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cristina elias

One Minute Diary #1. November 7, 2014. And can be currently seen on the same link. A critical text by Antonello Tolve (Italy) can be read on the following link: http:/ www.arshake.com/en/special-project-5-cristina-elias-one-minute-diary/. Sign language into performance research group. September 3, 2014. And Ada studio Wednesday 2. Lines 1: white noise. July 19, 2014. WHITE NOISE (lomokino animation, 2’20”, 2014). Energy is like a thought. it can change realities.’ inheritance. ‘sometimes we c...I started...

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One Minute Diary #1. November 7, 2014. And can be currently seen on the same link. A critical text by Antonello Tolve (Italy) can be read on the following link: http:/ www.arshake.com/en/special-project-5-cristina-elias-one-minute-diary/. Sign language into performance research group. September 3, 2014. And Ada studio Wednesday 2. Lines 1: white noise. July 19, 2014. WHITE NOISE (lomokino animation, 2’20”, 2014). Energy is like a thought. it can change realities.’ inheritance. ‘sometimes we c...I started...
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cristina elias | cristinaelias.wordpress.com Reviews

https://cristinaelias.wordpress.com

One Minute Diary #1. November 7, 2014. And can be currently seen on the same link. A critical text by Antonello Tolve (Italy) can be read on the following link: http:/ www.arshake.com/en/special-project-5-cristina-elias-one-minute-diary/. Sign language into performance research group. September 3, 2014. And Ada studio Wednesday 2. Lines 1: white noise. July 19, 2014. WHITE NOISE (lomokino animation, 2’20”, 2014). Energy is like a thought. it can change realities.’ inheritance. ‘sometimes we c...I started...

INTERNAL PAGES

cristinaelias.wordpress.com cristinaelias.wordpress.com
1

One Minute Diary #1 |

https://cristinaelias.wordpress.com/2014/11/07/one-minute-diary-1

One Minute Diary #1. November 7, 2014. And can be currently seen on the same link. A critical text by Antonello Tolve (Italy) can be read on the following link: http:/ www.arshake.com/en/special-project-5-cristina-elias-one-minute-diary/. Sign language into performance research group. PERFORMANCE DESIGN: O CORPO COMO MATERIAL →. PERFORMANCE DESIGN: O CORPO COMO MATERIAL. One Minute Diary #1. Sign language into performance research group. Lines 1: white noise.

2

lines 1: white noise |

https://cristinaelias.wordpress.com/2014/07/19/lines-1-white-noise

Lines 1: white noise. July 19, 2014. After years working on it, I finally managed to give shape to a new series of works on the theme “lines”. This first one, a lomokino animation (2’20”), was accomplished between Rome (shooting), Berlin (editing) and Lisbon (writing). Hereunder, a still image and the text. The full animation will not be available online. WHITE NOISE (lomokino animation, 2’20”, 2014). I don’t know. ‘when you were three years old what happened? I still don’t know. but it hurts less. You a...

3

cristinaelias |

https://cristinaelias.wordpress.com/author/cristinaelias

All posts by cristinaelias. PERFORMANCE DESIGN: O CORPO COMO MATERIAL. May 11, 2016. A oficina irá explorar formas de exposição do corpo em espaços que tradicional mente antagonizam a sua natureza de arquivo vivo, como museus e galerias. Como imobilizar algo que está em constante movimento, ou melhor, como adicionar uma dimensão móvel a objetos em exposição? Que materiais e instrumentos (vídeo, fotografia, elementos sinestésicos, interatividade) podem contribuir para este fim? How to register a performan...

4

November | 2014 |

https://cristinaelias.wordpress.com/2014/11

Monthly Archives: November 2014. One Minute Diary #1. November 7, 2014. And can be currently seen on the same link. A critical text by Antonello Tolve (Italy) can be read on the following link: http:/ www.arshake.com/en/special-project-5-cristina-elias-one-minute-diary/. PERFORMANCE DESIGN: O CORPO COMO MATERIAL. One Minute Diary #1. Sign language into performance research group. Lines 1: white noise. Create a free website or blog at WordPress.com.

5

About |

https://cristinaelias.wordpress.com/about

1978, São Paulo, Brasil. Performance Artist/ Director/ Choreographer. Http:/ www.cristinaelias.eu. Concluded a Masters in Movement Studies at the “Central School of Speech and Drama” (University of London, UK). Her work sets its focus on building bridges between different artistic codes, with a strong focus on translating text into movement and image. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). One Minute Diary #1.

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Cristina Elias- performing artist

http://www.cristinaelias.eu/fragments.html

PHONETIC FRAGMENTS OF ONE (SELF). PHONETIC FRAGMENTS OF ONE (SELF). PHONETIC FRAGMENTS OF ONE (SELF). Phonetic Fragments of one (Self). Audio-visual performance/ installation, 2013. Festival Plataforma Berlin 2013 Feira Literária Internacional de Frankfurt 2013. MIS Museu da Imagem e do Som São Paulo, 2014 MAM Museu de Arte Moderna São Paulo, 2014. Museu Casa Guilherme de Almeida São Paulo, 2015 Uferstudios Berlin (ada studio), 2015.

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Cristina Elias- performing artist

http://www.cristinaelias.eu/diary3.html

ONE MINUTE DIARY 3. ONE MINUTE DIARY 3. ONE MINUTE DIARY 2 unborn reality. Video-performance, Berlin, 2014. Galeria Vermelho - Festival Verbo, São Paulo, 2015. Phenomena – dreamlike – mind – space – awareness. a rain of words in flux of “unconsciousness” creates the soundscape of ONE MINUTE DIARY 3 unborn reality. An essay on the transcendent nature of the Being as unfinished existence, as a reality that is constantly at stake. Everything - unborn phenomena.

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Cristina Elias- performing artist

http://www.cristinaelias.eu/words.html

SACRO - CRANIAL TECHNIQUE. The Sacro-Cranial choreographic movement technique for training and performance draws upon a ‘miscigenated’ matrix of movement systems, mainly Yoga and Laban/Bartenieff Fundamentals, with aspects adapted from Suzuki's Theatre practice. Awareness of spinal movement as a way of dealing with our neuromuscular system effectively.

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Cristina Elias- performing artist

http://www.cristinaelias.eu/diary4.html

ONE MINUTE DIARY 4 free. ONE MINUTE DIARY 4 free. ONE MINUTE DIARY 4 free. Video-performance, Sao Paulo, 2015. Galeria Vermelho - Festival Verbo, São Paulo, 2015. Is it possible to erase memories, personal stories, history, the others, the past and the expectations of the future?

cristinaelias.eu cristinaelias.eu

Cristina Elias- performing artist

http://www.cristinaelias.eu/index.html

ONE MINUTE DIARY 4. ONE MINUTE DIARY 3. ONE MINUTE DIARY 2. May I please frogive myself. ONE MINUTE DIARY 1. PHONETIC FRAGMENTS OF ONE (SELF). SVOLTE / TURNING POINTS.

cristinaelias.eu cristinaelias.eu

Cristina Elias- performing artist

http://www.cristinaelias.eu/pindex.html

OBJECTOS A PARTIR DA. ONE MINUTE DIARY 4. ONE MINUTE DIARY 3. ONE MINUTE DIARY 2. Posso, por favor, me perdoar. ONE MINUTE DIARY 1. FRAGMENTOS FONETICOS DE UM (SI). SVOLTE / TURNING POINTS.

cristinaelias.eu cristinaelias.eu

Cristina Elias- performing artist

http://www.cristinaelias.eu/bio.html

1978, São Paulo, Brasil. Her work sets its focus on building “bridges” between different artistic codes. In 2011, she presented at the Radial System (Berlin) the performance/live installation “Here and There [or Somewhere Inbetween]”. In 2012, she did the movement direction of the performances included in the audiovisual project “I/O - Io è un Altro” by César Meneghetti, exhibited at the 55 Biennale di Venezia (2013).

cristinaelias.eu cristinaelias.eu

Cristina Elias- performing artist

http://www.cristinaelias.eu/diary.html

ONE MINUTE DIARY 1. ONE MINUTE DIARY 1 losing the seconds. Video-performance, Berlin, 2014. Arshake www.arshake.com. Itália Galeria Vermelho - Festival Verbo, São Paulo, 2015. In ONE MINUTE DIARY 1 losing the seconds a person reflects on her past while time keeps on going forwards. Migration in time and space. Shall I come back to the place where I was born after having left it and created a present somewhere else? Is it possible to go backwards if the clock keeps on ticking forwards? Say the Spaniards;.

cristinaelias.eu cristinaelias.eu

Cristina Elias- performing artist

http://www.cristinaelias.eu/diary2.html

ONE MINUTE DIARY 2. May I please forgive myself. ONE MINUTE DIARY 2. May I please forgive myself. ONE MINUTE DIARY 2 may I please forgive myself. Video-performance, Berlin, 2014. Galeria Vermelho - Festival Verbo, São Paulo, 2015. May I please forgive myself – There was a graffiti on a door near my place… I could not help reading it whenever I walked past it. A slight send of pleasure in-between chronic pain. May I please forgive myself?

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Viernes, septiembre 29, 2006. Posted by [ * CrIsTiNa* ] at 9:12:00 a. m. Este es mi blog y esta soy yo,una chica de 16 años que está estudiando 1º de bachiller de ciencias sociales y humanidades. Vivo en valverde en un pueblo donde hace mucho frío y aunque no se pueda salir mucho por el frio me gusta salir con mis amigas aunque ahora con el frio y el quye hay que estudiar para no catear no me queda mucho tiempo libre. Posted by [ * CrIsTiNa* ] at 8:54:00 a. m. Gt;>* CrIsTiNa* <<]. Ver todo mi perfil.

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Cristina Elias- performing artist

ONE MINUTE DIARY 4. ONE MINUTE DIARY 3. ONE MINUTE DIARY 2. May I please frogive myself. ONE MINUTE DIARY 1. PHONETIC FRAGMENTS OF ONE (SELF). SVOLTE / TURNING POINTS.

cristinaelias.wordpress.com cristinaelias.wordpress.com

cristina elias

One Minute Diary #1. November 7, 2014. And can be currently seen on the same link. A critical text by Antonello Tolve (Italy) can be read on the following link: http:/ www.arshake.com/en/special-project-5-cristina-elias-one-minute-diary/. Sign language into performance research group. September 3, 2014. And Ada studio Wednesday 2. Lines 1: white noise. July 19, 2014. WHITE NOISE (lomokino animation, 2’20”, 2014). Energy is like a thought. it can change realities.’ inheritance. ‘sometimes we c...I started...

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