 2015
http://studiocritical.blogspot.com/2015_04_01_archive.html
A behind the scenes approach to contemporary painting. Wednesday, April 8, 2015. Alkyd, spray, oil stick, and stir stick on canvas, 12" x 16", 2015. What are you working on in your studio right now? Alkyd, spray, oil stick, canvas strips on canvas, 24" x 30", 2015. Can you describe your working routine? Generally I work fast and things happen quickly. But there are also times when the path is not clear, so I slow down a bit with lots of time between moves. So it varies. Hence, no real routine. Yes, I'd l...
STUDIO CRITICAL: February 2015
http://studiocritical.blogspot.com/2015_02_01_archive.html
A behind the scenes approach to contemporary painting. Thursday, February 26, 2015. Poetess on a Curved Road. Oil on panel, 40 x 50 cm, 2015. What are you working on in your studio right now? Can you describe your working routine? I can only paint in daylight. Once dusk arrives I clean my brushes and leave. There is no such thing as a waste of time in the studio. Every single mark I make is relevant even if it is painted over, and helps to energise the painting later on. I have been invited to have a sol...
STUDIO CRITICAL: September 2013
http://studiocritical.blogspot.com/2013_09_01_archive.html
A behind the scenes approach to contemporary painting. Monday, September 16, 2013. Dwelling, oil on linen, 46cm x36cm. What are you working on in your studio right now? Can you describe your working routine? Installation view of Communi ty arts centre. Can you describe your studio space and how if at all it affects your work? Mountain Range, 3D collage. Tell me about your process, where things begin, how they evolve etc? What are you having the most trouble resolving? The sculpture is in its infancy but ...
STUDIO CRITICAL: August 2014
http://studiocritical.blogspot.com/2014_08_01_archive.html
A behind the scenes approach to contemporary painting. Monday, August 25, 2014. Happy Juggalo, 2014, 130 x 97cm. What are you working on in your studio right now? Can you describe your working routine? Very variable. When I have a show I'm in there everyday, but for the last couple months I've been going every other day only for a few hours. It's nice though because when I go I really make use of my time there and get down to work. Tell me about your process, where things begin, how they evolve etc.
STUDIO CRITICAL: March 2014
http://studiocritical.blogspot.com/2014_03_01_archive.html
A behind the scenes approach to contemporary painting. Monday, March 24, 2014. Cube, 2014, Acrylic on found plywood, 28x31cm. What are you working on in your studio right now? Can you describe your working routine? I don't really have a set routine, but I find that I'm most productive in my painting during the evening. During the day I research, saw and prep plywood but I find that I can think most clearly and better focus my energy on actually painting during the evening and night time. Working at Feder...
STUDIO CRITICAL: November 2014
http://studiocritical.blogspot.com/2014_11_01_archive.html
A behind the scenes approach to contemporary painting. Sunday, November 9, 2014. Untitled, 11.25" x 11.25", oil on marble ground on panel, 2014. What are you working on in your studio right now? I feel concerned with the imaginary idea of the picture plane. I wonder how you can get a painting to exist in multiple layers in regards to this imaginary, and spiritual, idea. Can you describe your working routine? Can you describe your studio space and how, if at all, that affects your work? Again, I often beg...
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Abcrit | discursive argument on abstract painting & sculpture
Discursive argument on abstract painting and sculpture. 48 Alan Gouk writes on Katherine Gili sculpture. Katherine Gili, “Quinary”, 2014, steel, H.62.5cm. Katherine Gili: Looking for the Physical. Was at Felix and Spear, Ealing, London, 10th November – 13th December 2016. Http:/ www.felixandspear.com/katherine-gili. The sculptural power of. Posted in Alan Gouk. And tagged Alan Gouk. December 31, 2016. 47 Robin Greenwood writes on Robert Rauschenberg. Robert Rauschenberg, “Ace”, 1962. December 10, 2016.
Abcrit | discourses on abstract painting & sculpture
Discourses on abstract painting and sculpture. 13 John Bunker writes on Jackson Pollock at Tate Liverpool. 8216;Jackson Pollock: Blind Spots’, on display at Tate Liverpool, Tate Liverpool, Roger Sinek. Jackson Pollock: Blind Spots. At Tate Liverpool, 30 June 18 October 2015. I don’t paint nature, I am nature’ is only a couple of stops up the art historical track from ‘It’s art because I say it is’ and only a few more stops down from ‘Pollock blew the picture to hell’. Jackson Pollock: Blind Spots. Posted...
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