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Ariadna Choptiany

Thursday, October 20, 2011. Carlo Scarpa and Methodology. My interest in Carlo Scarpa is in the way he approached, incorporated and implicated the historical as well as the notion of transition in his architecture. In an article about the CCA exhibit they discuss "the manner in which he establishes a dialogue with the history of architecture [ sic. Moving into a new realm of thinking about interactions in the historic fabric.". Excerpts from the article about the CCA exhibit,. These two projects reworked...

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Thursday, October 20, 2011. Carlo Scarpa and Methodology. My interest in Carlo Scarpa is in the way he approached, incorporated and implicated the historical as well as the notion of transition in his architecture. In an article about the CCA exhibit they discuss the manner in which he establishes a dialogue with the history of architecture [ sic. Moving into a new realm of thinking about interactions in the historic fabric.. Excerpts from the article about the CCA exhibit,. These two projects reworked...
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Ariadna Choptiany | achoptiany.blogspot.com Reviews

https://achoptiany.blogspot.com

Thursday, October 20, 2011. Carlo Scarpa and Methodology. My interest in Carlo Scarpa is in the way he approached, incorporated and implicated the historical as well as the notion of transition in his architecture. In an article about the CCA exhibit they discuss "the manner in which he establishes a dialogue with the history of architecture [ sic. Moving into a new realm of thinking about interactions in the historic fabric.". Excerpts from the article about the CCA exhibit,. These two projects reworked...

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Ariadna Choptiany: 10.2009

http://www.achoptiany.blogspot.com/2009_10_01_archive.html

Saturday, October 24, 2009. Field Recordings Next I set up a aeolian harp that ran radiates out from the ventilation system to various points in the room. The aeolian harp, also know as a wind harp amplifies airborne objects. So in this case it amplifies the sound passing along the wire, like in the game "telephone," therefore operating like a stringed instrument. The ventilation system transfers vibrations along the wire causing the wire to vibrate. Tuesday, October 20, 2009. 4 Polyscaler - looking at a...

2

Ariadna Choptiany: Festo Didactic

http://www.achoptiany.blogspot.com/2011/10/festo-didactic.html

Thursday, October 20, 2011. Here are two videos of Festo projects working with inflatables and interactivity. Subscribe to: Post Comments (Atom). M1 Final Studio Portfolio. Http:/ www.ocular-witness.com/dedalestudio/ariadna choptiany/M1Final StudioPortfolio.pdf. ED 4 Studio Portfolio. Http:/ www.ocular-witness.com/dedalestudio/ariadna choptiany/ED4Studio1.pdf. Octaphonic Black Box Presentation. Wire Vibration Proof of Concept Recording. Wire Vibration of Proof of Concept. Back Left Window 1.

3

Ariadna Choptiany: 09.2011

http://www.achoptiany.blogspot.com/2011_09_01_archive.html

Monday, September 26, 2011. 2nd site proposal - behind the water reservoir building in Taksim Square. The site - a parking lot on grade. A protest to get rid of the Minister of Corrections. The view from a second story building across the street. Montage of backlane. The site is were the fence can be seen. Sunday, September 25, 2011. Initial Thesis Studio Proposal. 8220;More scientifically, he believes that the vibrational spectrum of a molecule is the real property that is detected by the nose and inter...

4

Ariadna Choptiany: 09.2009

http://www.achoptiany.blogspot.com/2009_09_01_archive.html

Monday, September 28, 2009. There is nothing else but sound, all that exists in vibration.". This project begins with the simple question of sensing the mitigation of phenomenon through our built environment through the analysis of light and sound. In particular it focuses on the consequence of seeing of a phenomenological condition through the auspices of an architectural membrane.". Immaterial study of an environment to reveal the evidence of modulation. . An American artists Mark Bain examines the sou...

5

Ariadna Choptiany: Le Corbusier on Turkish Architecture

http://www.achoptiany.blogspot.com/2011/10/le-corbusier-on-turkish-architecture.html

Thursday, October 20, 2011. Le Corbusier on Turkish Architecture. I purchased a book in Istanbul, Turkish Architecture and Urbanism Through the Eyes of L.C. In it Le Corbusier makes poignant remarks about Turkish architecture and how his experience in the city of Istanbul influenced his notion of design and the city. The city left an undeniable mark on the influential designer. Here are a few of his notes and comments during his visit. In his book, Towards a New Architecture. After the Istanbul example, ...

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2011.12.10- Sketches for Proposal of Meandering Pathways/Ramps/Extensions of Thresholds/Connecting the Apts to the Courtyard | James Rubio

https://jrubiowpg.wordpress.com/2011/12/10/2011-12-10-sketches-for-proposal-of-meandering-pathwaysrampsextensions-of-thresholdsconnecting-the-apts-to-the-courtyard

201112.10- Sketches for Proposal of Meandering Pathways/Ramps/Extensions of Thresholds/Connecting the Apts to the Courtyard. December 10, 2011. Laquo; 2011.12.24- Piranesi. 201112.10-Sketches ». Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.

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2015-08-07 | James Rubio

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August 8, 2015. Laquo; Ortakoy Courtyard Reconstruction. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Create a free website or blog at WordPress.com.

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2011.12.13- M2 Fall Portfolio James Rubio 990-3552 distilled web | James Rubio

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201112.13- M2 Fall Portfolio James Rubio 990-3552 distilled web. 201112.13- M2 Fall Portfolio James Rubio 990-3552 distilled web. December 13, 2011. Laquo; 2011.12.13-Revision. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.

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2011.12.11-Schematic of parasitic decking for courtyard, to bring buildings into the courtyard. | James Rubio

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201112.11-Schematic of parasitic decking for courtyard, to bring buildings into the courtyard. December 11, 2011. Laquo; 2011.12.10-Sketches. 201112.13-Revision ». Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.

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2011.12.13-Revision | James Rubio

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201112.13- M2 Fall Portfolio James Rubio 990-3552 distilled web. December 13, 2011. Laquo; 2011.12.11-Schematic of parasitic decking for courtyard, to bring buildings into the courtyard. Dimensions for model and base ». Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Google account. ( Log Out.

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dimensions for model and base | James Rubio

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Dimensions for model and base. January 13, 2012. Laquo; 2011.12.13-Revision. Ortakoy Courtyard Reconstruction ». Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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About | James Rubio

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Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Blog at WordPress.com.

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Ortakoy Courtyard Reconstruction | James Rubio

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What potential catalysts in the community are able to transform this apparently unresponsive landscape? How can the thresholds of the community be extended into a space that has lost its life, mending damaged connections to the city (plugging a piece of the community back into the main system) in a rhizomic manner where cultural practices grow from main nodal thresholds. Can the thesis evolve as a process-based project? October 4, 2012. Laquo; dimensions for model and base. Enter your comment here.

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Ariadna Choptiany

Thursday, October 20, 2011. Carlo Scarpa and Methodology. My interest in Carlo Scarpa is in the way he approached, incorporated and implicated the historical as well as the notion of transition in his architecture. In an article about the CCA exhibit they discuss "the manner in which he establishes a dialogue with the history of architecture [ sic. Moving into a new realm of thinking about interactions in the historic fabric.". Excerpts from the article about the CCA exhibit,. These two projects reworked...

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