angelmeat.com
Angel Meat | transmedia project: Performances
http://www.angelmeat.com/p/dancing-on-ashes.html
Is the title of a series of. That is an important part of the. Its name comes from the fictional radical cabaret show. Lso called the Lumpenkabarett). That appears in all the story-lines of. And to which all the characters are related in a way or another. Dancing on Ashes (Welcome to). Aika is a little bit from everywhere. She doesn’t want it, but she’s a little bit from everywhere. Aika is genetically cool. She can’t really do anything else, but this she does perfectly. But then she can never leave.
angelmeat.com
Angel Meat | transmedia project: Theory
http://www.angelmeat.com/p/theory.html
REACTIONS TO ANGEL MEAT. By Pedro Dolabela Chagas. Quite unexpectedly, one certain day Bertram Dhellemmes invited me to write about Angel Meat. 8217;s performances knows that this separation is only, at best, analytical: whenever they’re on stage, everything erupts simultaneously. So to bring those aspects together by making them juxtapose one upon the other is our final aim here: we separate the elements in order to better appreciate their fusion. Who is it they’re criticizing? At which point someone wi...
angelmeatashcloud.blogspot.com
ash cloud: In the Woods
http://angelmeatashcloud.blogspot.com/2011/01/in-woods.html
Paradoxically, Skullface still feels secretly embarrassed. About the source of her passion for the forest. Yet she usually stands proudly for who she was. And what she’s done, even as radical as. Having a ferocious face tattoo at sixteen. When she was hanging with this Norwegian Black Metal gang. After all, most people would have had it removed later. However painful, expensive or approximate the process). She always claims that one can evolve and mature. Without having to deny their past. Always saturat...
angelmeatashcloud.blogspot.com
ash cloud: Reactions to Angel Meat by Pedro Dolabela Chagas
http://angelmeatashcloud.blogspot.com/2011/01/reactions-to-angel-meat-by-pedro.html
Reactions to Angel Meat by Pedro Dolabela Chagas. Quite unexpectedly, one certain day Bertram Dhellemmes invited me to write about. 8217;s performances knows that this separation is only, at best, analytical: whenever they’re on stage, everything erupts simultaneously. So to bring those aspects together by making them juxtapose one upon the other is our final aim here: we separate the elements in order to better appreciate their fusion. Who is it they’re criticizing? But again, is that criticism at all?
angelmeatashcloud.blogspot.com
ash cloud: 01.11
http://angelmeatashcloud.blogspot.com/2011_01_01_archive.html
Style around the torso of the woman (a Canadian ballet-trained yogi with an impressive Internet visibility). As the computer chimes, Xaver quickly reads the message that just arrived on his IM, types a few words for an answer, closes the laptop while standing up and goes to the door, interrupting the conversation as he has to pass between the two chatting at the door. Here we are, I have my appointment with Johanna right now! I’m on my way! 8217; Without turning her head, she retorts: ‘. This familiar st...
angelmeatashcloud.blogspot.com
ash cloud: Xaver
http://angelmeatashcloud.blogspot.com/2011/01/xaver.html
Style around the torso of the woman (a Canadian ballet-trained yogi with an impressive Internet visibility). As the computer chimes, Xaver quickly reads the message that just arrived on his IM, types a few words for an answer, closes the laptop while standing up and goes to the door, interrupting the conversation as he has to pass between the two chatting at the door. Here we are, I have my appointment with Johanna right now! I’m on my way! 8217; Without turning her head, she retorts: ‘. These texts have...
angelmeatashcloud.blogspot.com
ash cloud: A forest at dusk
http://angelmeatashcloud.blogspot.com/2011/01/forest-at-dusk.html
A forest at dusk. A forest at dusk. One bird silences all birds. The mist fills the void. Powered by Angel Meat. Book project gathering the texts written by Ines Birkhan. For the literature based transmedia project Angel Meat. These texts have been either projected on stage in the performance series Dancing on Ashes. Printed on A0 posters for the Angel Meat. Exhibitions, included or performed in videos and on stage. In addition is a text by literature critic Pedro Dolabela Chagas. Real Dance Super Sentai.
angelmeatashcloud.blogspot.com
ash cloud: Dancing on Ashes (Circle)
http://angelmeatashcloud.blogspot.com/2011/01/dancing-on-ashes-circle.html
Dancing on Ashes (Circle). Johanna has always hated being named Johanna. She’d find it humiliating to be reminded. Of the lack of imagination of her parents. Each time someone would call her. She would later benefit from this lack of imagination. Because no expectations meant no disappointment. They would be positively indifferent about her life choices). So in her tomboy phase she called herself Jo. And she was still Jo when she evolved from tomboy to butch. But when she met Heike, she became Sheena.
angelmeatashcloud.blogspot.com
ash cloud: Yu
http://angelmeatashcloud.blogspot.com/2011/01/yu.html
When Yu comes to the Lumpenkabarett. On stage, a loose rehearsal is going on, or maybe the performers are having a break, because they’ve just been casually talking for the last ten minutes. It’s quite odd to see them in full costume but in non-performance mode – it has somehow more impact than when they are dancing or playing music! Since he doesn’t answer, she goes on: ‘Did you watch this YouTube video I e-mailed you yesterday? Johanna on some Austrian TV show, just baffling! At the sound of heavy step...