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Music 352-WI

Tuesday, April 28, 2009. Response to Nick Baker's Journal on The Bewitched. When I first sat down to listen to Harry Partch’s The Bewitched. I had no idea what I was getting myself into. Sure, I was vaguely familiar with some of Partch’s instruments like the spoils of war, the boo, and the cloud chamber, but I had no idea the extent to which he could create an entire drama that was over an hour in length. In Nick Baker’s journal, he describes The Bewitched. I could definitely see The Bewitched. Response ...

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Music 352-WI | alicynmusic.blogspot.com Reviews

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Tuesday, April 28, 2009. Response to Nick Baker's Journal on The Bewitched. When I first sat down to listen to Harry Partch’s The Bewitched. I had no idea what I was getting myself into. Sure, I was vaguely familiar with some of Partch’s instruments like the spoils of war, the boo, and the cloud chamber, but I had no idea the extent to which he could create an entire drama that was over an hour in length. In Nick Baker’s journal, he describes The Bewitched. I could definitely see The Bewitched. Response ...

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Music 352-WI | alicynmusic.blogspot.com Reviews

https://alicynmusic.blogspot.com

Tuesday, April 28, 2009. Response to Nick Baker's Journal on The Bewitched. When I first sat down to listen to Harry Partch’s The Bewitched. I had no idea what I was getting myself into. Sure, I was vaguely familiar with some of Partch’s instruments like the spoils of war, the boo, and the cloud chamber, but I had no idea the extent to which he could create an entire drama that was over an hour in length. In Nick Baker’s journal, he describes The Bewitched. I could definitely see The Bewitched. Response ...

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alicynmusic.blogspot.com

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Music 352-WI: Kodaly's Psalmus Hungaricus

http://www.alicynmusic.blogspot.com/2009/03/kodalys-psalmus-hungaricus.html

Sunday, March 29, 2009. When I first listened to Zoltán Kodály’s Psalmus Hungaricus. Was commissioned in 1923 for the fiftieth anniversary of the unification of Buda, Óbuda, and Pest into the capitol city of Budapest. In honor of this momentous occasion, Kodály centered his oratorio on “Psalm 55” from the Old Testament. Subscribe to: Post Comments (Atom). Response to Ryans blog on Malipieros Vivaldiana. Response to Josh Heys Journal on John Field. View my complete profile.

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Music 352-WI: Response to Josh Hey's Journal on John Field

http://www.alicynmusic.blogspot.com/2009/03/response-to-josh-heys-journal-on-john.html

Wednesday, March 4, 2009. Response to Josh Hey's Journal on John Field. In my readiness to criticize Field, I do not intend to undermine his work. While I do not feel he is as revolutionary as some may think, I do believe he made an impact on the world of music and began the groundwork for what was to become Chopin’s nocturnes. Subscribe to: Post Comments (Atom). Response to Ryans blog on Malipieros Vivaldiana. Response to Josh Heys Journal on John Field. View my complete profile.

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Music 352-WI: January 2009

http://www.alicynmusic.blogspot.com/2009_01_01_archive.html

Friday, January 30, 2009. Carl Dittersdorf's Sinfonias on Ovid's Metamorphoses, No.1. Upon hearing the term classical, composers such as Mozart and Haydn generally come to mind. However, few realize the many composers besides those greats that had influence on the classical period as well. Carl Ditters von Dittersdorf’s work as a composer earned him much admiration and success during his life. He composed Die vier Weltalter. Upon first hearing Die vier Weltalter. There are two main themes that pass back ...

4

Music 352-WI: Suite Espanola, no. 1 and no.2

http://www.alicynmusic.blogspot.com/2009/02/suite-espanola-no-1-and-no2.html

Saturday, February 28, 2009. Suite Espanola, no. 1 and no.2. When I think of Spain, an image of a dark-haired flamenco dancer in a colorful dress comes to mind. The strength in her movements and the music’s rhythm evokes a passion that is at the heart of Spanish music. I find that same passion in Isaac Albéniz’s Suite española. No 1 and no. 2 for piano. With a heart for his country, Albéniz contributed to the nationalistic movement using sounds familiar to his heritage. In his Suites españolas. Also writ...

5

Music 352-WI: Response to Nick Baker's Journal on The Bewitched

http://www.alicynmusic.blogspot.com/2009/04/response-to-nick-bakers-journal-on.html

Tuesday, April 28, 2009. Response to Nick Baker's Journal on The Bewitched. When I first sat down to listen to Harry Partch’s The Bewitched. I had no idea what I was getting myself into. Sure, I was vaguely familiar with some of Partch’s instruments like the spoils of war, the boo, and the cloud chamber, but I had no idea the extent to which he could create an entire drama that was over an hour in length. In Nick Baker’s journal, he describes The Bewitched. I could definitely see The Bewitched.

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Music 352-WI

Tuesday, April 28, 2009. Response to Nick Baker's Journal on The Bewitched. When I first sat down to listen to Harry Partch’s The Bewitched. I had no idea what I was getting myself into. Sure, I was vaguely familiar with some of Partch’s instruments like the spoils of war, the boo, and the cloud chamber, but I had no idea the extent to which he could create an entire drama that was over an hour in length. In Nick Baker’s journal, he describes The Bewitched. I could definitely see The Bewitched. Response ...

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