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:: ben carey :: – thoughts, experiments and discoveries in sound, interaction and electroacoustic music

thoughts, experiments and discoveries in sound, interaction and electroacoustic music

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:: ben carey :: – thoughts, experiments and discoveries in sound, interaction and electroacoustic music | benjamincarey.wordpress.com Reviews

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St Paul’s Cathedral Bells | :: ben carey ::

https://benjamincarey.wordpress.com/2014/07/01/st-pauls-cathedral-bells

Thoughts, experiments and discoveries in sound, interaction and electroacoustic music. Symbiosis in art and performance. Practice-Based Research in NIME →. St Paul’s Cathedral Bells. This entry was posted in Uncategorized. Symbiosis in art and performance. Practice-Based Research in NIME →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.

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Working generatively – some thoughts and questions… | :: ben carey ::

https://benjamincarey.wordpress.com/2015/03/14/working-generatively-some-thoughts-and-questions

Thoughts, experiments and discoveries in sound, interaction and electroacoustic music. Interpretation in human-machine improvisatory performance. Working generatively – some thoughts and questions…. 8211; Can algorithms be neutral, that is, can they easily be transferred from one system to another? 8211; Are transferable, generalisable algorithms preferable in generative arts practice? 8211; What kinds of aesthetic decisions are made when one makes makes creative use of a generative process? Join 1,322 o...

3

Open for interpretation | François Roche’s architectural self-organisation got my brain going | :: ben carey ::

https://benjamincarey.wordpress.com/2014/08/08/open-for-interpretation-francois-roches-architectural-self-organisation-got-my-brain-going

Thoughts, experiments and discoveries in sound, interaction and electroacoustic music. Revisiting Symbiosis: a tentative manifesto? Interpretation in human-machine improvisatory performance →. Open for interpretation François Roche’s architectural self-organisation got my brain going. 8220;I’ve heard about something that builds up only through multiple, heterogeneous and contradictory scenarios, something that rejects even the idea of a possible prediction about its form of growth or future typology.

4

:: ben carey :: | thoughts, experiments and discoveries in sound, interaction and electroacoustic music | Page 2

https://benjamincarey.wordpress.com/page/2

Thoughts, experiments and discoveries in sound, interaction and electroacoustic music. Newer posts →. A100ql guest blogger series. A few months back I was asked to contribute some thoughts about my work to the blog of computer musician and good friend from Switzerland, Tobias Reber. The posts can be accessed here. And my post on derivations can be read here. Bcmulti-sampler – a new Max4Live sampler instrument. You can download the device over at my site. Here are some of the features of the device:.

5

Revisiting Symbiosis: a tentative manifesto? | :: ben carey ::

https://benjamincarey.wordpress.com/2014/07/31/revisiting-symbiosis-a-tentative-manifesto

Thoughts, experiments and discoveries in sound, interaction and electroacoustic music. Practice-Based Research in NIME. Open for interpretation François Roche’s architectural self-organisation got my brain going →. Revisiting Symbiosis: a tentative manifesto? Parasitic Relationships No.2 (Symbiosis Sate), 2013:. A little while back I sketched out some rough thoughts about the metaphor of symbiosis in art and performance. In the previous post. As the artist in proxy. With the results of this autonomous pr...

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Computer Improvisation | Diffuse Season 2: May-June 2012

https://diffuse2.wordpress.com/computer-improvisation

Diffuse Season 2: May-June 2012. Sound and Music Design at the University of Technology, Sydney. Thursday 21 June 6.30pm. Together with special guests – Andrew Brown. Professor of Digital Arts at the Queensland Conservatorium, Griffith University) and Palle Dahlstedt. Sweden) performing with autonomous musical software agents for live improvised performance, exploring strategies for autonomy and creative approaches to using systems borrowed from computer science. Aengus Martin (generative composition).

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:: ben carey :: – thoughts, experiments and discoveries in sound, interaction and electroacoustic music

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