cressidakocienski.blogspot.com

Circumstantial Avalanche

Topological Atlas of migration routes (March-April 2016). I'm currently in Istanbul - the first city of a two month journey from Istanbul Edirne Bucharest Moldova Transnistria Odessa. I'm travelling as artist-filmmaker supporting the research of Dr Nishat Awan in the Western Black Sea part of her Topological Atlas. She is mapping migration routes into Europe, and complex border topologies, from the perspective of those who inhabit the EU's edges, those who are in transit, and those hoping to enter. I am ...

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Circumstantial Avalanche | cressidakocienski.blogspot.com Reviews

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Topological Atlas of migration routes (March-April 2016). I'm currently in Istanbul - the first city of a two month journey from Istanbul Edirne Bucharest Moldova Transnistria Odessa. I'm travelling as artist-filmmaker supporting the research of Dr Nishat Awan in the Western Black Sea part of her Topological Atlas. She is mapping migration routes into Europe, and complex border topologies, from the perspective of those who inhabit the EU's edges, those who are in transit, and those hoping to enter. I am ...

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2 0 comments

3 bengaluru

4 diyarbakir

5 in belgium

6 meeting points

7 antwerp

8 hong kong

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10 beirut

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Circumstantial Avalanche | cressidakocienski.blogspot.com Reviews

https://cressidakocienski.blogspot.com

Topological Atlas of migration routes (March-April 2016). I'm currently in Istanbul - the first city of a two month journey from Istanbul Edirne Bucharest Moldova Transnistria Odessa. I'm travelling as artist-filmmaker supporting the research of Dr Nishat Awan in the Western Black Sea part of her Topological Atlas. She is mapping migration routes into Europe, and complex border topologies, from the perspective of those who inhabit the EU's edges, those who are in transit, and those hoping to enter. I am ...

INTERNAL PAGES

cressidakocienski.blogspot.com

1

Circumstantial Avalanche: Planetaria

http://cressidakocienski.blogspot.com/2013/01/planetaria.html

Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism. Contact: cressida.kocienski [at] gmail.com. Architecture - LONDON/SHEFFIELD OPENkhana. Explores the use of digital techniques for. Mapping and representation that deal with social, cultural and political issues. The majority of our research deals with representing migrant agency in the city. With architects Nishat Awan and Phil Langley. Architecture - TORONTO O[S]R. 2012 - 2014 Pleasure Dome.

2

Circumstantial Avalanche: Diyarbakir

http://cressidakocienski.blogspot.com/2013/11/diyarbakir.html

Renderings of the work in installation. I am finally working on the edits for my Diyarbakir project from my British Council/Anadolu Kültür residency in SE Turkey the summer - more soon. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism. Contact: cressida.kocienski [at] gmail.com. Architecture - LONDON/SHEFFIELD OPENkhana. Explores the use of digital techniques for. Architecture - TORONTO O[S]R. The Office for Spatial Research). Long Winter Fir...

3

Circumstantial Avalanche: II Lightbox 01: WORDS TO THAT AFFECT

http://cressidakocienski.blogspot.com/2013/01/ii-lightbox-01-words-to-that-affect.html

II Lightbox 01: WORDS TO THAT AFFECT. Left Behind in the Golden Age? Stuffed inside a bee larva pavilion, sterile piles of language culled from the hive mind are going to help us harness your subvocalisation and bombard you with therapeutic radiation. Long Winter Program 11.01.2013 The Great Hall 1087 Queen St. West Toronto. The Institute of Immaterialism. Is an experimental publishing project co-edited by Cressida Kocienski and Erik Martinson. The institute of immaterialism. Architecture - TORONTO O[S]R.

4

Circumstantial Avalanche: Exhibition: FUTURE RUINS: Obsolescence & Inoperativity

http://cressidakocienski.blogspot.com/2013/04/exhibition-future-ruins-obsolescence.html

Exhibition: FUTURE RUINS: Obsolescence and Inoperativity. FUTURE RUINS: Obsolescence and Inoperativity. From May 23-25, 2013 at the Bergen Arkitektskole (BAS) in Bergen, Norway. Curated by Alison Hugill and Dan. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism. Contact: cressida.kocienski [at] gmail.com. Architecture - LONDON/SHEFFIELD OPENkhana. Explores the use of digital techniques for. Architecture - TORONTO O[S]R. Performance: Peckam Lit...

5

Circumstantial Avalanche: Critical Juncture cross-cultural collaboration conference in Kalady, India

http://cressidakocienski.blogspot.com/2015/01/critical-juncture-cross-cultural.html

Critical Juncture cross-cultural collaboration conference in Kalady, India. I was invited to speak to the negotiation of voice in the speaking of spaces, with regards to residencies and cultural exchanges. The conference took place at Sree Sankaracharya University of Sanskrit, Kalady, on 15.12.2014. The exhibition Critical Juncture is an independents project as a part of the Kochi Biennale. Subscribe to: Post Comments (Atom). SPATIAL PRODUCTION / / / MODES OF NARRATION. The Institute of Immaterialism.

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helenbarkerpainting.com

Lend me your hand | helen barker

https://helenbarkerpainting.com/2013/10/01/lend-me-your-hand

Thoughts on painting, art and life. Lend me your hand. October 1, 2013. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Laquo; Previous Post.

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On Contrast | helen barker

https://helenbarkerpainting.com/2015/03/08/on-contrast

Thoughts on painting, art and life. The danger of contrast is, perhaps, that the eye must seek out a form from a formless face and, in the words of Captain Picard, “make it so”. Is an image found out? Can it be stopped and prevented from being found out or will the eye always seek pictoral meaning? March 8, 2015. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email. Laquo; Previous Post.

helenbarkerpainting.com

Holes | helen barker

https://helenbarkerpainting.com/2013/10/25/holes

Thoughts on painting, art and life. It’s come to my attention that much of my work orbits around the epicenter of an absence. That is, a hole. This is both disconcerting (is the heart of my practice lacking? And enticing (I journey around my very own Bermuda Triangle, pulled towards a possible alternate existence not yet seen). When thinking about the reason for my obsession with holes I came up with the following list:. During my MFA I found myself drawn repeatedly to the image on the cover of Led Zeppe...

helenbarkerpainting.com

Way back in | helen barker

https://helenbarkerpainting.com/2015/02/16/way-back-in

Thoughts on painting, art and life. Half term is here and the consuming ritual of school has ceased for a week. After a beautiful weekend away in the Peaks I am re-kindled with that wondrous mix of nature, architecture and light – particular only to Yorkshire. And I remember thinking, is there a way back in? Haven’t painted for months. Haven’t written, spoken or allowed myself to think about painting. Is there a way back in? February 16, 2015. Leave a Reply Cancel reply. Enter your comment here.

helenbarkerpainting.com

Studio thoughts on painting thinness | helen barker

https://helenbarkerpainting.com/2014/01/29/studio-thoughts-on-painting-thinness

Thoughts on painting, art and life. Studio thoughts on painting thinness. Interesting article on the resolution/imperfection of contemporary image making here: In Defense of the Poor Image. January 29, 2014. In Defense of the Poor Image. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out.

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New text: Deities at the bottom of the garden | helen barker

https://helenbarkerpainting.com/2012/12/01/new-text-deities-at-the-bottom-of-the-garden

Thoughts on painting, art and life. New text: Deities at the bottom of the garden. Photo Credit: Richard Bartle, Deities at the bottom of the garden. I was recently commissioned to write the accompanying text to Richard Bartle’s. Forthcoming solo exhibition,. Deities at the bottom of the garden. You can read the full text here. The catalogue (design by The Designers Republic. And text by myself) will be available from 12th December. 20-21 Visual Arts Centre,. December 1, 2012. December 5, 2012 at 11:10 pm.

helenbarkerpainting.com

helen barker | thoughts on painting, art and life | Page 2

https://helenbarkerpainting.com/page/2

Thoughts on painting, art and life. October 8, 2012. Decide or Decidir – a small evening thought. There’s a word written in chalk across the top of my blackboard, above my computer, that has been looking at me for some time. It was chosen quite at random, but it seems to want to say something tonight. The word is. What is the difference between. The most common of our vowels. According to its etymology,. Could begun life as a praying human figure. In Spanish, this is the verb meaning. But sometimes we mo...

helenbarkerpainting.com

Studies in oil part 1 | helen barker

https://helenbarkerpainting.com/2016/09/19/studies-in-oil-part-1

Thoughts on painting, art and life. Studies in oil part 1. When I decided to come back to painting, after taking a short break to advance my day-job in design, I knew it had to be in oil. I had unfinished business. Previous paintings were exploratory but naive. This time I wanted to paint for myself, from the heart, and with the confidence I knew I harboured somewhere within. But I didn’t know how to start. This is my interpretation. September 19, 2016. One Comment to “Studies in oil part 1”.

helenbarkerpainting.com

CV | helen barker

https://helenbarkerpainting.com/cv

Thoughts on painting, art and life. 2009 2011 Goldsmiths, University of London MFA Art Writing. 2004 2007 Central Saint Martins, University of the Arts, London BA (Hons) Fine Art, First Class. 2011 Award: Charlotte Stevenson Award Best painting in show, CGP Gallery, London. 2009-2011 Award: AHRC Research Preparation Masters Scheme AHRC and Goldsmiths University, London. 2014: (Arts Council funded) Sheffield Bazaar, Festival of the Mind, Sheffield. 2014: Far Lands, Games Britannia Live! 2011: Testing Grou...

helenbarkerpainting.com

Drawing (old man) | helen barker

https://helenbarkerpainting.com/2013/01/24/drawing-old-man-2

Thoughts on painting, art and life. A line for every time that can be remembered. January 24, 2013. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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For all bookings and enquiries please do not hesitate to contact us. We are based in London, but willing to travel. Telephone: ( 44) 07779 120959. Welcome To Cressida Jauncey. Is a specialist London-based organisation, offering professional, highly personalised, and inspiring academic tuition and education advice to all ages. Our tuition is designed to enable students to fulfil their potential. We can help with preparing for exams, moving on to the next stage, or simply boosting confidence levels. Juggli...

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Circumstantial Avalanche

Topological Atlas of migration routes (March-April 2016). I'm currently in Istanbul - the first city of a two month journey from Istanbul Edirne Bucharest Moldova Transnistria Odessa. I'm travelling as artist-filmmaker supporting the research of Dr Nishat Awan in the Western Black Sea part of her Topological Atlas. She is mapping migration routes into Europe, and complex border topologies, from the perspective of those who inhabit the EU's edges, those who are in transit, and those hoping to enter. I am ...

cressidakocienski.com

Cressida Kocienski works with film, text and voice, to explore spatial production and modes of narration. She is committed to building strong collaborative practices, often across disciplines, in addition to producing her own work. She has an MA in New Media Production from LJMU, an MFA in Art Writing from Goldsmiths, and is currently beginning a PhD in Architecture at the University of Sheffield, examining voice in site and non-site. This work was produced by O[S]R (the Office for Spatial Research) and ...

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They Long for the Peace of Home. Norman and Rose Lindsay. Rose and Bruce Glad. As Time Goes By. Death of a White Roebuck. The Life and Work of Cressida Lindsay. January 9, 2011. Who’s who in Cressida’s Family. January 3, 2011. Children of Kate Parkinson and Norman Lindsay: Jack, Ray, philip. Children of Rose Soady and Norman Lindsay: Jane, Helen (Honey). Children of Jack Lindsay and Meta Drinkwater: Philip, Helen. Children of Philip Lindsay and Jeanne Ellis: Cressida Lindsay. Proudly powered by WordPress.

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Стильные анекдоты про толстых. Feb 24th, 2012 at 10:50 PM. Если бы твой телефон был со шнуром, я бы решил, что ты повесилась. Объявление: Требуется няня, заботливая, аккуратная, и главное СПОКОЙНАЯ, а то этот гаденыш легко возбудим! Хохла поставили зимой охранять склад. Холодно, противно, хохол закутался получше в тюбетейку и уснул. Посередине ночи идет патруль. Подходит к складу, а хохол и бровью не пошевелил. Офицер патруля ему говорит:. Что же ты не спрашиваешь у меня кто я такой? А вдруг я шпион?