anrikningsverket.org

Anrikningsverket

Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016. A Collection of Potential Objects, 2015. Doxic Orea, 2015. Deuterium Quartet, 2015. Cloud No.9, 2015. Mimer Headphones, 2014. Flow Mountain, 2014. Kraftverkets Paviljong, 2013. Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016.

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Anrikningsverket | anrikningsverket.org Reviews

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Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016. A Collection of Potential Objects, 2015. Doxic Orea, 2015. Deuterium Quartet, 2015. Cloud No.9, 2015. Mimer Headphones, 2014. Flow Mountain, 2014. Kraftverkets Paviljong, 2013. Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016.

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Anrikningsverket | anrikningsverket.org Reviews

https://anrikningsverket.org

Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016. A Collection of Potential Objects, 2015. Doxic Orea, 2015. Deuterium Quartet, 2015. Cloud No.9, 2015. Mimer Headphones, 2014. Flow Mountain, 2014. Kraftverkets Paviljong, 2013. Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016.

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anrikningsverket.org

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A Collection of Potential Objects, 2015 - Anrikningsverket

http://www.anrikningsverket.org/A-Collection-of-Potential-Objects-2015

Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016. A Collection of Potential Objects, 2015. Doxic Orea, 2015. Deuterium Quartet, 2015. Cloud No.9, 2015. Mimer Headphones, 2014. Flow Mountain, 2014. Kraftverkets Paviljong, 2013. A Collection of Potential Objects, 2015. Audiovisual installation by Romain Tardy. Music by Squeaky Lobster. Curated by Silvana Lagos. Filed under Norbergfestival 2015.

2

Restricted Access, 2016 - Anrikningsverket

http://www.anrikningsverket.org/Restricted-Access-2016

Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016. A Collection of Potential Objects, 2015. Doxic Orea, 2015. Deuterium Quartet, 2015. Cloud No.9, 2015. Mimer Headphones, 2014. Flow Mountain, 2014. Kraftverkets Paviljong, 2013. Restricted Access, 2016. Site-specific sound piece by Olga Palomäki. Curated by Johan Östman. In collaboration with Elektronmusikstudion EMS. 物の哀れ (Mono no Aware), 2016.

3

Passage, 2016 - Anrikningsverket

http://www.anrikningsverket.org/Passage-2016

Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016. A Collection of Potential Objects, 2015. Doxic Orea, 2015. Deuterium Quartet, 2015. Cloud No.9, 2015. Mimer Headphones, 2014. Flow Mountain, 2014. Kraftverkets Paviljong, 2013. Site-specific installation by Oskar Edengre en and Mikael Blomgren. Curated by Mette Muhli. Commissioned by Anrikningsverket / Norbergfestival 2016. Materials for Musical E...

4

Modul - Anrikningsverket

http://www.anrikningsverket.org/Modul

Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016. A Collection of Potential Objects, 2015. Doxic Orea, 2015. Deuterium Quartet, 2015. Cloud No.9, 2015. Mimer Headphones, 2014. Flow Mountain, 2014. Kraftverkets Paviljong, 2013. Tlön, Malmö. With support from Swedish arts council. Schacke and Rune Bagge (DK). Visuals by Meandertopia and Rabarbersson. Live coding music workshop with Daniel M Karlsson.

5

Anrikningsverket

http://www.anrikningsverket.org/filter/Norbergfestival-2016

物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016.

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doron.sadja.com

Doron Sadja

http://doron.sadja.com/blog

Recording from my piece, My Mother Does Not Like You And She Likes Everyone, is up on the Anrikningsverket. STANDING WAVES, FALLING AIR. Standing Waves, Falling Air. At Clocktower Gallery in NYC. WE ARE NEVER EVER EVER GETTING BACK TOGETHER. Video interview from my iii. Read an interview with Jegens and Tevens about my work in the Hague for my iii residency! Interview with Doron Sadja for iii’s No Patent Pending program. Photos from my show at Urban Spree in Berlin. EJ7 1758 Ed Jansen. EJ7 1746 Ed Jansen.

norbergfestival.com

Schedule » Norbergfestival

http://norbergfestival.com/schedule

Daniel Araya and Andreas Strömquist. Guided art tour: ANOTHER SPACE / ANOTHER PLACE. Bus tour: Modern ruins of industrial mining. Sound Portraits: Tony Conrad. Roberta Settels: Landscape with 3 Tape recorders (1973). Sissel Wincent and Jakob Jennerholm Hammar. Guided art tour: ANOTHER SPACE / ANOTHER PLACE. Olga Palomäki: Restricted Access. Christoffer Berg plays Arthur Russell. Bus tour: Modern ruins of industrial mining. Bus tour: Modern ruins of industrial mining. Lucy Railton and Peter Zinovieff.

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anrikningsverket.org

Anrikningsverket

Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016. A Collection of Potential Objects, 2015. Doxic Orea, 2015. Deuterium Quartet, 2015. Cloud No.9, 2015. Mimer Headphones, 2014. Flow Mountain, 2014. Kraftverkets Paviljong, 2013. Materials for Musical Expression. 物の哀れ (Mono no Aware), 2016. Restricted Access, 2016. The Lab, 2016. My Mother Does Not Like You And She Likes Everyone, 2016.

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