charlottemellis.co.uk

Home Page of Charlotte Mellis

I use hand building techniques to make constructions in clay. These relate to corrugated and other architectural structures which have seen happier days and are unsung, quirky or suffering from the ravages of time. Graffiti, weathering and decomposition create colours and textures which can be expressed using earthenware clays, low fired to 1080c in an electric kiln. I use moulds to get the corrugated surfaces, slips, oxides and underglaze colours with the occasional splash of transparent glaze.

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Home Page of Charlotte Mellis | charlottemellis.co.uk Reviews

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I use hand building techniques to make constructions in clay. These relate to corrugated and other architectural structures which have seen happier days and are unsung, quirky or suffering from the ravages of time. Graffiti, weathering and decomposition create colours and textures which can be expressed using earthenware clays, low fired to 1080c in an electric kiln. I use moulds to get the corrugated surfaces, slips, oxides and underglaze colours with the occasional splash of transparent glaze.

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Home Page of Charlotte Mellis | charlottemellis.co.uk Reviews

https://charlottemellis.co.uk

I use hand building techniques to make constructions in clay. These relate to corrugated and other architectural structures which have seen happier days and are unsung, quirky or suffering from the ravages of time. Graffiti, weathering and decomposition create colours and textures which can be expressed using earthenware clays, low fired to 1080c in an electric kiln. I use moulds to get the corrugated surfaces, slips, oxides and underglaze colours with the occasional splash of transparent glaze.

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charlottemellis.co.uk

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Brief History of Charlotte Mellis

http://charlottemellis.co.uk/history/history.html

Charlotte Mellis - Brief History. After Charlotte had travelled extensively and worked at a variety of jobs, her aunt, the potter Ann Stokes, suggested that in exchange for helping her in the pottery, Ann would teach her how to throw on the wheel. While at college, Charlotte was introduced to the work of the American ceramicists Peter Voulkus and Paul Solder, and the photographer Walker Evans. Roger Hilton and Antoni Tapies are amongst several artists she enjoys and together with her interest in arch...

2

Home Page of Charlotte Mellis

http://charlottemellis.co.uk/index.html

I use hand building techniques to make constructions in clay. These relate to corrugated and other architectural structures which have seen happier days and are unsung, quirky or suffering from the ravages of time. Graffiti, weathering and decomposition create colours and textures which can be expressed using earthenware clays, low fired to 1080c in an electric kiln. I use moulds to get the corrugated surfaces, slips, oxides and underglaze colours with the occasional splash of transparent glaze.

3

Charlotte Mellis Gallery - Nissen

http://charlottemellis.co.uk/photo_gallery/gallery.html

Please click on the following four items to view the images. Please note all links will open in a new window. 1 - Shanty Town. 2 - Shelter Exhibition at An Tobar, Isle of Mull 2009. 3 - Mellis-Stokes Exhibition, Glasgow 2011. 4 - Current Work.

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Links from Charlotte Mellis

http://charlottemellis.co.uk/information_links/links.html

All links will open in a new window. An Tobar Arts Centre. Photography - Carolyne Mazur and Charlotte Mellis. Digital processing and web design Aglarond Design.

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Information Links

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This page contains links to some of the sites we have designed, re-designed or maintain. Please note, all the links will open in new windows. This site was designed to showcase the work of Artist Charlotte Mellis and involved a large amount of digital processing of photographs. As well as designing the site we are also responsible for the hosting and maintenance. The aim with the design of this site was to allow visitors to quickly and easily access all the information they needed about this self-caterin...

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charlottemellis.co.uk

Home Page of Charlotte Mellis

I use hand building techniques to make constructions in clay. These relate to corrugated and other architectural structures which have seen happier days and are unsung, quirky or suffering from the ravages of time. Graffiti, weathering and decomposition create colours and textures which can be expressed using earthenware clays, low fired to 1080c in an electric kiln. I use moulds to get the corrugated surfaces, slips, oxides and underglaze colours with the occasional splash of transparent glaze.

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