denverartlog.com

Denver Art Log

Critical Focus: Ian Fisher. April 13, 2014. Atmosphere No. 38. Atmosphere No. 34. Atmosphere No. 35. Atmosphere No. 40. Atmosphere No. 47 (The Four Horsemen). Atmosphere No. 49 (Lost Territory). Atmosphere No. 50 (Follow You Into the Dark). Atmosphere No. 51 (Paramount. Clouds. Billowy gigantic ones that look and feel like a storm’s coming: blasts of cool wet air, ominous greens; towers of steam a thousand stories high, heavy and floating, silently exploding. April 13, 2014. April 13, 2014. What would ha...

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Denver Art Log | denverartlog.com Reviews

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Critical Focus: Ian Fisher. April 13, 2014. Atmosphere No. 38. Atmosphere No. 34. Atmosphere No. 35. Atmosphere No. 40. Atmosphere No. 47 (The Four Horsemen). Atmosphere No. 49 (Lost Territory). Atmosphere No. 50 (Follow You Into the Dark). Atmosphere No. 51 (Paramount. Clouds. Billowy gigantic ones that look and feel like a storm’s coming: blasts of cool wet air, ominous greens; towers of steam a thousand stories high, heavy and floating, silently exploding. April 13, 2014. April 13, 2014. What would ha...

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1 denver art log

2 mca denver

3 ian fisher

4 the material body

5 senga nengudi

6 rsvp

7 new growth

8 rashid johnson

9 phoenix bird detail

10 untitled rug

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Denver Art Log | denverartlog.com Reviews

https://denverartlog.com

Critical Focus: Ian Fisher. April 13, 2014. Atmosphere No. 38. Atmosphere No. 34. Atmosphere No. 35. Atmosphere No. 40. Atmosphere No. 47 (The Four Horsemen). Atmosphere No. 49 (Lost Territory). Atmosphere No. 50 (Follow You Into the Dark). Atmosphere No. 51 (Paramount. Clouds. Billowy gigantic ones that look and feel like a storm’s coming: blasts of cool wet air, ominous greens; towers of steam a thousand stories high, heavy and floating, silently exploding. April 13, 2014. April 13, 2014. What would ha...

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denverartlog.com

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The Material Body @ MCA Denver (Senga Nengudi) — Denver Art Log

http://denverartlog.com/2014/the-material-body

April 13, 2014. The very last thing I wrote in my notebook about this show was SKIN! Black and brown. Symmetry and triangles. Emphatically rough, raw, and handmade, but in a way that exploits the perfect lines and futuristic forms that arise naturally out of elasticity and tension; the forms feel slick and elegant alien in a way that is completely intrinsic to the materials. The pieces have been arranged rather than wrought or worked; simply brought forth from the hose, made taut.

2

Night Writing @ MCA Denver (Teresita Fernández) — Denver Art Log

http://denverartlog.com/2014/night-writing

April 13, 2014. Night Writing (installation view). Night Writing (installation view). Architectural in both scale and affect cold, large, and somehow impersonal? Flowing, flying, falling, colored translucent tubes create a skylight of giant-sized straws; a slightly organic placement of precise and uniform materials. Mostly digital; like a waveform. Weightless. Shiny.

3

Denver Art Log

http://denverartlog.com/page2

The Night is Dark. January 10, 2014. Creepy; beautiful women as victims and objects of desire, who is the creep? The wall text calls the paintings cinematic and it’s right. Frozen, tense moments, before or after action; part of some narrative for which our only context is movie tropes. Cindy Sherman. Clowns. And painted exquisitely. Smooth, hi-gloss, photo-real, and. Here, Then, and Now. January 10, 2014. Where Things Patch Up. What Was and What Could Be. January 10, 2014. The History of Weather. Crime S...

4

New Growth @ MCA Denver (Rashid Johnson) — Denver Art Log

http://denverartlog.com/2014/new-growth

April 13, 2014. The Sting of the Bee. What would happen if Sun Ra, George Washington Carver and Robert Smithson started a community together in the desert? A disparate and limited vocabulary of objects and icons arranged into nonsense? For instance: an Afgan rug branded with. Crosshairs and palm trees, with an uncomfortable looking zebra-skin chair and a forty-pound block of butter sitting atop it. Race, certainly; the war in Afghanistan maybe?

5

Critical Focus: Ian Fisher @ MCA Denver (Ian Fisher) — Denver Art Log

http://denverartlog.com/2014/critical-focus

Critical Focus: Ian Fisher. April 13, 2014. Atmosphere No. 38. Atmosphere No. 34. Atmosphere No. 35. Atmosphere No. 40. Atmosphere No. 47 (The Four Horsemen). Atmosphere No. 49 (Lost Territory). Atmosphere No. 50 (Follow You Into the Dark). Atmosphere No. 51 (Paramount. Clouds. Billowy gigantic ones that look and feel like a storm’s coming: blasts of cool wet air, ominous greens; towers of steam a thousand stories high, heavy and floating, silently exploding.

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Denver Art Log

Critical Focus: Ian Fisher. April 13, 2014. Atmosphere No. 38. Atmosphere No. 34. Atmosphere No. 35. Atmosphere No. 40. Atmosphere No. 47 (The Four Horsemen). Atmosphere No. 49 (Lost Territory). Atmosphere No. 50 (Follow You Into the Dark). Atmosphere No. 51 (Paramount. Clouds. Billowy gigantic ones that look and feel like a storm’s coming: blasts of cool wet air, ominous greens; towers of steam a thousand stories high, heavy and floating, silently exploding. April 13, 2014. April 13, 2014. What would ha...

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Are Glue Guns Legal? Photo by Tom Hofmeist. The 11th Annual Paper Fashion Show. This year, it was held at the Bindery on Blake Street. In lower downtown. It coincided with the first Rockies game and it could have been a nightmare. As fashion folk were coming in, baseball fans were leaving downtown in droves. What we suffer for fashion! Inside, the bare brick walls and polished concrete floors looked hip and modern. The large dock doors were opened to the site of the nearby RiNo. DAVA’s Choice &#821...

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