dickson670umd.blogspot.com
dickson|arch670|UMD: May 2007
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Friday, May 18, 2007. Tuesday, May 8, 2007. My process thus far:. Digitally model the animation. Physically model the digital model. What emerged from this process was a set of drawings used in the constructrion of the physical artifact that were far more compelling than either the animation or the artifact itself. My intention is to begin the process all over again, using the new, emergent diagram as a basis for future investigations. Tuesday, May 1, 2007. Subscribe to: Posts (Atom).
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yazdanseta|arch670|UMD: Coop Himmelb(L)au Quote:
http://yazdanseta670umd.blogspot.com/2007/02/coop-himmelblau-quote.html
This blog is dedicaed to arch670 and Professor Michael Ambrose. Friday, February 16, 2007. Nothing is left to us of the architecture of past epochs, just as we can no longer derive any benefit from the literary and historical teaching given in schools." (1926). February 19, 2007 at 6:57 AM. Subscribe to: Post Comments (Atom). Project 1c ComPoSitiOnaL diSpLaCeMenT. ReaDing SyNopSis: WaRping sPaCe. Project 1b ComposiTional Frames pRoCess. Project 1b ComposiTional Frames. View my complete profile.
yazdanseta670umd.blogspot.com
yazdanseta|arch670|UMD: May 2007
http://yazdanseta670umd.blogspot.com/2007_05_01_archive.html
This blog is dedicaed to arch670 and Professor Michael Ambrose. Monday, May 14, 2007. Tuesday, May 8, 2007. Subscribe to: Posts (Atom). MArch 2008 University of Maryland MSAAD 2010 Columbia University GSAPP. View my complete profile.
yazdanseta670umd.blogspot.com
yazdanseta|arch670|UMD: February 2007
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This blog is dedicaed to arch670 and Professor Michael Ambrose. Tuesday, February 27, 2007. Project 1c ComPoSitiOnaL diSpLaCeMenT. Friday, February 16, 2007. One can never know at the same time what is the condition of society, its so-called 'zeitgeist', and how architecture should respond to it. One has always had to go outside of architecture. I have had to do so in order to address the question of 'what should I do? Tuesday, February 13, 2007. ReaDing SyNopSis: WaRping sPaCe. Here I share with you a p...
yazdanseta670umd.blogspot.com
yazdanseta|arch670|UMD: Project_1c_ComPoSitiOnaL_diSpLaCeMenT
http://yazdanseta670umd.blogspot.com/2007/02/project1c.html
This blog is dedicaed to arch670 and Professor Michael Ambrose. Tuesday, February 27, 2007. Project 1c ComPoSitiOnaL diSpLaCeMenT. Subscribe to: Post Comments (Atom). Project 1c ComPoSitiOnaL diSpLaCeMenT. ReaDing SyNopSis: WaRping sPaCe. Project 1b ComposiTional Frames pRoCess. Project 1b ComposiTional Frames. ReaDing SynoPsis: aNiMatE form tiMe rePreSentation. MArch 2008 University of Maryland MSAAD 2010 Columbia University GSAPP. View my complete profile.
yazdanseta670umd.blogspot.com
yazdanseta|arch670|UMD: March 2007
http://yazdanseta670umd.blogspot.com/2007_03_01_archive.html
This blog is dedicaed to arch670 and Professor Michael Ambrose. Tuesday, March 13, 2007. Project 1d fiNaL viRtUaL pRoJeCtIoN. Subscribe to: Posts (Atom). Project 1d fiNaL viRtUaL pRoJeCtIoN. MArch 2008 University of Maryland MSAAD 2010 Columbia University GSAPP. View my complete profile.
yazdanseta670umd.blogspot.com
yazdanseta|arch670|UMD: Project_2a
http://yazdanseta670umd.blogspot.com/2007/04/project2a.html
This blog is dedicaed to arch670 and Professor Michael Ambrose. Tuesday, April 10, 2007. Subscribe to: Post Comments (Atom). ProJecT 2a ProcEdUrAL sEqUeNcE. SPatiAL TemPoRaL SeqUenCe ConsTrUcTeD MorPHoloGY V. MArch 2008 University of Maryland MSAAD 2010 Columbia University GSAPP. View my complete profile.
dickson670umd.blogspot.com
dickson|arch670|UMD: January 2007
http://dickson670umd.blogspot.com/2007_01_01_archive.html
Tuesday, January 30, 2007. A room full of monkeys with typewriters . . . will they eventually make Shakespeare? What makes a group of blind and completely unintelligent ants work together in such a beautifully choreographed way? How can thousands of fireflies in Thailand blink with complete synchronization? The next and seemingly obvious question (at least for me) is: "How can a study of emergence be a generator of architectural forms? Subscribe to: Posts (Atom).
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dickson|arch670|UMD: experience_vs_perception
http://dickson670umd.blogspot.com/2007/04/experiencevsperception.html
Friday, April 27, 2007. Ster·e·ot·o·my. Ster-ee-ot-uh-mee] noun the technique of cutting solids, as stones, to specified forms and dimensions. Preston Scott Cohen’s Stereotomic Permutation. With this new rubric, we can begin to understand Cohen’s intentions. Can the perception of architecture, both conceptually and physically, merge with the experience of architecture? In other words, is it possible to design a form whereby we both see and understand it simultaneously? Subscribe to: Post Comments (Atom).
dickson670umd.blogspot.com
dickson|arch670|UMD: proj2_status
http://dickson670umd.blogspot.com/2007/04/proj2status.html
Monday, April 23, 2007. Subscribe to: Post Comments (Atom). Architectural Representation and the Perspective H.
