keweber.com
Kris Weber's World of Theatre
http://www.keweber.com/directing/index.php
Raquo; A Question of Directors. Raquo; Neil Simon. Raquo; Theatrecraft Reviews. Raquo; Directing Credits. Raquo; Acting Credits. Last of the Red Hot Lovers. Scenes from a Separation. The Girl who saw Everything. The Odd Couple (Female Version). Jeremy Lloyd and David Croft. July / August 2007. May / June 1995. March / April 2006. Last of the Red Hot Lovers. August / September 2008. February / March 2004. Scenes from a Separation. Hannie Rayson / Andrew Bovell. March / April 2002. November / December 2005.
keweber.com
Kris Weber's World of Theatre
http://www.keweber.com/reviews/index.php
Raquo; A Question of Directors. Raquo; Neil Simon. Raquo; Theatrecraft Reviews. Raquo; Directing Credits. Raquo; Acting Credits. A Flea in Her Ear. Death of the Maestro. Dial M for Murder. Map of the Heart. The Diary of Anne Frank. The Lion, the Witch and the Wardrobe. The Wisdom of Eve. A Flea in Her Ear. Death of the Maestro. Dial M for Murder. Map of the Heart. The Diary of Anne Frank. Frances Goodrich and Albert Hackett. The Lion, the Witch and the Wardrobe. The Power House Players. The Wisdom of Eve.
keweber.com
Kris Weber's World of Theatre
http://www.keweber.com/neilsimon.php
Raquo; A Question of Directors. Raquo; Neil Simon. Raquo; Theatrecraft Reviews. Raquo; Directing Credits. Raquo; Acting Credits. Neil Simon - a prolific playwright. Neil Simon was born on July 4th, 1927. For at least 40 years, his unique empathic style of humour has graced film, television and stage. Neil Simon has produced more Broadway hits than any other playwright. (In fact, he once had four plays on Broadway at the same time! In 1983 Brighton Beach Memoirs won the New York Drama Critics' Circle Awar...
stagtheatre.org
Strathmore Theatrical Arts Group
http://www.stagtheatre.org/links.php
Melway map 16 H10]. Wwwmembers.optushome.com.au/brightontc. Essendon theatre company (etc). Http:/ www.essendontheatrecompany.com. Http:/ home.vicnet.net.au/ htc/. K E Weber (Director).
keweber.com
Kris Weber's World of Theatre
http://www.keweber.com/directors.php
Raquo; A Question of Directors. Raquo; Neil Simon. Raquo; Theatrecraft Reviews. Raquo; Directing Credits. Raquo; Acting Credits. A Question of Directors. A Question of Directors. How hard can it be? Theatrecraft - August 1998). According to my Funk and Wagnalls, the definition of a director of a theatre production is as follows:. Well, I don't think so, but there are obviously some who disagree. The committee that happily acceded to the first fledging cry of a novice is, in my opinion, looking for troubl...
keweber.com
Kris Weber's World of Theatre
http://www.keweber.com/theatriquotes/index.php
Raquo; A Question of Directors. Raquo; Neil Simon. Raquo; Theatrecraft Reviews. Raquo; Directing Credits. Raquo; Acting Credits. Theatriquotes - Quotes from the Theatre. When you stand on the stage you must have a sense that you are addressing the whole world, and that what you say is so important the whole world must listen. An actor has to burn inside with an outer ease. The problems of acting do not require that actors stop thinking, but that they find out what to think about. Honesty isn't enough for...
keweber.com
Kris Weber's World of Theatre
http://www.keweber.com/acting/index.php
Raquo; A Question of Directors. Raquo; Neil Simon. Raquo; Theatrecraft Reviews. Raquo; Directing Credits. Raquo; Acting Credits. A Streetcar Named Desire. Come Blow Your Horn. I Never Sang for my Father. Mixed Doubles - An Entertainment On Marriage. My Friend Miss Flint. Scenes from a Separation. Summer of the Seventeenth Doll. Temptation Sordid or Virtue Rewarded. The Farndale Avenue Housing Estate Townswomen's Guild Dramatic Society's Production of A Christmas Carol. The Real Inspector Hound.
keweber.com
Kris Weber's World of Theatre
http://www.keweber.com/index.php
Raquo; A Question of Directors. Raquo; Neil Simon. Raquo; Theatrecraft Reviews. Raquo; Directing Credits. Raquo; Acting Credits. This theatre stuff has been a part of my life since 1980. People do 'real' things every day. Why is it that some actors feel that it is enough to simply copy, imitate or mimic that reality instead of truly connecting to the reality of the moment? Good actors imagine, take risks, concentrate and empathize until their performance - their reality- is a heightened and living thing.