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ArchitectureofInteraction | Just another WordPress.com weblog

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Authors and co-authors | ArchitectureofInteraction

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124; Comments RSS. Authors, Co-authors and finanicial support. Was been made by makers for makers. The book’s main authors are the artists Anna Best, Yvonne Dröge Wendel, Nikolaus Gansterer, Lino Hellings, Mine Kaylan and Klaas Kuitenbrouwer. The publication has been coordinated by Wietske Maas. We thank all those involved in the realisation of this book, which has been an interactive project in itself. Graphic design publication: Nienke Terpsma. Leave a Reply Cancel reply. Enter your comment here. Follo...

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Arenas | ArchitectureofInteraction

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124; Comments RSS. Many artists who use interactive working methods prefer to operate in social contexts beyond the art world so that their works take on a broader significance. However, it is important to be aware that many politically motivated art works are not necessarily intended to function in any other arena other than the art arena. One move could mean two very different things according to two distinct sets of rules. For example, when working for a commission in a particular arena, your intentio...

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Timeframes | ArchitectureofInteraction

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124; Comments RSS. How do you frame the process of your interactive work? Which stages or moments of time are incorporated in your work? Is your work interactive and public all the time or do you prefer moments of solitary incubation? What and when is the moment of publication? If you divide and compose your working process into timeframes then your own choices will become clearer not only for yourself but also to the others involved in your work. Every project is a composite of different time – fr...

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Traces | ArchitectureofInteraction

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124; Comments RSS. How should interactive art works be documented? Is implementing a process of documentation part of your intentions? Should you as the artist be the person who documents the process or is it better to ask a professional or a participant to do so? How important are the physical traces of the work for the consequences of your work? Are the subjective experiences of those who come into contact with the work the most critical trace for you? If so, how should they be documented? The kinds of...

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Models | ArchitectureofInteraction

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124; Comments RSS. The six model drawings include four basic models. And also two examples to describe the interactive. Processes of two distinct interactive art works. Together,. The models outline the key aspects of interactive. Working practices discussed in the chapters. The models were designed to visualise and provide a. Better map of the complex processes and time structures. Did the maker overlook important possible interactions? The models are meant to be used, expanded and adjusted if necessary...

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2009 – IDUM3. Sugar Blues Performance – design. Sugar Blues Performance (Registration). DOGtime Open Dag 2009. Claire Bishop and Boris Groys on participatory art (Tate Modern 2009). CONNECTING CONVERSATIONS: THE CHANGING VOICE OF THE ARTIST. 4 criteria voor (goede) kunst. Http:/ architectureofinteraction.wordpress.com/. Organised religions as transmedial storyworlds. Religion in the Age of Digital Reproduction. Antagonism and Relational Aesthetics. Claire Bishop on installations. 2010 – IDUM3. You are co...

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124; Comments RSS. Posted on October 6, 2009. Architecture of Interaction publication. Starting point for this blog is the content of the book: An Architecture of Interaction. This project will develop according to new entries, comments and changes. The book can be bought at the following bookshops, Athenaeum bookshop Amsterdam http:/ www.athenaeum.nl. ICA bookshop London http:/ www.ica.org.uk and. 124; 1 Comment. Create a free website or blog at WordPress.com.

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