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My God! It’s full of stars! | Cultured Ear
https://culturedear.wordpress.com/2015/05/07/my-god-its-full-of-stars/comment-page-1
It’s full of stars! Images from wikipedia.org and rogerlinndesign.com (click to enlarge). In the Space Odyssey series. When Dr. Bowman approached the monolith in space and was pulled inside, he observed that “It’s full of stars! 8221; I was reminded of that quote when first looking at the chord and scale constellations. Chord and scale shapes. Image from rogerlinndesign.com (click to view page). Locating the C stars (LEDs). Representing the default LinnStrument tuning, there are 17 blue LEDs on the.
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Domo Arigato Tempo Rubato | Cultured Ear
https://culturedear.wordpress.com/2015/05/26/domo-arigato-tempo-rubato
Domo Arigato Tempo Rubato. An overview of musical expression, and some corresponding expressive capabilities of LinnStrument. Image from wikipedia.org. 8220;The bow can express the affections of the soul: but besides there being no signs that indicate them, such signs, even were one to invent them, would become so numerous that the music, already too full of indications, would become a formless mass to the eyes, almost impossible to decipher.”. As Giuseppe Cambini articulated in the quote cited previousl...
culturedear.wordpress.com
My God! It’s full of stars! | Cultured Ear
https://culturedear.wordpress.com/2015/05/07/my-god-its-full-of-stars
It’s full of stars! Images from wikipedia.org and rogerlinndesign.com (click to enlarge). In the Space Odyssey series. When Dr. Bowman approached the monolith in space and was pulled inside, he observed that “It’s full of stars! 8221; I was reminded of that quote when first looking at the chord and scale constellations. Chord and scale shapes. Image from rogerlinndesign.com (click to view page). Locating the C stars (LEDs). Representing the default LinnStrument tuning, there are 17 blue LEDs on the.
culturedear.wordpress.com
Getting “Real” on LinnStrument | Cultured Ear
https://culturedear.wordpress.com/2015/06/19/getting-real-on-linnstrument
Getting “Real” on LinnStrument. Guest article by Jeremy Cubert about imitating real instruments. Jeremy Cubert getting “real” in his studio. Imitating real instruments has been the holy grail of synthesis and sampling for decades. The plethora of keyboard presets with names like guitar, violin, piano, sax, flute etc. hinted at the desire of many players to access these instruments through synthesis. However, the desire to imitate presented at least two problems:. Enter the multi-dimensional controller!
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javafxpert | Mentions | Cultured Ear
https://culturedear.wordpress.com/mentions/javafxpert
Composing Music in the Cloud. Presentation video of Counterpoint Composer and LinnStrument. Just a note that a presentation on Counterpoint Composer. That I gave to a wonderful audience at the J-Fall conference in Holland has been published. Here’s the video, in which I play the LinnStrument. To help convey concepts discussed in the presentation. And, yes, I did butcher Bach’s Prelude in C. Definitely need to do more woodshedding🙂. Here’s the abstract for the presentation:. December 4, 2015. Logic Pro S...
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Exploring a Musical Matrix | Cultured Ear
https://culturedear.wordpress.com/2015/05/02/hello-world
Exploring a Musical Matrix. I’ve played various musical instrument as long as I can remember, focusing my younger years on piano, trumpet and guitar. As a lifelong software developer, I instinctively put information in matrices, and have always felt the desire to play an instrument whose notes were arranged in that manner. This led me to play instruments such as the Chapman Stick. And to create a mobile tablet-based instrument that I named ZenGuitar3D:. 8230; played, such as the Eigenharp. May 2, 2015.
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Getting Real on LinnStrument – Saxophone Edition | Cultured Ear
https://culturedear.wordpress.com/2015/07/29/getting-real-on-linnstrument-saxophone-edition
Getting Real on LinnStrument – Saxophone Edition. Guest article by Jeremy Cubert h. In Part I of this series. Inventor of several instruments including the saxophone) probably would have desired higher audio fidelity of his brainchild by electronic instruments 170 years later. Fortunately, the synergistic effect of some recent innovations have enabled dramatic improvements. Roger Linn’s LinnStrument website has a handy page summarizing Recommended Sound Generators. Sax configuration main page. For conven...
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Why Y? | Cultured Ear
https://culturedear.wordpress.com/2015/06/11/why-y
Guest article by Roger Linn. About exploring LinnStrument Y-axis. Inventor of LinnStrument: Roger Linn. James Weaver’s most recent article entitled Domo Arigato Tempo Rubato. Contains an overview of musical expression and some corresponding expressive capabilities of LinnStrument. That article includes a brief discussion about making expressive variations in timbre on LinnStrument by moving your fingers along the Y-axis. James reached out to me to shed additional light on Y-axis expressiveness. Ideally y...