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Nick Collins

Nick Collins composer programmer website

http://www.composerprogrammer.com/

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Nick Collins | composerprogrammer.com Reviews

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Nick Collins composer programmer website

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1

Nick Collins

http://www.composerprogrammer.com/index.html

Where the 19th century saw a rush of composer-pianists, now the 21st brings the era of the composer-programmer. Sim Phony No. 2. August 2016) Impossible (for humans) to play virtual orchestral work with microtonal twists [ HTML. A mini-project on Large-scale corpus analysis of historical electronic music using MIR tools. Funded by the AHRC as part of Transforming Musicology. Collaborators Peter Manning and Simone Tarsitani. More on my iPhone apps like RISCy and Cryptoclash [ here.

2

Nick Collins: iPhone Apps

http://www.composerprogrammer.com/iphone.html

Five of my apps are now available (for free) courtesy of Op 133 Studios. The live coding app trilogy:. Four further apps are now withdrawn. Contact me if you're interested in the code:. Get it from the App Store: LINK. Cryptoclash is a strange generative synthesizer, which translates letters into sound. By typing in a string of up to 20 letters (a-z), you set up the states of the sound engine, which are represented as roaming particles. Every time they collide, things can change! To get a random starting...

3

Nick Collins: music

http://www.composerprogrammer.com/music.html

An incomplete collection of musical activities:. Sim Phony No. 2. Feb-August 2016) In four movements, exploring simulated, hyperspeed, often microtonal, orchestral music. Per movement MP3s: [ First (7m33s). Solo for Music Stand. Feb 2016) [ score. Musical example (external SoundCloud link). Click Nilson's Collected Rewritings. Feb 2016) Contains many text pieces and musical satire [ PDF (20 MB). July 2015) for piano, harmonic model derived from a corpus analysis of hit musicals [ PDF of score. June 2013)...

4

Pitch Deviations: an album of generative microtonal music

http://www.composerprogrammer.com/pitchdeviations.html

August 2014) Album of generative and improvised microtonal music: audio (1 hour 7 mins) and SuperCollider code below. 117 MB) as a .zip containing 25 256kbps mp3 files. 304 MB) as a .zip containing 25 flac files (uncompressed audio). 7 MB) All SuperCollider 3 programming code for the album with auxilliary data (tested and runs fine with SC 3.6). The album tracks have only received basic editing; recorded otherwise directly from running the programs. 400 by 400 jpg.

5

Nick Collins: teaching materials

http://www.composerprogrammer.com/teaching.html

Advanced computer music topics (files and links). For extra materials supporting my textbook Introduction to Computer Music, go here. Studies in Electronic Music. From old modules, kept here in the hope they may still prove useful:. Advanced Computer Music Bibliography.

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Series 1, Episode 3: Durham – BEETHOVEN WAS WRONG

https://bwwradio.wordpress.com/2015/07/16/series-1-episode-3-durham

Radio show about composers at UK universities on Resonance FM. Series 1, Episode 3: Durham. This week we visit the music department at Durham University, located at the heart of a UNESCO World Heritage Site. Daniel meets Eric Egan. And finds out about the music being made by staff and students at the university. 8211; Eric Egan. For ensemble, 2013. 8211; Nick Collins. Fixed, stereo, 2015. 8211; Trevor Wishart. Fixed, stereo, 2015. 8211; Richard Rijnvos. For orchestra, 2008. 8211; Chad Langford. Is a soni...

tomcollinsresearch.net tomcollinsresearch.net

Tom Collins - background

http://www.tomcollinsresearch.net/background.html

From June 2014 to May 2016 I was an early career research fellow in the Music, Technology and Innovation Research Centre. From January 2013 to May 2014 I was a postdoctoral researcher at the Department of Computational Perception. Headed by Gerhard Widmer. At Johannes Kepler University Linz. From October 2011 to December 2012 I was a postdoctoral researcher in the Janata Lab. At the Center for Mind and Brain. And I worked on cognition of tonality, and other aspects of musical expectancy. Supervised by La...

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Where the 19th century saw a rush of composer-pianists, now the 21st brings the era of the composer-programmer. Ed SheerAI vs XenAkIs vs AIdele. For flute, clarinet, violin and piano, in the Partnerships concert, London May 23rd 2017 [ CONCERT POSTER. Sim Phony No. 2. August 2016) Impossible (for humans) to play virtual orchestral work with microtonal twists [ HTML. A mini-project on Large-scale corpus analysis of historical electronic music using MIR tools.

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