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De-disciplining Music | Course 1004 at CSCS | dediscipliningmusic.wordpress.com Reviews
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Course 1004 at CSCS
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maithreyim | De-disciplining Music
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Course 1004 at CSCS. A New Cultural Study of Music. This user hasn't shared any biographical information. Canon, Indian Jazz and Pedagogy: Charting New Territories. Posted in Course 1004. On December 20, 2010. Acknowledge influences other than western jazz even in the artist descriptions at the festival; their music has influences from Indian classical and folk forms, as well as others. I only have eyes for you and compare it with the western jazz rendition by Peggy Lee. An exhaustive examination of cano...
arunuikas | De-disciplining Music
https://dediscipliningmusic.wordpress.com/author/arunuikas
Course 1004 at CSCS. A New Cultural Study of Music. This user hasn't shared any biographical information. Musical Futures and Musical Patronage: The age of the archive. On January 16, 2011. Note: The ODT file is attached here. Possibly even the destruction of the formal notions of a centralized archive such as the Archive of German Music History or for that matter The Digital Archive of North Indian Classical Music. Technology and Modal Change. The Dialectic of Enlightenment. Adorno and Horkheimer 1972) ...
The Classical in the Popular | De-disciplining Music
https://dediscipliningmusic.wordpress.com/2011/01/24/the-classical-in-the-popular
Course 1004 at CSCS. A New Cultural Study of Music. Laquo; Musical Futures and Musical Patronage: The age of the archive. MUSIC AND COMMUNICATION: MOTIVATED AMBIGUITY AND AMBIGUOUS MOTIVATION IN CREATION AND INTERPRETATION OF MUSIC. The Classical in the Popular. Some recent work [1]. Does classical music have a role in shaping this value? What is the space then of the classical in popular music? These are some of the questions I would like to explore in this paper. The Classical- Popular Divide. To fully...
Musical Futures and Musical Patronage: The age of the archive. | De-disciplining Music
https://dediscipliningmusic.wordpress.com/2011/01/16/musical-futures-and-musical-patronage-the-age-of-the-archive
Course 1004 at CSCS. A New Cultural Study of Music. Laquo; Canon, Indian Jazz and Pedagogy: Charting New Territories. The Classical in the Popular. Musical Futures and Musical Patronage: The age of the archive. Note: The ODT file is attached here. Possibly even the destruction of the formal notions of a centralized archive such as the Archive of German Music History or for that matter The Digital Archive of North Indian Classical Music. Technology and Modal Change. The Dialectic of Enlightenment. Adorno ...
The Sound of Music – Evolution of the modern singing voice in Hindi film music | De-disciplining Music
https://dediscipliningmusic.wordpress.com/2010/12/15/the-sound-of-music-evolution-of-the-modern-singing-voice-in-hindi-film-music
Course 1004 at CSCS. A New Cultural Study of Music. Laquo; Modes of ‘recovery’ through Hindustani Classical Music. Canon, Indian Jazz and Pedagogy: Charting New Territories. The Sound of Music – Evolution of the modern singing voice in Hindi film music. Mere Sapnon Ki Rani, Ruhi (K.L.Saigal in ‘Shahjehan’ (1946) composed by – Naushad). Mere sapnon ki rani kab aayegi tu. Kishore Kumar, ‘Aradhana’ (1969) composed by SD Burman). Compared with his singing in Aradhana (1969). The idea of a good singing voice ...
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Mot de passe :. J'ai oublié mon mot de passe. Plus d'actions ▼. S'abonner à mon blog. Création : 05/05/2010 à 04:53. Mise à jour : 04/08/2010 à 12:50. Les plus belles melodies sont celles qui viennent du paradis. Wesh lovers and Loveeeuse! Devrais tu oublier tout ces bons moments? Vous vous enlaciez passionnément. Vous vous laissiez guider par vos sentiments. Une chose est sûre cette idée restera superficielle . Lorsque l'être aimé n'est plus là. La vie change de couleur. Au début c'est un vide impensable.
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dediscipliningmusic.wordpress.com
De-disciplining Music | Course 1004 at CSCS
Course 1004 at CSCS. A New Cultural Study of Music. MUSIC AND COMMUNICATION: MOTIVATED AMBIGUITY AND AMBIGUOUS MOTIVATION IN CREATION AND INTERPRETATION OF MUSIC. On January 25, 2011. To speak is to limit. The function of language as expressed in speech acts is partly natural and partly. One cannot be sure whether the vocal apparatus is specifically meant for speaking like legs are for walking! If so why not music also could have been a potential contender for human communication? To articulate the past ...
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