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Beading | Textile Study Group of New York
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Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Sandra Golbert: Finding Dimensionality. May 13, 2014. TSGNY: How would you describe your fiber process? Urchin I, 2008, 6 x 6 x 6, silk organza, silk thread, beads. TSGNY: How did that search for dimensionality begin? SG: It was a question of geography. My fashion designs appeared in. Serengeti, 1998, 57 x 24 x 5, hand-dyed silk hung from gold wire mesh. Amanece, 2007, hand-dyed silk.
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Sculpture | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/sculpture
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Juliet Martin: SAORI and Spontanaeity. December 28, 2013. TSGNY: What is your fiber process? Juliet Martin: I weave on a Japanese SAORI loom and make fabric to sew into sculptures and tapestries. In Japanese, sa is the first syllable of sai, the Zen idea that everything has its own individual dignity. Ori means weaving. TSGNY: How does SAORI differ from other kinds of weaving? Dirt; 2009...
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Hooking | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/hooking
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Linda Friedman Schmidt: Transformation Through Clothing. August 25, 2014. TSGNY: What role does fiber play your artwork? I cut these castoffs into strips by hand. The cutting is an important part of my process and pleasure: the breaking down of the old. It also provides a needed respite from the visual concentration required for hooking in a painterly fashion. Studio with work in progress.
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Portraits | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/portraits
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Lisa Lackey: Always A Maker. February 7, 2016. TSGNY: How do you describe your technique? Lisa Lackey: I refer to my work as textile. Fabric and thread replace the medium of paint on a canvas. The Conversation 5/6, 20 x 16, fabric, thread and acetate on canvas, 2014. TSGNY: Is this a recent development in your way of working? In the Shadows 5, 30 x 24, fabric and thread on canvas, 2015.
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Joomchi | Textile Study Group of New York
http://tsgnyblog.org/index.php/category/joomchi
Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Theresa Ellerbrock: Loosening Her Grid. September 10, 2014. TSGNY: What is your fiber process? Sea Change, 2014, 25 x 39 , Korean mulberry paper. TSGNY: How did you start working in Joomchi? TE: I’ve been weaving and papermaking for the past 30 years. My current work began to evolve in a new direction after I studied the Joomchi technique at Haystack with Jiyoung Chung. TSGNY: From your ...
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Uncategorized | Textile Study Group of New York
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Textile Study Group of New York. We Educate, Connect, and Inspire. Skip to primary content. Skip to secondary content. Lisa Lackey: Always A Maker. February 7, 2016. TSGNY: How do you describe your technique? Lisa Lackey: I refer to my work as textile. Fabric and thread replace the medium of paint on a canvas. The Conversation 5/6, 20 x 16, fabric, thread and acetate on canvas, 2014. TSGNY: Is this a recent development in your way of working? In the Shadows 5, 30 x 24, fabric and thread on canvas, 2015.