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DAVIN EBANKS |

Artist Davin Ebanks uses glass casting, hot-sculpting techniques, and mixed media to explore themes of history and cultural identity.

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345●●●238
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PAGE TITLE
DAVIN EBANKS | | davinebanks.com Reviews
<META>
DESCRIPTION
Artist Davin Ebanks uses glass casting, hot-sculpting techniques, and mixed media to explore themes of history and cultural identity.
<META>
KEYWORDS
1 works
2 vitae
3 rhetoric
4 artist biography
5 artist statement
6 a teaching manifesto
7 blog
8 news and press
9 non sequitors
10 anish kapoor
CONTENT
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works,vitae,rhetoric,artist biography,artist statement,a teaching manifesto,blog,news and press,non sequitors,anish kapoor,czech glass artist,shunryu suzuki roshi,antoine de saint exupery,pablo picasso,john robb,charles bukowski
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DAVIN EBANKS | | davinebanks.com Reviews

https://davinebanks.com

Artist Davin Ebanks uses glass casting, hot-sculpting techniques, and mixed media to explore themes of history and cultural identity.

INTERNAL PAGES

davinebanks.com davinebanks.com
1

Kiln Cast Glass Sculpture -- Old Pease Bay, Wind ESE, Flowing Tide -

http://davinebanks.com/portfolio-item/old-pease-bay-wind-ese-flowing-tide

Smart phone friendly. Swipe and Enjoy. Old Pease Bay, Wind ESE, Flowing Tide. Cast and Laminated Glass. Largest 3.5 H x 15 W x 15 D. Titles are important to me. I think they offer an entry point into the artwork. In this case the titles imply the phenomenological quality of the work, in the sense that these static works hint at greater physical phenomena the pull of the moon as tides, respiration of the planet as weather, and so on. The varying depth of the water in the. December 5, 2011.

2

The Rite of Polaris - DAVIN EBANKS

http://davinebanks.com/portfolio-item/rite-of-polaris

Smart phone friendly. Swipe and Enjoy. The Rite of Polaris. Slip-Cast Porcelain, Kiln-formed and Etched Glass. 6’H x 10’W x 7’ D. Slip-cast porcelain and kiln-formed glass suggest a haunting narrative about the migration of hunter and hunted. The mysterious navigation of these Green Sea Turtle ended (more often than not) in their destruction at the hands of my people, who perhaps used the same stars to traverse the ocean to the turtle-fishing grounds. December 29, 2011.

3

Artist Statement - DAVIN EBANKS

http://davinebanks.com/statement

Smart phone friendly. Swipe and Enjoy. Redaction: 2016.01.15. The Presence of Absence. This duality also belies another inescapable reality of such work: the seeming inability of documentation to re-present experience. The water models offer sensory stimuli light, color, and the tension between movement and stasis but they only hint at the experience of the place they represent and in the final analysis leave us unsatisfied. EXHIBITION: Oct. 19, 2013. Two of Davin Ebanks' recent pieces will be on display...

4

Blue Meridian: 81.2ºW, Old Isaac’s - DAVIN EBANKS

http://davinebanks.com/portfolio-item/blue-meridian-81-2o-west-old-isaacs

Smart phone friendly. Swipe and Enjoy. Blue Meridian: 81.2ºW, Old Isaac’s. Cast, Blasted and Polished Glass. 36 H x 15 W x 4 D. 2009 (Permanent Collection: National Gallery of the Cayman Islands). A Referent of Place. Cast glass water sculptures. Each location is referenced by the longitudinal coordinates in the title, thus underscoring the. Nature of these cast glass. I feel this invites the viewer to imagine water from other places they have been perhaps on a cruise, honeymoon or childhood vacation.

5

Portrait of the Artist: Redaction: 13.05.17, Pterois volitans - DAVIN EBANKS

http://davinebanks.com/portfolio-item/portrait-of-the-artist-redaction-13-05-17-pterois-volitans

Smart phone friendly. Swipe and Enjoy. Portrait of the Artist: Redaction: 13.05.17, Pterois volitans. Blown, Hot-sculpted, Sand-blasted and Mirrored Glass, Wood, Aluminium. 18"H x 20"W x 10"D. October 24, 2013.

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LINKS TO THIS WEBSITE

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Rhythm & Reflection | Figure Ground Rhythm: Jamie Hahn

https://figuregroundrhythm.com/2016/05/31/rhythm-reflection

Figure Ground Rhythm: Jamie Hahn. Nature as landscape in time based media art. May 31, 2016. June 3, 2016. What is this concept of. Being mesmerized by a spatial density between atmospherics and figure ground relationships within a landscape. In search of orientation, an awareness of presence in time, in history. a place of familiarity, a kinship within a figurative environment. A meditative space. a reflection on time, light and modulating surfaces. Chapter 1: section 1. Rhythm and Reflection II. Exteri...

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alfred university | Figure Ground Rhythm: Jamie Hahn

https://figuregroundrhythm.com/tag/alfred-university

Figure Ground Rhythm: Jamie Hahn. Nature as landscape in time based media art. May 31, 2016. June 3, 2016. What is this concept of. Being mesmerized by a spatial density between atmospherics and figure ground relationships within a landscape. In search of orientation, an awareness of presence in time, in history. a place of familiarity, a kinship within a figurative environment. A meditative space. a reflection on time, light and modulating surfaces. Chapter 1: section 1. Exterior Repetitions: III, Jamie...

figuregroundrhythm.com figuregroundrhythm.com

Recollection | Figure Ground Rhythm: Jamie Hahn

https://figuregroundrhythm.com/2016/07/06/recollection

Figure Ground Rhythm: Jamie Hahn. Nature as landscape in time based media art. July 6, 2016. July 6, 2016. I had planned to start Chapter 2 of my thesis with this entry. However, it is feeling more relevant to recall an entry from an older blog about my experience here that first year. Sunday December 28, 2014. Chasing the sun…. March 31, 2015. How does the new space become familiar? Does it become a home? How does this relationship form? Will my walk here also become a search for familiarity? Exterior R...

figuregroundrhythm.com figuregroundrhythm.com

concept | Figure Ground Rhythm: Jamie Hahn

https://figuregroundrhythm.com/tag/concept

Figure Ground Rhythm: Jamie Hahn. Nature as landscape in time based media art. May 31, 2016. June 3, 2016. What is this concept of. Being mesmerized by a spatial density between atmospherics and figure ground relationships within a landscape. In search of orientation, an awareness of presence in time, in history. a place of familiarity, a kinship within a figurative environment. A meditative space. a reflection on time, light and modulating surfaces. Chapter 1: section 1. Exterior Repetitions: III, Jamie...

figuregroundrhythm.com figuregroundrhythm.com

Photography | Figure Ground Rhythm: Jamie Hahn

https://figuregroundrhythm.com/print-media-photography

Figure Ground Rhythm: Jamie Hahn. Nature as landscape in time based media art. Between Home and Time: II. 8220;, a continuation of part one, this series of prints explores my home in a land surrounded by a sea. The prints are a hybrid format using film and paper processing with high resolution scanning to make a large format print on archival inkjet paper. Jamie Hahn, “Between Home and Time: II”, (2) 45×55, archival inkjet prints, 2015. 8220;Between Home and Time: I”. Exterior Repetitions: III, Jamie Hah...

figuregroundrhythm.com figuregroundrhythm.com

Atmospheric Perception | Figure Ground Rhythm: Jamie Hahn

https://figuregroundrhythm.com/2016/10/27/atmospheric-perception

Figure Ground Rhythm: Jamie Hahn. Nature as landscape in time based media art. October 27, 2016. Atmospheric Perception: Chapter Two of Figure Ground Rhythm Thesis by Jamie Hahn 2010. At this moment, at this view, looking through the blinds to the scene outside, snow is falling quickly. In an irregular rhythm the flakes dance across the trees, bounce against the window and hide the distant mountain. The pine tree shifts in and out of focus as the snow static blurs its identity. 8220;In judging the lightn...

figuregroundrhythm.com figuregroundrhythm.com

community | Figure Ground Rhythm: Jamie Hahn

https://figuregroundrhythm.com/tag/community

Figure Ground Rhythm: Jamie Hahn. Nature as landscape in time based media art. May 31, 2016. June 3, 2016. What is this concept of. Being mesmerized by a spatial density between atmospherics and figure ground relationships within a landscape. In search of orientation, an awareness of presence in time, in history. a place of familiarity, a kinship within a figurative environment. A meditative space. a reflection on time, light and modulating surfaces. Chapter 1: section 1. Exterior Repetitions: III, Jamie...

figuregroundrhythm.com figuregroundrhythm.com

cognition | Figure Ground Rhythm: Jamie Hahn

https://figuregroundrhythm.com/tag/cognition

Figure Ground Rhythm: Jamie Hahn. Nature as landscape in time based media art. Rhythm and Reflection II. June 3, 2016. Today is a continuation of the first post. Chapter 1, section 2. 1 the act of apprehending by means of the senses, understanding. 2 intuitive appreciation, insight, discernment, the result of perceiving. 3 interpretation of sensory stimuli based on memory. Closure: the mind may experience elements it does not perceive through sensation in order to complete a regular figure. Exterior Repe...

figuregroundrhythm.com figuregroundrhythm.com

atmosphere | Figure Ground Rhythm: Jamie Hahn

https://figuregroundrhythm.com/tag/atmosphere

Figure Ground Rhythm: Jamie Hahn. Nature as landscape in time based media art. October 27, 2016. Atmospheric Perception: Chapter Two of Figure Ground Rhythm Thesis by Jamie Hahn 2010. At this moment, at this view, looking through the blinds to the scene outside, snow is falling quickly. In an irregular rhythm the flakes dance across the trees, bounce against the window and hide the distant mountain. The pine tree shifts in and out of focus as the snow static blurs its identity. 8220;In judging the lightn...

figuregroundrhythm.com figuregroundrhythm.com

Rhythm & Reflection II | Figure Ground Rhythm: Jamie Hahn

https://figuregroundrhythm.com/2016/06/03/rhythm-reflection-ii

Figure Ground Rhythm: Jamie Hahn. Nature as landscape in time based media art. Rhythm and Reflection II. June 3, 2016. Today is a continuation of the first post. Chapter 1, section 2. 1 the act of apprehending by means of the senses, understanding. 2 intuitive appreciation, insight, discernment, the result of perceiving. 3 interpretation of sensory stimuli based on memory. Closure: the mind may experience elements it does not perceive through sensation in order to complete a regular figure. Address never...

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