omsablog.blogspot.com
VersO: June 2010
http://omsablog.blogspot.com/2010_06_01_archive.html
An insider's look at the Ogden Museum of Southern Art. Wednesday, June 16, 2010. John McCrady (1911 - 1968). Ogden Museum, Gift of the Roger H. Ogden Collection. Portrait of a Negro,. Ogden Museum, Gift of the Roger H. Ogden Collection. In 1932, he entered classes at the New Orleans Art School, sponsored by the Arts and Crafts Club, and took an apartment at 627 Toulouse Street in the Vieux Carre. It was here that he painted. Portrait of a Negro. Roger Houston Ogden Collection. Swing Low, Sweet Chariot.
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VersO: June 2012
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An insider's look at the Ogden Museum of Southern Art. Friday, June 22, 2012. Jesselyn Benson Zurik (1916-2012). Gouache on paper, 1935. Ogden Museum of Southern Art. Gift of the artist. The Ogden Museum is saddened to announce the passing of a talented artist whose work and spirit have played an important role in this institutions history. Jesselyn Benson Zurik passed away on Wednesday, June 20, 2012. Life Study of Teacher,. 1936, charcoal on paper. Ogden Museum of Southern Art. Gift of the artist.
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VersO: Mississippi Photographs: 1860 - Present
http://omsablog.blogspot.com/2011/08/mississippi-photographs-1860-present.html
An insider's look at the Ogden Museum of Southern Art. Wednesday, August 24, 2011. Mississippi Photographs: 1860 - Present. 2007, Digital C-print. Collection of the Ogden Museum of Southern Art. Photography quickly replaced painting as the most authentic means of recording the human form. In the 1860s, tintypes were the cheapest and most common form of photography. The 1863 portrait of Private Samuel McNulty of the 3. Battalion, Mississippi Infantry is an example of early tintype portraiture. Is an early...
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VersO: Mark Messersmith: Maximalist and Naturalist
http://omsablog.blogspot.com/2012/06/mark-messersmith-maximalist-and.html
An insider's look at the Ogden Museum of Southern Art. Wednesday, June 20, 2012. Mark Messersmith: Maximalist and Naturalist. 2011, Oil on canvas with carved wooden pediment and mixed media predella. When Mark Messersmith first moved to Tallahassee, Florida in the mid-1980s, he was immediately struck by the wildness of the surrounding landscape, a wildness gone from much of America. In Mark Messersmith. Mark Messersmith: Maximalist and Naturalist. At the Ogden Museum. From a Dark Twilight. Going out regu...
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VersO: Jesselyn Benson Zurik (1916-2012)
http://omsablog.blogspot.com/2012/06/jesselyn-benson-zurik-1916-2012.html
An insider's look at the Ogden Museum of Southern Art. Friday, June 22, 2012. Jesselyn Benson Zurik (1916-2012). Gouache on paper, 1935. Ogden Museum of Southern Art. Gift of the artist. The Ogden Museum is saddened to announce the passing of a talented artist whose work and spirit have played an important role in this institutions history. Jesselyn Benson Zurik passed away on Wednesday, June 20, 2012. Life Study of Teacher,. 1936, charcoal on paper. Ogden Museum of Southern Art. Gift of the artist.
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VersO: Robert and Julian Onderdonk
http://omsablog.blogspot.com/2010/10/robert-and-julian-onderdonk.html
An insider's look at the Ogden Museum of Southern Art. Thursday, October 14, 2010. Robert and Julian Onderdonk. In the Hills of the Spanish Oaks,. Collection of Susan and Claude Albritton. Portrait of Julian Onderdonk,. Roger Houston Ogden Collection. This series captures a popular subject with a strong regional identity, using the newly-developed style of American Impressionism. Bluebonnet Scene with Girl,. Ogden Museum of Southern Art. Gift of Roger H. Ogden Collection. Ogden Museum of Southern Art.
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VersO: October 2010
http://omsablog.blogspot.com/2010_10_01_archive.html
An insider's look at the Ogden Museum of Southern Art. Thursday, October 14, 2010. Robert and Julian Onderdonk. In the Hills of the Spanish Oaks,. Collection of Susan and Claude Albritton. Portrait of Julian Onderdonk,. Roger Houston Ogden Collection. This series captures a popular subject with a strong regional identity, using the newly-developed style of American Impressionism. Bluebonnet Scene with Girl,. Ogden Museum of Southern Art. Gift of Roger H. Ogden Collection. Ogden Museum of Southern Art.
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VersO: The Michael Brown and Linda Green Collection
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An insider's look at the Ogden Museum of Southern Art. Tuesday, October 12, 2010. The Michael Brown and Linda Green Collection. The brown and green collection. From Crunchy Bugs Creative. Interview by David Houston. Video by J. Elliott Houston. Self Portrait While Dreaming of a Day at the Beach,. The sculpture in this collection represents the opposite trajectory of the paintings: far more purist and minimal, with clean lines and a straightforward articulation in metals and wood. I Cried a River Over You,.
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VersO: Visite par les Français
http://omsablog.blogspot.com/2010/09/visite-par-les-francais.html
An insider's look at the Ogden Museum of Southern Art. Tuesday, September 21, 2010. Visite par les Français. Consul General Olivier Brochenin and Fred Brown, artist. Ogden Museum of Southern Art. Subscribe to: Post Comments (Atom). Ogden Museum of Southern Art. 925 camp street, new orleans. Ashé Cultural Arts Center. Craft and Design South. New Orleans Museum of Art. New Orleans Photo Alliance. Open Sound New Orleans. Sculpture for New Orleans. Southern Food and Beverage Museum. Visite par les Français.
omsablog.blogspot.com
VersO: August 2011
http://omsablog.blogspot.com/2011_08_01_archive.html
An insider's look at the Ogden Museum of Southern Art. Wednesday, August 24, 2011. Mississippi Photographs: 1860 - Present. 2007, Digital C-print. Collection of the Ogden Museum of Southern Art. Photography quickly replaced painting as the most authentic means of recording the human form. In the 1860s, tintypes were the cheapest and most common form of photography. The 1863 portrait of Private Samuel McNulty of the 3. Battalion, Mississippi Infantry is an example of early tintype portraiture. Is an early...
