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Johanne Cameron: June 2012
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Thursday, 28 June 2012. Subscribe to: Posts (Atom). Contact Info - - - -. Simple template. Powered by Blogger.
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caméra-stylo: Jean-Luc Godard Film Club
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An online film journal for the true cinéphile. Wednesday, 19 November 2008. Jean-Luc Godard Film Club. For the past two mondays, Kathryn. And I have met up to watch films. For the most part, it is their drawing club - where they can practice sketching and illustration from the films we watch - but it means I get to watch some great films projected on a big screen and sometimes I even join in. So far we have watched the fantastic. Je T'Aime John Wayne. T as well as the colour of. Belmondo and the kids from.
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caméra-stylo: Day for Night
http://eforeuan.blogspot.com/2008/10/day-for-night.html
An online film journal for the true cinéphile. Friday, 31 October 2008. If one were to take one of his later films to a desert island, it would have to be. 1973), in which Truffaut succeeds gloriously in capturing the frenetic joy and frustration of making a film with a team of actors and technicians.". So said Peter Cowie when referring to François Truffaut's magnificent. A film - much like Federico Fellini's. 1963), Jean-Luc Godard's. 1963) and Andrzej Wajda's. In his annotation of. Over the likes of.
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caméra-stylo: Interrogation
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An online film journal for the true cinéphile. Saturday, 8 November 2008. The story behind Polish director Ryszard Bugajski's. However, the story does not end there; far from it. In his notes on. Andy Townsend explains how the film managed to slip through the hands of the state:. 160;became a genuine underground hit. A population otherwise fed propaganda were holding secret viewings of the film all over Poland. Perhaps the moral of the remarkable story behind. Is that it illustrates that cinema is more ...
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caméra-stylo: May 2009
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An online film journal for the true cinéphile. Saturday, 9 May 2009. Stan Brakhage and the Subconscious Cinema. Euan Robert Owen (Lynch). Subscribe to: Posts (Atom). Euan Robert Owen (Lynch). Amateur Critic; Professional Cinéphile. I am currently studying towards an MA (hons.) in English Literature and Film Studies at the University of Dundee. With this journal I intend to publish my writing and reviews; past and present. View my complete profile. Stan Brakhage and the Subconscious Cinema.
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caméra-stylo: Landscape in the Mist
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An online film journal for the true cinéphile. Wednesday, 3 December 2008. Landscape in the Mist. 1960), Angelopoulos’. Landscape in the Mist. 1988) deals with the search for someone who is not there; a search which becomes a “symbolic quest for value in a world that has grown spiritually hollow.” However, whereas the search in. Is instigated by a disappearance, the search we witness in. Landscape in the Mist. Is a much more “anguished and hopeless” one than in. 8211; if you could imagine such a thing.
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caméra-stylo: WR: Mysteries of the Organism
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An online film journal for the true cinéphile. Thursday, 27 November 2008. WR: Mysteries of the Organism. Dušan Makavejev's WR: Mysteries of the Organism. Described by Amos Vogel in his book Film as a Subversive Art. As "a hilarious, highly erotic, political comedy which quite seriously proposes sex as the ideological imperative for revolution and advances a plea for Erotic Socialism", much of WR: Mysteries of the Organism. Euan Robert Owen (Lynch). Subscribe to: Post Comments (Atom).
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caméra-stylo: November 2008
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An online film journal for the true cinéphile. Thursday, 27 November 2008. Aguirre, Wrath of God. Aguirre, Wrath of God. 1972) is an incredible film depicting the decline of Aguirre (Klaus Kinski), an officer who becomes the leader of a detachment of Spanish conquistadors in search for El Dorado in the steaming rain forests of the Andes. Herzog's use of landscape in. And those found in Hollywood and television:. Herzog highlighted the similarities between himself and Ford in terms of landscape:. Dušan Ma...
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caméra-stylo: December 2008
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An online film journal for the true cinéphile. Thursday, 4 December 2008. Klimov deploys an array of cinematic techniques—most prominently close-ups, moving camera, and sound track—to memorialize both the sufferings of the individual survivor, a village boy of about 14 who joins the partisans, and the anonymous tens of thousands of victims of Nazi atrocities as the army burned its way through rural Byelorussia. Euan Robert Owen (Lynch). Wednesday, 3 December 2008. Landscape in the Mist. 1988) deals with ...
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caméra-stylo: Come and See
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An online film journal for the true cinéphile. Thursday, 4 December 2008. Klimov deploys an array of cinematic techniques—most prominently close-ups, moving camera, and sound track—to memorialize both the sufferings of the individual survivor, a village boy of about 14 who joins the partisans, and the anonymous tens of thousands of victims of Nazi atrocities as the army burned its way through rural Byelorussia. Euan Robert Owen (Lynch). 5 December 2008 at 20:54. Subscribe to: Post Comments (Atom).