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Jeremy Castro Baguyos - 21st-Century Double Bassist and Academic

Jeremy Castro Baguyos - 21st-Century Double Bassist and Academic. Pursuing the refinement of musical expression and creative possibility at the intersection of tradition and innovation. If someone feels a little bit better after an encounter with my art in any of its forms, I can safely say that I have done my job as an artist. If my audience reacts uncomfortably, then I can safely say that I have accomplished a public service. Review by KCMETROPOLIS.ORG. Balancoire No. 15. With a great performance by do...

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Jeremy Castro Baguyos - 21st-Century Double Bassist and Academic | baguyos.tripod.com Reviews
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Jeremy Castro Baguyos - 21st-Century Double Bassist and Academic. Pursuing the refinement of musical expression and creative possibility at the intersection of tradition and innovation. If someone feels a little bit better after an encounter with my art in any of its forms, I can safely say that I have done my job as an artist. If my audience reacts uncomfortably, then I can safely say that I have accomplished a public service. Review by KCMETROPOLIS.ORG. Balancoire No. 15. With a great performance by do...
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Jeremy Castro Baguyos - 21st-Century Double Bassist and Academic | baguyos.tripod.com Reviews

https://baguyos.tripod.com

Jeremy Castro Baguyos - 21st-Century Double Bassist and Academic. Pursuing the refinement of musical expression and creative possibility at the intersection of tradition and innovation. If someone feels a little bit better after an encounter with my art in any of its forms, I can safely say that I have done my job as an artist. If my audience reacts uncomfortably, then I can safely say that I have accomplished a public service. Review by KCMETROPOLIS.ORG. Balancoire No. 15. With a great performance by do...

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1

Favorite Links

http://baguyos.tripod.com/id2.html

Jeremy Castro Baguyos - Double Bassist and Computer-mediated Sound Artist. Computer Music and Synthesis Links. Indiana University (Bloomington) Electronic Music Textbook. Draft of Miller Puckette's textbook on Computer Music (Get it while you can! Digital Filters by JULIUS O. SMITH III (CCRMA). Cycling74 (the company that makes Max/MSP/Jitter). Instrument samples database from Univ. of Iowa. Stanford Computer Music Packages for Mathematica. International Computer Music Association. Lemur Music, a great p...

2

Jeremy Castro Baguyos - Double Bassist and Computer-mediated Sound Artist

http://baguyos.tripod.com/index.html

Jeremy Castro Baguyos - Double Bassist and Computer-mediated Sound Artist. Arts Innovation at the intersection of tradition and technology. Processed and distributed over 8 channels . . . . . the human voice continues to sizzle throughout the piece, quite prominent extreme stretchings and resamplings provide a hallucinatory, alienating sound environment". Review from ORGETUIGE / SKYNET.BE. Week van de Hedenaagse Muziek in Gent. Balancoire No. 15. Spencer Toppel/Jon Appleton, Review from ARRAY,.

3

Appearances

http://baguyos.tripod.com/id13.html

Jeremy Castro Baguyos - Double Bassist and Computer-mediated Sound Artist. September 14, 2016. International Computer Music Conference (ICMC). HKU University of the Arts Utrecht and Gaudeamus Muziekweek. TivoliVredenburg, Utrecht, NETHERLANDS. Paper presentation "New Roles for Computer Musicians in S.T.E.am". March 12, 2016, 3 PM. UNK New Music Festival. UNK Fine Arts Building Recital Hall. University of Nebraska at Kearney,. Performance of Lifeline IV. For contrabass and digital audio (2-channel version).

4

Sounds

http://baguyos.tripod.com/id12.html

Jeremy Castro Baguyos - Double Bassist and Computer-mediated Sound Artist. Performing works for double bass and electronics. Jeremy Baguyos (double bass) performs "Radio Sonata" by James Sellars. Jeremy Baguyos (double bass) performs "Yahaney Inlet" by McGregor Boyle. Jeremy Baguyos (double bass) performs "Synchronisms No. 11" by Mario Davidovsky. Performing Classical Double Bass. J Baguyos performs live at the Strauss Performing Arts Center. Jeremy C. Baguyos. October 6, 2011. Part II of Naya Jeevan.

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ilyamayzus.com ilyamayzus.com

Ilya Mayzus, composer

http://www.ilyamayzus.com/links.html

Peabody Computer Music Department.

ilyamayzus.org ilyamayzus.org

Ilya Mayzus, composer

http://www.ilyamayzus.org/links.html

Peabody Computer Music Department.

smacchiaone.com smacchiaone.com

Salvatore Macchia – Composer » News

http://www.smacchiaone.com/news

Music for the Theater. Mixed Quartets and Quintets. Music For Like Instruments. February 10, 2008. First performance of Grido. On Sunday February 17 at 4:00 pm Lynn Klock, Fred Cohen, David Sporny and Salvatore Macchia will give the first performance of Grido, for oboe, saxophone, trombone and. Contrabass (a piece written in memory of Franco Donatoni). The concert will take place at Bezanson Recital Hall, UMASS Amherst at 4 pm. Basso Fundamentale – Contrabass Recital. June 23, 2007. The End of the Matter.

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Salvatore Macchia – Composer » Orchestral Music

http://www.smacchiaone.com/works/orchestral-music

Music for the Theater. Mixed Quartets and Quintets. Music For Like Instruments. Visione dei Orsola (A Tragic Overture). For wind ensemble) 2004. For tuba and small orchestra) 2003. For flute and wind band) 2003. Symphony after Hecht) 2002. Symphony No. 2 (Carvaggio Portraits). For large orchestra) 1999. 2,2,2,2,2,2, timpani, strings) 1996. Chamber symphony, 2,2,2,2,2,2,1,1,1,strings ) 1995. For winds, brass and percussion) 1994. Night Scene and Tarantella. A Garland For Nathan. First performance of Grido.

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Salvatore Macchia – Composer » Duos

http://www.smacchiaone.com/works/duos

Music for the Theater. Mixed Quartets and Quintets. Music For Like Instruments. For violin and piano) 2007. For flute and harp) 2007. The Squalid Landscape of the Moon. For bass clarinet and vibraphone) 2007. For cello and piano) 2004. The End Of The Matter. For trumpet and percussion) 2004. For violin and piano) 2000. For clarinet and piano) 2000. For double bass and guitar) 2000. For viola and narrator) 2000. For cello and guitar) 2000. For flute and piano) 2000. For viola da gamba and harpsichord) 1999.

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Salvatore Macchia – Composer » Vocal Music

http://www.smacchiaone.com/works/vocal-music

Music for the Theater. Mixed Quartets and Quintets. Music For Like Instruments. Six songs on a poem of Louise Glück, for high soprano, oboe and piano) 2007. 5 Canzoni da Conant. Five songs in Italian for soprano, flute, clarinet, violin, cello and piano) 2005. For mezzo soprano, violin, vibraphone and double bass; poem by Louise Glück) 2005. The Living and The Dead. For tenor voice, oboe, bassoon, marimba, viola and cello, various poets) 2005. 14 songs for voice and piano, sung in English) 2001. For teno...

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Salvatore Macchia – Composer » Audio

http://www.smacchiaone.com/audio

Music for the Theater. Mixed Quartets and Quintets. Music For Like Instruments. For solo violin, 2002. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. Chamber concerto for horn and five instruments, 2004. Laura Klock, horn. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. Chamber Concerto No. 3. You a...

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Salvatore Macchia – Composer » String Quartets

http://www.smacchiaone.com/works/string-quartets

Music for the Theater. Mixed Quartets and Quintets. Music For Like Instruments. String Quartet No. 6. String Quartet No. 5. String Quartet No. 4. String Quartet No. 3. String Quartet No. 2. String Quartet No. 1. First performance of Grido. Basso Fundamentale – Contrabass Recital. The End of the Matter. Squalid Landscape of the Moon. Middot; Designed by New Dirt.

smacchiaone.com smacchiaone.com

Salvatore Macchia – Composer » Music For Like Instruments

http://www.smacchiaone.com/works/music-for-like-instruments

Music for the Theater. Mixed Quartets and Quintets. Music For Like Instruments. Music For Like Instruments. Il Costo dell’ infelicita. For percussion quartet) 2007. For brass quintet) 2006. For flute quartet) 2001. For saxopohone quartet) 1999. For four trombones) 1999. First performance of Grido. Basso Fundamentale – Contrabass Recital. The End of the Matter. Squalid Landscape of the Moon. Middot; Designed by New Dirt.

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Jeremy Castro Baguyos - 21st-Century Double Bassist and Academic

Jeremy Castro Baguyos - 21st-Century Double Bassist and Academic. Pursuing the refinement of musical expression and creative possibility at the intersection of tradition and innovation. If someone feels a little bit better after an encounter with my art in any of its forms, I can safely say that I have done my job as an artist. If my audience reacts uncomfortably, then I can safely say that I have accomplished a public service. Review by KCMETROPOLIS.ORG. Balancoire No. 15. With a great performance by do...

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