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Changing the System | Documentation of a Rehearsal

Documentation of a Rehearsal

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Changing the System | Documentation of a Rehearsal | changingthesystem.wordpress.com Reviews

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Documentation of a Rehearsal

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1

Part 1 | Changing the System

https://changingthesystem.wordpress.com/part-1

Documentation of a Rehearsal. Part 1. discovering the possibilities. This is the first segment of Changing the System, which introduces Wolff’s composition, focusing on first encounters with the score. Posted July 19, 2011 by knotsandfields. About Changing the System. Director's Home Page. Knots and Fields: a documentary. Blog at WordPress.com.

2

knotsandfields | Changing the System

https://changingthesystem.wordpress.com/author/knotsandfields

Documentation of a Rehearsal. Changing the System: a documentary. The film itself is structured around the score, which is its central point of reference. (Its second and third sections, for example, ‘making a line’ and ‘cueing a chord’, are explicitly focused on the two different forms of notation in the instrumental pages of the score.) The implicit question the film starts from is: ‘How do you get from those symbols on the page to the performance? Directed and Edited by Andrew Chesher.

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Changing the System: a documentary | Changing the System

https://changingthesystem.wordpress.com/2011/07/02/5

Documentation of a Rehearsal. Changing the System: a documentary. The film itself is structured around the score, which is its central point of reference. (Its second and third sections, for example, ‘making a line’ and ‘cueing a chord’, are explicitly focused on the two different forms of notation in the instrumental pages of the score.) The implicit question the film starts from is: ‘How do you get from those symbols on the page to the performance? Directed and Edited by Andrew Chesher.

4

About | Changing the System

https://changingthesystem.wordpress.com/about

Documentation of a Rehearsal. In 1973 Christian Wolff, erstwhile student of composer John Cage, wrote the score of Changing the System. It took its title from an interview with the Tom Hayden, a key figure of the 68 student movement. The idea of participatory democracy associated with student activism at that time, was implicit in the sort of indeterminate scores Wolff and other members of his musical milieu were writing. Changing the System, 55 mins, 2007 – a documentary by Andrew Chesher.

5

July | 2011 | Changing the System

https://changingthesystem.wordpress.com/2011/07

Documentation of a Rehearsal. Archive for July 2011. Changing the System: a documentary. The film itself is structured around the score, which is its central point of reference. (Its second and third sections, for example, ‘making a line’ and ‘cueing a chord’, are explicitly focused on the two different forms of notation in the instrumental pages of the score.) The implicit question the film starts from is: ‘How do you get from those symbols on the page to the performance? In About Changing the System.

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Test | Andrew Chesher

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Knots and Fields: a documentary. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Knots and Fields: online extracts from the documentary.

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György Kurtág | Knots and Fields

https://knotsandfields.wordpress.com/gyorgy-kurtag

Darmstadt and the Legacies of Modernism. 1 The Darmstadt School, early 1950s. 2 György Kurtág in Rehearsals. 3 David Behrman remembers Stockhausen. 4 Boulez and Tomek remember John Cage. 5 Composition Today at Darmstadt. CAST AT A GLANCE. György Kurtág, composer. Oct 2011 – Stephen Lawrence Gallery, University of Greenwich, London, U.K. June 2011 – The ISSUE Project Room, New York, U.S.A. March 2011 – Royal Holloway College, University of London, Egham, U.K. Changing the System: a documentary.

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Tony Arnold | Knots and Fields

https://knotsandfields.wordpress.com/tony-arnold

Darmstadt and the Legacies of Modernism. 1 The Darmstadt School, early 1950s. 2 György Kurtág in Rehearsals. 3 David Behrman remembers Stockhausen. 4 Boulez and Tomek remember John Cage. 5 Composition Today at Darmstadt. CAST AT A GLANCE. Tony Arnold, soprano. Oct 2011 – Stephen Lawrence Gallery, University of Greenwich, London, U.K. June 2011 – The ISSUE Project Room, New York, U.S.A. March 2011 – Royal Holloway College, University of London, Egham, U.K. Changing the System: a documentary.

knotsandfields.wordpress.com knotsandfields.wordpress.com

Christoph Fox | Knots and Fields

https://knotsandfields.wordpress.com/christoph-fox

Darmstadt and the Legacies of Modernism. 1 The Darmstadt School, early 1950s. 2 György Kurtág in Rehearsals. 3 David Behrman remembers Stockhausen. 4 Boulez and Tomek remember John Cage. 5 Composition Today at Darmstadt. CAST AT A GLANCE. Christoph Fox, composer. Oct 2011 – Stephen Lawrence Gallery, University of Greenwich, London, U.K. June 2011 – The ISSUE Project Room, New York, U.S.A. March 2011 – Royal Holloway College, University of London, Egham, U.K. Changing the System: a documentary.

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CAST AT A GLANCE | Knots and Fields

https://knotsandfields.wordpress.com/cast-at-a-glance

Darmstadt and the Legacies of Modernism. 1 The Darmstadt School, early 1950s. 2 György Kurtág in Rehearsals. 3 David Behrman remembers Stockhausen. 4 Boulez and Tomek remember John Cage. 5 Composition Today at Darmstadt. CAST AT A GLANCE. CAST AT A GLANCE. Director of the Darmstadt. Director of the Darmstadt. Director of the Darmstadt. Oct 2011 – Stephen Lawrence Gallery, University of Greenwich, London, U.K. June 2011 – The ISSUE Project Room, New York, U.S.A. Changing the System: a documentary.

knotsandfields.wordpress.com knotsandfields.wordpress.com

Hans Ulrich Engelmann | Knots and Fields

https://knotsandfields.wordpress.com/hans-ulrich-engelmann

Darmstadt and the Legacies of Modernism. 1 The Darmstadt School, early 1950s. 2 György Kurtág in Rehearsals. 3 David Behrman remembers Stockhausen. 4 Boulez and Tomek remember John Cage. 5 Composition Today at Darmstadt. CAST AT A GLANCE. Hans Ulrich Engelmann, composer. Engelmann was the very first student to enrol on the first. Oct 2011 – Stephen Lawrence Gallery, University of Greenwich, London, U.K. June 2011 – The ISSUE Project Room, New York, U.S.A. Changing the System: a documentary.

knotsandfields.wordpress.com knotsandfields.wordpress.com

Felipe Lara | Knots and Fields

https://knotsandfields.wordpress.com/felipe-lara

Darmstadt and the Legacies of Modernism. 1 The Darmstadt School, early 1950s. 2 György Kurtág in Rehearsals. 3 David Behrman remembers Stockhausen. 4 Boulez and Tomek remember John Cage. 5 Composition Today at Darmstadt. CAST AT A GLANCE. Felipe Lara, composer and winner of the 2008 Steinbach Prize for composition. Oct 2011 – Stephen Lawrence Gallery, University of Greenwich, London, U.K. June 2011 – The ISSUE Project Room, New York, U.S.A. November 2010 – Coventry University, Coventry, U.K.

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Pierre Boulez | Knots and Fields

https://knotsandfields.wordpress.com/pierre-boulez

Darmstadt and the Legacies of Modernism. 1 The Darmstadt School, early 1950s. 2 György Kurtág in Rehearsals. 3 David Behrman remembers Stockhausen. 4 Boulez and Tomek remember John Cage. 5 Composition Today at Darmstadt. CAST AT A GLANCE. Pierre Boulez, composer. Oct 2011 – Stephen Lawrence Gallery, University of Greenwich, London, U.K. June 2011 – The ISSUE Project Room, New York, U.S.A. March 2011 – Royal Holloway College, University of London, Egham, U.K. Changing the System: a documentary.

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Changing the System | Documentation of a Rehearsal

Documentation of a Rehearsal. Changing the System: a documentary. The film itself is structured around the score, which is its central point of reference. (Its second and third sections, for example, ‘making a line’ and ‘cueing a chord’, are explicitly focused on the two different forms of notation in the instrumental pages of the score.) The implicit question the film starts from is: ‘How do you get from those symbols on the page to the performance? Directed and Edited by Andrew Chesher.

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