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The rat and the document part 2. Enero 6, 2015. Si la idea de envejecer junto con alguien, sentir el cariño de alguien, sentir como mis manos se ajustan y terminan amoldándose, no deberíamos acondicionar nuestros más íntimos pensamientos, procesos sin dejarlo todo a la memoria? THE BUG AS A RELIEF. Agosto 19, 2014. Bug in our system as a destructive and sensitive instrument in which the viewer eat and taste a writing process . THE BUG AS A RELIEF by a camouflage landscape. En una primera instancia resumí...

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The rat and the document part 2. Enero 6, 2015. Si la idea de envejecer junto con alguien, sentir el cariño de alguien, sentir como mis manos se ajustan y terminan amoldándose, no deberíamos acondicionar nuestros más íntimos pensamientos, procesos sin dejarlo todo a la memoria? THE BUG AS A RELIEF. Agosto 19, 2014. Bug in our system as a destructive and sensitive instrument in which the viewer eat and taste a writing process . THE BUG AS A RELIEF by a camouflage landscape. En una primera instancia resumí...

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Cinemabluff's | cinemabluff.wordpress.com Reviews

https://cinemabluff.wordpress.com

The rat and the document part 2. Enero 6, 2015. Si la idea de envejecer junto con alguien, sentir el cariño de alguien, sentir como mis manos se ajustan y terminan amoldándose, no deberíamos acondicionar nuestros más íntimos pensamientos, procesos sin dejarlo todo a la memoria? THE BUG AS A RELIEF. Agosto 19, 2014. Bug in our system as a destructive and sensitive instrument in which the viewer eat and taste a writing process . THE BUG AS A RELIEF by a camouflage landscape. En una primera instancia resumí...

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L ink on the cinema | Cinemabluff's

https://cinemabluff.wordpress.com/2013/07/26/l-ink-on-the-cinema

THE BUG AS A RELIEF →. L ink on the cinema. Julio 26, 2013. GOD IS ON THE TOP OF HER. THE CINEMA IS IN FRONT OF YOU. Esta entrada fue publicada en Uncategorized. Guarda el enlace permanente. THE BUG AS A RELIEF →. Introduce aquí tu comentario. Introduce tus datos o haz clic en un icono para iniciar sesión:. La dirección no se hará pública). Estás comentando usando tu cuenta de WordPress.com. ( Cerrar sesión. Estás comentando usando tu cuenta de Twitter. ( Cerrar sesión. The rat and the document part 2.

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Cinemabluff's

https://cinemabluff.wordpress.com/2013/06/21/133

L ink on the cinema →. Junio 21, 2013. The bluff bug The Woman And The data base. Who creates the data base? Esta entrada fue publicada en Uncategorized. Guarda el enlace permanente. L ink on the cinema →. Introduce aquí tu comentario. Introduce tus datos o haz clic en un icono para iniciar sesión:. La dirección no se hará pública). Estás comentando usando tu cuenta de WordPress.com. ( Cerrar sesión. Estás comentando usando tu cuenta de Twitter. ( Cerrar sesión. The rat and the document part 2.

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¿Why dogs do not recognize when someone takes a photograph of them? | Cinemabluff's

https://cinemabluff.wordpress.com/2011/03/07/¿why-dogs-do-not-recognize-when-someone-takes-a-photograph-of-them-2

Libertad oral, Revolución Textil Y Cinema. Why dogs do not recognize when someone takes a photograph of them? Marzo 7, 2011. Because they are not obsessed with the image. HE HINT OF THE IDEA. LAS POLILLAS INGLESAS Y EL AGitPROP. HARUN FAROCKI : INEXTINGUISHABLE FIRE. When we show you pictures of napalm victims, you’ll shut your eyes. You’ll close your eyes to the pictures. Then you’ll close them to the memory. And then you’ll close your eyes to the facts.”. Esta entrada fue publicada en Uncategorized.

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Cinemabluff's | Página 2

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Entradas más nuevas →. Del artritis de Pierre Auguste Renoir. Marzo 26, 2010. Los brillos; esos asquerositos toques con blanco que dan muchos pintores actuales sobre los objetos es el disparate plástico mayor que existe, ya que el brillo es un temblor fugaz, exterior al objeto, que no forma parte de su línea ni volumen y es ajeno a su naturaleza. Sketch de la nueva pintura, Federico García Lorca conferencias (1922-1928). Del artritis de Pierre Auguste Renoir. A la mano firme de Martin Scorsese. Lo Noir s...

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Libertad oral, Revolución Textil Y Cinema | Cinemabluff's

https://cinemabluff.wordpress.com/2010/09/03/libertad-oral-revolucion-textil-y-cinema

Del artritis de Pierre Auguste Renoir. Why dogs do not recognize when someone takes a photograph of them? Libertad oral, Revolución Textil Y Cinema. Septiembre 3, 2010. Esta entrada fue publicada en Uncategorized. Guarda el enlace permanente. Del artritis de Pierre Auguste Renoir. Why dogs do not recognize when someone takes a photograph of them? Introduce aquí tu comentario. Introduce tus datos o haz clic en un icono para iniciar sesión:. La dirección no se hará pública). The rat and the document part 2.

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About Typewriter image and bluffing | Thetypewriterimageandbluffing's Blog

https://thetypewriterimageandbluffing.wordpress.com/about

About Typewriter image and bluffing. About Typewriter image and bluffing. Un portafolio con el proposito de espiar,negociar y recolectar mediante. The typewriter, the image and the bluffing. Miguel P.G 1984. Http:/ www.myspace.com/aging member. Http:/ cinemabluff.wordpress.com/. Introduce aquí tu comentario. Introduce tus datos o haz clic en un icono para iniciar sesión:. La dirección no se hará pública). Estás comentando usando tu cuenta de WordPress.com. ( Cerrar sesión. 145 GRADES TO TOUCH YOU.

vinamaragui.wordpress.com

framing a hole « vinamaragui

https://vinamaragui.wordpress.com/text-animations/framing-a-hole

La sutilidad de lo putrido (reseña). Filled to the brim with wounds. Instalación laberinto, piernas. Is una woman holding un baby. The many ways to bend a promise. I m not uncomfortable feeling weird. The white is cracking! Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. The white is cracking!

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la sutilidad de lo putrido (reseña) « vinamaragui

https://vinamaragui.wordpress.com/home/la-sutilidad-de-lo-putrido-resena

La sutilidad de lo putrido (reseña). Filled to the brim with wounds. Instalación laberinto, piernas. Is una woman holding un baby. The many ways to bend a promise. I m not uncomfortable feeling weird. The white is cracking! La sutilidad de lo putrido (reseña). La sutilidad de lo pútrido. Por Carles Méndez Llopis. La proyección pública de un artista suele anunciarse a través de sus obsesiones. Conocida es. La testarudez de Miguel Ángel por sus dibujos, las obcecaciones de Picasso por los cuadros de. Pero ...

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statement « vinamaragui

https://vinamaragui.wordpress.com/home/statement

La sutilidad de lo putrido (reseña). Filled to the brim with wounds. Instalación laberinto, piernas. Is una woman holding un baby. The many ways to bend a promise. I m not uncomfortable feeling weird. The white is cracking! Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. The white is cracking!

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filled to the brim with wounds « vinamaragui

https://vinamaragui.wordpress.com/text-animations/741-2

La sutilidad de lo putrido (reseña). Filled to the brim with wounds. Instalación laberinto, piernas. Is una woman holding un baby. The many ways to bend a promise. I m not uncomfortable feeling weird. The white is cracking! Filled to the brim with wounds. Text animation on wood frame. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. The white is cracking!

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wait… « vinamaragui

https://vinamaragui.wordpress.com/text-objects/wait

La sutilidad de lo putrido (reseña). Filled to the brim with wounds. Instalación laberinto, piernas. Is una woman holding un baby. The many ways to bend a promise. I m not uncomfortable feeling weird. The white is cracking! 8220;wait…don’t read this”. Plastic letters on canvas. 25 x 60 cm. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Leon de la rosa.

thetypewriterimageandbluffing.wordpress.com

Thetypewriterimageandbluffing's Blog | typewriterWordPress.com weblog | Página 2

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About Typewriter image and bluffing. Entradas más nuevas →. The typewriter Artist process pt.2. Marzo 1, 2010. Between the eye and the gaze-. Febrero 24, 2010. Libertad, igualdad y fraternidad de espionaje. Tnográfica de la ficción. A partir de la fabricación de la pantalla. La verita non esiste, esiste solo la volonta de cercarla. En el primer espacio se encuentra un órgano en donde el espectador/ negociante con la pequeña intención de crear sonido, la luz de este espacio es de mayor densidad. El tercer...

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hueco/hole « vinamaragui

https://vinamaragui.wordpress.com/text-animations/huecohole

La sutilidad de lo putrido (reseña). Filled to the brim with wounds. Instalación laberinto, piernas. Is una woman holding un baby. The many ways to bend a promise. I m not uncomfortable feeling weird. The white is cracking! Play both at the same time). Poner play en ambos al mismo tiempo). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Leon de la rosa.

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The rat and the document part 2. Enero 6, 2015. Si la idea de envejecer junto con alguien, sentir el cariño de alguien, sentir como mis manos se ajustan y terminan amoldándose, no deberíamos acondicionar nuestros más íntimos pensamientos, procesos sin dejarlo todo a la memoria? THE BUG AS A RELIEF. Agosto 19, 2014. Bug in our system as a destructive and sensitive instrument in which the viewer eat and taste a writing process . THE BUG AS A RELIEF by a camouflage landscape. En una primera instancia resumí...

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