aboutrosamenkman.blogspot.com

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I I I I I II I I I I I I II I I I I II I I I I II I I I I I I II I I I I I I II I. I I I I I II I I I I I I II I I I I II I I I I II I I I I I I II I I I I I I II I. 8206;Roͬͬ͠͠͡͠͠͠͠͠͠͠͠sͬͬ͠͠͠͠͠͠͠͠͠aͬͬ͠͠͠͠͠͠͠ Menkman. Every technology possesses its own inherent accidents. I am a Dutch artist and theorist who likes to focus on visual artifacts created by accidents in both analogue and digital media. The visuals I make are the result of. By combining both my. As well as my. And static work, such as “.

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|| | About About About ʇnoqɐʇnoqɐ_____________________________ʇnoqɐ________//////ʇnoqɐ////ЯOSΛ MEИKMΛN~~~@~~~ ʇnoqɐʇnoqɐ?____________________ʇnoqɐ_____________ʇnoqɐ___| || | aboutrosamenkman.blogspot.com Reviews

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I I I I I II I I I I I I II I I I I II I I I I II I I I I I I II I I I I I I II I. I I I I I II I I I I I I II I I I I II I I I I II I I I I I I II I I I I I I II I. 8206;Roͬͬ͠͠͡͠͠͠͠͠͠͠͠sͬͬ͠͠͠͠͠͠͠͠͠aͬͬ͠͠͠͠͠͠͠ Menkman. Every technology possesses its own inherent accidents. I am a Dutch artist and theorist who likes to focus on visual artifacts created by accidents in both analogue and digital media. The visuals I make are the result of. By combining both my. As well as my. And static work, such as “.

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|| | About About About ʇnoqɐʇnoqɐ_____________________________ʇnoqɐ________//////ʇnoqɐ////ЯOSΛ MEИKMΛN~~~@~~~ ʇnoqɐʇnoqɐ?____________________ʇnoqɐ_____________ʇnoqɐ___| || | aboutrosamenkman.blogspot.com Reviews

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I I I I I II I I I I I I II I I I I II I I I I II I I I I I I II I I I I I I II I. I I I I I II I I I I I I II I I I I II I I I I II I I I I I I II I I I I I I II I. 8206;Roͬͬ͠͠͡͠͠͠͠͠͠͠͠sͬͬ͠͠͠͠͠͠͠͠͠aͬͬ͠͠͠͠͠͠͠ Menkman. Every technology possesses its own inherent accidents. I am a Dutch artist and theorist who likes to focus on visual artifacts created by accidents in both analogue and digital media. The visuals I make are the result of. By combining both my. As well as my. And static work, such as “.

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aboutrosamenkman.blogspot.com

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|| | About About About ʇnoqɐʇnoqɐ_____________________________ʇnoqɐ________//////ʇnoqɐ////ЯOSΛ MEИKMΛN~~~@~~~ ʇnoqɐʇnoqɐ?____________________ʇnoqɐ_____________ʇnoqɐ___| ||

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I I I I I II I I I I I I II I I I I I I II I I I I I I II I I I I I I II I. I I I I I II I I I I I I II I I I I I I. II I I I I I I II I I I I I I II I I. Pavlova, Desislava. Art new technologies. In: списание Едно / Edno Magazine (bulgarian). April 2011. Ball, Steven. Click to Glitch. Rogergs, Olivia. Rosa Menkman Talks Glitch. Ball, Steven. Accelarating Accidents. Parikka, Jussi. Media Archaeology of Signals (Transmediale 2011). Quaranta, Domenico. The Life and death of the Image. Time Out New York.

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I I I I I II I I I I I I II I I I I I I II I I I I I I II I I I I I I II I. I I I I I II I I I I I I II I I I I I I. II I I I I I I II I I I I I I II I I. I I I I I II I I I I I I II I I I I I I II I I I I I I II I I I I I I II I. I I I I I II I I I I I I II I I I I I I. II I I I I I I II I I I I I I II I I. I I I II I I I II I I I I I I II I I I I I I II I. I I I I I II I I I I I I II I I. I I I I I II I I I I I I II I I I I I I II I I. I I I I II I II I I I I I I II I I. I I I I I II I I I I I I II I I.

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|| | About About About ʇnoqɐʇnoqɐ_____________________________ʇnoqɐ________//////ʇnoqɐ////ЯOSΛ MEИKMΛN~~~@~~~ ʇnoqɐʇnoqɐ?____________________ʇnoqɐ_____________ʇnoqɐ___| ||

http://aboutrosamenkman.blogspot.com/2009/03/high-scores.html

I I I I I II I I I I I I II I I I I I I II I I I I I I II I I I I I I II I. I I I I I II I I I I I I II I I I I I I. II I I I I I I II I I I I I I II I I. Far from Perfection and Vectorpunk @ Aboveground Festival. Visuals at Improvisado #41, Casa das Caldeiras. Sao Paulo, BR. Video installation at WORM schlußparty. 09-11- 22-12-'10 –. Working on the Glitch Studies Manifesto - movie. Sao Paolo, Br. 11-11- 13-11-'10 –. Videos on Rua Agusta buildings. Sao Paolo, Br. 5-11- 7-11-'10 –. TBA @ Persuit of Failure.

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http://aboutrosamenkman.blogspot.com/2011/01/blog-post.html

Remains in the end Times. San Francisco, US. STRP, Eindhoven, NL. GLITC/H, Birmingham, UK. GLITC/H, Chicago, US. Destructural Video at Leeds International Film Festival. TCP feat. Optical Machines, B.Fleischmann @Cinemateca Brasileira, Sao Paolo, BR. The Hague, NL. TBC ISEA 2011 Istanbul, Turkey. 23/09/2011. A Vernacular of File Formats vs. Extrafile (feat. Kim Asendorf) @ het Hoogt, Utrecht, NL,. For Re:Visie and Dutch Film festival. Linz, Austria.•. DeFunct /ReFunct exhibition, Rua Red, Dublin, IE.

5

|| | About About About ʇnoqɐʇnoqɐ_____________________________ʇnoqɐ________//////ʇnoqɐ////ЯOSΛ MEИKMΛN~~~@~~~ ʇnoqɐʇnoqɐ?____________________ʇnoqɐ_____________ʇnoqɐ___| ||

http://aboutrosamenkman.blogspot.com/2009/03/publications.html

I I I I I II I I I I I I II I I I I I I II I I I I I I II I I I I I I II I. I I I I I II I I I I I I II I I I I I I. II I I I I I I II I I I I I I II I I. Also non artifact related). ᴳ̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇litch) Art Genealogies. Exhibition Catalogue, 2013. July 2013. Network Notebooks 04, Institute of Network Cultures, Amsterdam, 2011. ISBN: 978-90-816021-6-7. Menkman, Rosa. ' Glitch Studies Manifesto. Exhibition Catalogue. February 2011. Menkman, Rosa. Tipping Point of Failure. Ties to Organized Networks.

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sharewarsaw.blogspot.com

share warsaw audiowizualny jam: maja 2013

http://sharewarsaw.blogspot.com/2013_05_01_archive.html

Rosa Menkman "Glitch Studies Manifesto". Po dłuższej przerwie od mojej ostatniej aktywności na tym blogu, zapraszam do zapoznania się z "Glitch Studies Manifesto" - Manifestem Studiów nad Glitchem, wypracowanym przez Rosę Menkman. Manifest dostępny jest na świeżym Blogu:. Http:/ prozaglitchu.blogspot.com/2013/05/zapraszam-do-zapoznania-sie-z-glitch.html. Udostępnij w usłudze Twitter. Udostępnij w usłudze Facebook. Udostępnij w serwisie Pinterest. Manifest Studiów nad Glitchem. Zagrają live Piotr Bejnar.

rhizome.org

Glitch Studies Manifesto by Rosa Menkman | Rhizome

http://rhizome.org/editorial/2011/jul/28/glitch-studies-manifesto-rosa-menkman

Jul 28, 2011. Glitch Studies Manifesto by Rosa Menkman. Meditates on the occurrence and aesthetics of the glitch amidst software and hardware obseletion in her essay. This essay was part of the Institute of Network Culture. S second collection of texts titled. Video Vortex Reader II. That critically explores the shifting dynamics and expanding field of online video. See below for an excerpt, full essay here. Technological Progress is an Ill-Fated Dogma. Sign in to Comment. Become a member →.

musicandothermysteries.blogspot.com

Making Music and Life in the Music Industry: May 2011

http://musicandothermysteries.blogspot.com/2011_05_01_archive.html

Making Music and Life in the Music Industry. Wednesday, May 25, 2011. Raumlichtmusik - Early 20th Century Abstract Cinema Immersive Environments. Raumlichtmusik' - Early 20th Century Abstract Cinema Immersive Environments.". Essay by Cindy Keefer (Director Center for Visual Music. Leonardo Electronic Almanac, Creative Data Special Issue. Leonardo: The International Society for the Arts, Sciences, and Technology, and MIT Press. October 2009.". Article can be read online at:. Tuesday, May 24, 2011. Andrew ...

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aboutrosamenkman.blogspot.com

|| | About About About ʇnoqɐʇnoqɐ_____________________________ʇnoqɐ________//////ʇnoqɐ////ЯOSΛ MEИKMΛN~~~@~~~ ʇnoqɐʇnoqɐ?____________________ʇnoqɐ_____________ʇnoqɐ___| ||

I I I I I II I I I I I I II I I I I II I I I I II I I I I I I II I I I I I I II I. I I I I I II I I I I I I II I I I I II I I I I II I I I I I I II I I I I I I II I. 8206;Roͬͬ͠͠͡͠͠͠͠͠͠͠͠sͬͬ͠͠͠͠͠͠͠͠͠aͬͬ͠͠͠͠͠͠͠ Menkman. Every technology possesses its own inherent accidents. I am a Dutch artist and theorist who likes to focus on visual artifacts created by accidents in both analogue and digital media. The visuals I make are the result of. By combining both my. As well as my. And static work, such as “.

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