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Looking at Art, Artifacts and Ideas | by David Cycleback

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Looking at Art, Artifacts and Ideas | by David Cycleback | cycleback.wordpress.com Reviews

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by David Cycleback

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October | 2016 | Looking at Art, Artifacts and Ideas

https://cycleback.wordpress.com/2016/10

Looking at Art, Artifacts and Ideas. To a question, there are two types of responses: An. An answer is the correct answer to the question. A response is not the correct answer, but a response or reaction to the question. While perhaps relevant to the question and offering useful information, a response does not answer the question. It could be said that to a question there is either an answer or anything else (a response). 8220;What does 1 1 equal? Saying “Are you trying to insult my intelligence? As sho...

2

Umberto Boccioni’s ‘Unique Forms of Continuity in Space’ | Looking at Art, Artifacts and Ideas

https://cycleback.wordpress.com/2016/10/13/umberto-boccionis-unique-forms-of-continuity-in-space

Looking at Art, Artifacts and Ideas. Umberto Boccioni’s ‘Unique Forms of Continuity in Space’. Unique Forms of Continuity in Space. Is a famous large. Bronze sculpture by Italian futurist artist Umberto Boccioni. Boccioni made the plaster sculpture in 1913, with the bronze examples seen in museums being cast from the plaster sculpture or from other bronze castings. The work is a part of the short lived but influential futurist movement. And the movement died with World War I. As a test, I showed the pict...

3

Caravaggio’s Judith Beheading Holofernes | Looking at Art, Artifacts and Ideas

https://cycleback.wordpress.com/2016/08/18/caravaggios-judith-beheading-holofernes

Looking at Art, Artifacts and Ideas. Caravaggio’s Judith Beheading Holofernes. Caravaggio lived at an opportune time for his artistic vision. The Catholic church was changing their aesthetic philosophy, wanting religious paintings that emotionally connected with the parishioners. Further there was much construction going on, with a need for many murals and artists. The large size of the painting gives the scene power and presence, and the horizontal length makes it an action scene. August 18, 2016. Wassi...

4

September | 2016 | Looking at Art, Artifacts and Ideas

https://cycleback.wordpress.com/2016/09

Looking at Art, Artifacts and Ideas. Renoir’s ‘Le Moulin de la Galette,’ and Impressionism Theory and Techniques. The 1876 4’4 by 5’9 oil on canvas ‘Le Moulin de la Galette’ is one of Pierre-Auguste Renoir’s most popular and impressive paintings, and a fine example of his early impressionist era. It demonstrates many of the aims, qualities and techniques of impressionist painting. Though regularly portraying beautiful and happy scenes (. Renoir famously said Why shouldn’t art be pretty? The impressionist...

5

Bakelite and catalin: Collectible early plastics | Looking at Art, Artifacts and Ideas

https://cycleback.wordpress.com/2013/01/31/bakelite-and-catalin-phenol-formaldehyde-identifying-the-popular-early-plastics

Looking at Art, Artifacts and Ideas. Bakelite and catalin: Collectible early plastics. Bakelite and catalin are trade names for closely related antique plastics that are popularly collected today in the form of old timey radios (‘catalin radios’), colorful jewelry, toys and more. The following is an introduction to the plastics and an identification guide. Bakelite and catalin are both made from phenol and formaldehyde ,. And are phenol formaldehyde resins. Collectors and dealers mixing up the names.

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Default Web Site Page

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Looking at Art, Artifacts and Ideas | by David Cycleback

Looking at Art, Artifacts and Ideas. To a question, there are two types of responses: An. An answer is the correct answer to the question. A response is not the correct answer, but a response or reaction to the question. While perhaps relevant to the question and offering useful information, a response does not answer the question. It could be said that to a question there is either an answer or anything else (a response). 8220;What does 1 1 equal? Saying “Are you trying to insult my intelligence? As sho...

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